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• AcknowledgmentsIntroduction – The Quest to Understand Diverse Musical ExperiencesChapter 1: Setting the SceneChapter 2: Music, Attachment, Ethics and CommunityChapter 3: Bridging Worlds Through Common Modes of Being in MusicChapter 4: Boundaries – Communal and Private, Spiritual and SecularChapter 5: At the Edges – Value Transfer, Judgments, DiscontentChapter 6: Alternative Musical SpacesConclusionAppendix A: Morning Service Repertoire List – January 2012 Appendix B: Worship Team Agreement 2013/14BibliographyIndex

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• AcknowledgmentsIntroduction – The Quest to Understand Diverse Musical ExperiencesChapter 1: Setting the SceneChapter 2: Music, Attachment, Ethics and CommunityChapter 3: Bridging Worlds Through Common Modes of Being in MusicChapter 4: Boundaries – Communal and Private, Spiritual and SecularChapter 5: At the Edges – Value Transfer, Judgments, DiscontentChapter 6: Alternative Musical SpacesConclusionAppendix A: Morning Service Repertoire List – January 2012 Appendix B: Worship Team Agreement 2013/14BibliographyIndex

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• AcknowledgmentsIntroduction – The Quest to Understand Diverse Musical ExperiencesChapter 1: Setting the SceneChapter 2: Music, Attachment, Ethics and CommunityChapter 3: Bridging Worlds Through Common Modes of Being in MusicChapter 4: Boundaries – Communal and Private, Spiritual and SecularChapter 5: At the Edges – Value Transfer, Judgments, DiscontentChapter 6: Alternative Musical SpacesConclusionAppendix A: Morning Service Repertoire List – January 2012 Appendix B: Worship Team Agreement 2013/14BibliographyIndex