Tim Edensor teaches Cultural Geography at MMU. He is author of Tourists at the Taj (1998), National Identity, Popular Culture and Everyday Life (2002) and Industrial Ruins: Space, Aesthetics and Materiality (2005). He is currently researching landscapes of illumination, geographies of rhythm and urban materiality.Deborah Leslie is an Associate Professor of Geography at the University of Toronto. She is interested in the role of cultural industries in urban economic development, and has done research on a range of industries including design, fashion, art, furniture, advertising and more recently the circus. She has related research interests in the creative city initiatives and urban governance, and in the geography of commodity chains. She is author of a number of publications relating to these topics.Steve Millington is a Senior Lecturer in Human Geography at Manchester Metropolitan University. His research interests include landscapes of illumination, vernacular creativity and geographies of play. He is co-author of Cosmopolitan Urbanism (2006) and has recently published journal articles in Global Networks and Sociology. Norma M. Rantisi is an Associate Professor in the Department of Geography, Planning & Environment at Concordia University (Canada). She is author and co-author of numerous articles on the themes of fashion design, the cultural economy and policies governing design in urban settings. She has co-edited two special journal issues: one for Environment and Planning A on the creative economy and one for The Journal of Economic Geography on relational economic geography.

• 1. Introduction: Rethinking Creativity: Critiquing the Creative Class Thesis (Tim Edensor, Deborah Leslie, Steve Millington and Norma M. Rantisi) Part 1: Governing and Practising Creativity 2. Creative Spaces and the Art of Urban Living (Graeme Evans) 3. Creativity by Design? The Role of Informal Spaces in Creative Production (Rantisi and Leslie) 4. Art goes AWOL (Malcolm Miles) Part 2: Decentering Creativity 5. Creative Suburbs: Cultural ‘Popcorn’ Pioneering in Multi-purpose Spaces (Alison Bain) 6. Beyond Bohemia: Geographies of Everyday Creativity for Musicians in Toronto (Brian J. Hracs) 7. Mapping Vernacular Creativity: the Extent and Diversity of Rural Festivals in Australia (Chris Gibson, Chris Brennan-Horley and Jim Walmsley) 8. Imagining the Spatialities of Music Production: The Co-constitution of Creative Clusters and Networks (Bas Van Heur) 9. Remediating Vernacular Creativity: Photography and Cultural Citizenship in the Flickr Photosharing Network (Jean Burgess) Part 3: Everyday Spaces of Creativity 10. Creativity, Space and Performance: Community Gardening (David Crouch) 11. Growing Places: Community Gardening, Ordinary Creativities and Place-based Regeneration in a Northern English City (Paul Milbourne) 12. Creative Destruction and Critical Creativity: Recent Episodes in the Social Life of Gnomes (Tracey J. Potts) 13. Christmas Lights Displays and the Creative Production of Spaces of Generosity (Edensor and Millington) Part 4: Alternative Creativities 14. Challenge, Change, and Space in Vernacular Cultural Practice (Ann Markusen) 15. The Politics of Creative Performance in Public Space: Towards a Critical Geography of Toronto Case Studies (Heather E. McLean) 16. Creativity Unbound: Cultivating the Generative Power of Non-economic Neighbourhood Spaces (Ava Bromberg)

Tim Edensor teaches Cultural Geography at MMU. He is author of Tourists at the Taj (1998), National Identity, Popular Culture and Everyday Life (2002) and Industrial Ruins: Space, Aesthetics and Materiality (2005). He is currently researching landscapes of illumination, geographies of rhythm and urban materiality.Deborah Leslie is an Associate Professor of Geography at the University of Toronto. She is interested in the role of cultural industries in urban economic development, and has done research on a range of industries including design, fashion, art, furniture, advertising and more recently the circus. She has related research interests in the creative city initiatives and urban governance, and in the geography of commodity chains. She is author of a number of publications relating to these topics.Steve Millington is a Senior Lecturer in Human Geography at Manchester Metropolitan University. His research interests include landscapes of illumination, vernacular creativity and geographies of play. He is co-author of Cosmopolitan Urbanism (2006) and has recently published journal articles in Global Networks and Sociology. Norma M. Rantisi is an Associate Professor in the Department of Geography, Planning & Environment at Concordia University (Canada). She is author and co-author of numerous articles on the themes of fashion design, the cultural economy and policies governing design in urban settings. She has co-edited two special journal issues: one for Environment and Planning A on the creative economy and one for The Journal of Economic Geography on relational economic geography.

• 1. Introduction: Rethinking Creativity: Critiquing the Creative Class Thesis (Tim Edensor, Deborah Leslie, Steve Millington and Norma M. Rantisi) Part 1: Governing and Practising Creativity 2. Creative Spaces and the Art of Urban Living (Graeme Evans) 3. Creativity by Design? The Role of Informal Spaces in Creative Production (Rantisi and Leslie) 4. Art goes AWOL (Malcolm Miles) Part 2: Decentering Creativity 5. Creative Suburbs: Cultural ‘Popcorn’ Pioneering in Multi-purpose Spaces (Alison Bain) 6. Beyond Bohemia: Geographies of Everyday Creativity for Musicians in Toronto (Brian J. Hracs) 7. Mapping Vernacular Creativity: the Extent and Diversity of Rural Festivals in Australia (Chris Gibson, Chris Brennan-Horley and Jim Walmsley) 8. Imagining the Spatialities of Music Production: The Co-constitution of Creative Clusters and Networks (Bas Van Heur) 9. Remediating Vernacular Creativity: Photography and Cultural Citizenship in the Flickr Photosharing Network (Jean Burgess) Part 3: Everyday Spaces of Creativity 10. Creativity, Space and Performance: Community Gardening (David Crouch) 11. Growing Places: Community Gardening, Ordinary Creativities and Place-based Regeneration in a Northern English City (Paul Milbourne) 12. Creative Destruction and Critical Creativity: Recent Episodes in the Social Life of Gnomes (Tracey J. Potts) 13. Christmas Lights Displays and the Creative Production of Spaces of Generosity (Edensor and Millington) Part 4: Alternative Creativities 14. Challenge, Change, and Space in Vernacular Cultural Practice (Ann Markusen) 15. The Politics of Creative Performance in Public Space: Towards a Critical Geography of Toronto Case Studies (Heather E. McLean) 16. Creativity Unbound: Cultivating the Generative Power of Non-economic Neighbourhood Spaces (Ava Bromberg)

Tim Edensor teaches Cultural Geography at MMU. He is author of Tourists at the Taj (1998), National Identity, Popular Culture and Everyday Life (2002) and Industrial Ruins: Space, Aesthetics and Materiality (2005). He is currently researching landscapes of illumination, geographies of rhythm and urban materiality.Deborah Leslie is an Associate Professor of Geography at the University of Toronto. She is interested in the role of cultural industries in urban economic development, and has done research on a range of industries including design, fashion, art, furniture, advertising and more recently the circus. She has related research interests in the creative city initiatives and urban governance, and in the geography of commodity chains. She is author of a number of publications relating to these topics.Steve Millington is a Senior Lecturer in Human Geography at Manchester Metropolitan University. His research interests include landscapes of illumination, vernacular creativity and geographies of play. He is co-author of Cosmopolitan Urbanism (2006) and has recently published journal articles in Global Networks and Sociology. Norma M. Rantisi is an Associate Professor in the Department of Geography, Planning & Environment at Concordia University (Canada). She is author and co-author of numerous articles on the themes of fashion design, the cultural economy and policies governing design in urban settings. She has co-edited two special journal issues: one for Environment and Planning A on the creative economy and one for The Journal of Economic Geography on relational economic geography.

• 1. Introduction: Rethinking Creativity: Critiquing the Creative Class Thesis (Tim Edensor, Deborah Leslie, Steve Millington and Norma M. Rantisi) Part 1: Governing and Practising Creativity 2. Creative Spaces and the Art of Urban Living (Graeme Evans) 3. Creativity by Design? The Role of Informal Spaces in Creative Production (Rantisi and Leslie) 4. Art goes AWOL (Malcolm Miles) Part 2: Decentering Creativity 5. Creative Suburbs: Cultural ‘Popcorn’ Pioneering in Multi-purpose Spaces (Alison Bain) 6. Beyond Bohemia: Geographies of Everyday Creativity for Musicians in Toronto (Brian J. Hracs) 7. Mapping Vernacular Creativity: the Extent and Diversity of Rural Festivals in Australia (Chris Gibson, Chris Brennan-Horley and Jim Walmsley) 8. Imagining the Spatialities of Music Production: The Co-constitution of Creative Clusters and Networks (Bas Van Heur) 9. Remediating Vernacular Creativity: Photography and Cultural Citizenship in the Flickr Photosharing Network (Jean Burgess) Part 3: Everyday Spaces of Creativity 10. Creativity, Space and Performance: Community Gardening (David Crouch) 11. Growing Places: Community Gardening, Ordinary Creativities and Place-based Regeneration in a Northern English City (Paul Milbourne) 12. Creative Destruction and Critical Creativity: Recent Episodes in the Social Life of Gnomes (Tracey J. Potts) 13. Christmas Lights Displays and the Creative Production of Spaces of Generosity (Edensor and Millington) Part 4: Alternative Creativities 14. Challenge, Change, and Space in Vernacular Cultural Practice (Ann Markusen) 15. The Politics of Creative Performance in Public Space: Towards a Critical Geography of Toronto Case Studies (Heather E. McLean) 16. Creativity Unbound: Cultivating the Generative Power of Non-economic Neighbourhood Spaces (Ava Bromberg)