Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English, University Distinguished Scholar, and University Distinguished Teacher at The Ohio State University, USA. He is an award-winning author, co-author, and editor of over thirty books. He is editor and co-editor of eight academic press book series. He has been honored with the American Association of Hispanics in Higher Education’s Outstanding Latino/a Faculty in Higher Education Award and inducted into the Academy of Teaching.

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• List of figures; List of contributors;Introduction: Putting gender and sexuality at the center of all that goes pop in Latin America, Frederick Luis Aldama; PART I Transmedial re-mediations; Chapter 1 Hybrid mass culture, Debra A. Castillo; Chapter 2 The Latin American flâneur in the digital age, Osvaldo Cleger; Chapter 3 Intersections of gender and gaming in Latin America, Phillip Penix-Tadsen; Chapter 4 La lotería mexicana: Playing with heteronormativity, Stacey Alex; Chapter 5 Diasporic intersectionality: Colonial history and Puerto Rican hero narratives in 21: The Story of Roberto Clemente and La Borinqueña, Ivonne M. García; Chapter 6 Drawing up a ‘post’-Latin America: The possibilities and limits of gender imagination in post-apocalyptic, post-human, and post-historical graphic narrative, Mauricio Espinoza; Chapter 7 Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts, Nicolas Poppe; PART II Bending genre; Chapter 8 Interior design and homoerotic spaces in José Asunción Silva’s De sobremesa, Sergio Macías; Chapter 9 Melodramatic attachments: On Puig’s Boquitas pintadas, Ben. Sifuentes-Jáuregui; Chapter 10 Sex with aliens: Dramatic irony in Daína Chaviano’s The Annunciation, Matthew David Goodwin; Chapter 11 Villain or victim?: Undermining the memory of Japanese Peruvians in Augusto Higa Oshiro’s Gaijin (Extranjero), Shigeko Mato; Chapter 12 Art, literature, and mass media in Pedro Lemebel, Juan Poblete; PART III Re-constructing silver screen imaginaries; Chapter 13 Neoliberal pigmentocracies: Women and the elite body politic in neoliberal Mexican cinema, Ignacio M. Sánchez Prado; Chapter

Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English, University Distinguished Scholar, and University Distinguished Teacher at The Ohio State University, USA. He is an award-winning author, co-author, and editor of over thirty books. He is editor and co-editor of eight academic press book series. He has been honored with the American Association of Hispanics in Higher Education’s Outstanding Latino/a Faculty in Higher Education Award and inducted into the Academy of Teaching.

Select Guide Rating

• List of figures; List of contributors;Introduction: Putting gender and sexuality at the center of all that goes pop in Latin America, Frederick Luis Aldama; PART I Transmedial re-mediations; Chapter 1 Hybrid mass culture, Debra A. Castillo; Chapter 2 The Latin American flâneur in the digital age, Osvaldo Cleger; Chapter 3 Intersections of gender and gaming in Latin America, Phillip Penix-Tadsen; Chapter 4 La lotería mexicana: Playing with heteronormativity, Stacey Alex; Chapter 5 Diasporic intersectionality: Colonial history and Puerto Rican hero narratives in 21: The Story of Roberto Clemente and La Borinqueña, Ivonne M. García; Chapter 6 Drawing up a ‘post’-Latin America: The possibilities and limits of gender imagination in post-apocalyptic, post-human, and post-historical graphic narrative, Mauricio Espinoza; Chapter 7 Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts, Nicolas Poppe; PART II Bending genre; Chapter 8 Interior design and homoerotic spaces in José Asunción Silva’s De sobremesa, Sergio Macías; Chapter 9 Melodramatic attachments: On Puig’s Boquitas pintadas, Ben. Sifuentes-Jáuregui; Chapter 10 Sex with aliens: Dramatic irony in Daína Chaviano’s The Annunciation, Matthew David Goodwin; Chapter 11 Villain or victim?: Undermining the memory of Japanese Peruvians in Augusto Higa Oshiro’s Gaijin (Extranjero), Shigeko Mato; Chapter 12 Art, literature, and mass media in Pedro Lemebel, Juan Poblete; PART III Re-constructing silver screen imaginaries; Chapter 13 Neoliberal pigmentocracies: Women and the elite body politic in neoliberal Mexican cinema, Ignacio M. Sánchez Prado; Chapter

Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English, University Distinguished Scholar, and University Distinguished Teacher at The Ohio State University, USA. He is an award-winning author, co-author, and editor of over thirty books. He is editor and co-editor of eight academic press book series. He has been honored with the American Association of Hispanics in Higher Education’s Outstanding Latino/a Faculty in Higher Education Award and inducted into the Academy of Teaching.

Select Guide Rating

• List of figures; List of contributors;Introduction: Putting gender and sexuality at the center of all that goes pop in Latin America, Frederick Luis Aldama; PART I Transmedial re-mediations; Chapter 1 Hybrid mass culture, Debra A. Castillo; Chapter 2 The Latin American flâneur in the digital age, Osvaldo Cleger; Chapter 3 Intersections of gender and gaming in Latin America, Phillip Penix-Tadsen; Chapter 4 La lotería mexicana: Playing with heteronormativity, Stacey Alex; Chapter 5 Diasporic intersectionality: Colonial history and Puerto Rican hero narratives in 21: The Story of Roberto Clemente and La Borinqueña, Ivonne M. García; Chapter 6 Drawing up a ‘post’-Latin America: The possibilities and limits of gender imagination in post-apocalyptic, post-human, and post-historical graphic narrative, Mauricio Espinoza; Chapter 7 Tito Guízar on Radio Row: Intermediality, Latino identity, and two early 1930s Vitaphone shorts, Nicolas Poppe; PART II Bending genre; Chapter 8 Interior design and homoerotic spaces in José Asunción Silva’s De sobremesa, Sergio Macías; Chapter 9 Melodramatic attachments: On Puig’s Boquitas pintadas, Ben. Sifuentes-Jáuregui; Chapter 10 Sex with aliens: Dramatic irony in Daína Chaviano’s The Annunciation, Matthew David Goodwin; Chapter 11 Villain or victim?: Undermining the memory of Japanese Peruvians in Augusto Higa Oshiro’s Gaijin (Extranjero), Shigeko Mato; Chapter 12 Art, literature, and mass media in Pedro Lemebel, Juan Poblete; PART III Re-constructing silver screen imaginaries; Chapter 13 Neoliberal pigmentocracies: Women and the elite body politic in neoliberal Mexican cinema, Ignacio M. Sánchez Prado; Chapter