Joanna Cannon is a lecturer at the Courtauld Institute of Art and author, with André Vauchez, of Margherita of Cortona and the Lorenzetti. Sienese Art and the Cult of a Holy Woman in Medieval Tuscany, University Park 1998. Beth Williamson is a lecturer in the History of Art at the University of Bristol.

’...the quality of this opener is extremely high.’ Apollo '...this handsome volume has sufficient coherence and freshness to appeal to researcher and general reader alike...' Journal of Ecclesiastical History

• Contents: Introduction; Secular power and the sacred in the art of the central-Italian city-state, Joanna Cannon; The decoration of the west wall of the Sala del Mappamondo in Siena’s Palazzo Pubblico, Thomas de Wesselow; Reconstructing the programme of the tomb of Guido Tarlati, Bishop and Lord of Arezzo, Georgina Pelham; The reliquary of the Holy Corporal in the cathedral of Orvieto: patronage and politics, Giovanni Freni; San Ranieri of Pisa: a civic cult and its expression in text and image, Lily Richards; Coppo di Marcovaldo’s Madonna del Bordone: political statement or profession of faith? Gianna A. Mina; Civitas Virginis? The significance of civic dedication to the Virgin for the development of Marian imagery in Siena before 1311, Bridget Heal; Index.

Joanna Cannon is a lecturer at the Courtauld Institute of Art and author, with André Vauchez, of Margherita of Cortona and the Lorenzetti. Sienese Art and the Cult of a Holy Woman in Medieval Tuscany, University Park 1998. Beth Williamson is a lecturer in the History of Art at the University of Bristol.

’...the quality of this opener is extremely high.’ Apollo '...this handsome volume has sufficient coherence and freshness to appeal to researcher and general reader alike...' Journal of Ecclesiastical History

• Contents: Introduction; Secular power and the sacred in the art of the central-Italian city-state, Joanna Cannon; The decoration of the west wall of the Sala del Mappamondo in Siena’s Palazzo Pubblico, Thomas de Wesselow; Reconstructing the programme of the tomb of Guido Tarlati, Bishop and Lord of Arezzo, Georgina Pelham; The reliquary of the Holy Corporal in the cathedral of Orvieto: patronage and politics, Giovanni Freni; San Ranieri of Pisa: a civic cult and its expression in text and image, Lily Richards; Coppo di Marcovaldo’s Madonna del Bordone: political statement or profession of faith? Gianna A. Mina; Civitas Virginis? The significance of civic dedication to the Virgin for the development of Marian imagery in Siena before 1311, Bridget Heal; Index.

Joanna Cannon is a lecturer at the Courtauld Institute of Art and author, with André Vauchez, of Margherita of Cortona and the Lorenzetti. Sienese Art and the Cult of a Holy Woman in Medieval Tuscany, University Park 1998. Beth Williamson is a lecturer in the History of Art at the University of Bristol.

’...the quality of this opener is extremely high.’ Apollo '...this handsome volume has sufficient coherence and freshness to appeal to researcher and general reader alike...' Journal of Ecclesiastical History

• Contents: Introduction; Secular power and the sacred in the art of the central-Italian city-state, Joanna Cannon; The decoration of the west wall of the Sala del Mappamondo in Siena’s Palazzo Pubblico, Thomas de Wesselow; Reconstructing the programme of the tomb of Guido Tarlati, Bishop and Lord of Arezzo, Georgina Pelham; The reliquary of the Holy Corporal in the cathedral of Orvieto: patronage and politics, Giovanni Freni; San Ranieri of Pisa: a civic cult and its expression in text and image, Lily Richards; Coppo di Marcovaldo’s Madonna del Bordone: political statement or profession of faith? Gianna A. Mina; Civitas Virginis? The significance of civic dedication to the Virgin for the development of Marian imagery in Siena before 1311, Bridget Heal; Index.