This collection of 15 original essays, assembled by renowned Mamet and Pinter scholar Leslie Kane, examines the pervasiveness of crime and criminality in the plays and screenplays of two of the most influential contemporary dramatists. The contributors generally focus on one or more works by a single writer, while a few take a comparative approach. Often the works studied are lesser-known or infrequently discussed works, thereby making this volume a valuable addition to current scholarship. In addition, this volume complements other works on Mamet and Pinter on our backlist, including Kane's earlier edited volumes on Mamet which both received solid sales and accolades from Choice. Assembled by a Garland/Routledge author with a proven sales record and impressive critical reception, this collection should be an easy sell to academic and theater libraries, as well as Pinter and Mamet specialists.

This collection of 15 original essays, assembled by renowned Mamet and Pinter scholar Leslie Kane, examines the pervasiveness of crime and criminality in the plays and screenplays of two of the most influential contemporary dramatists. The contributors generally focus on one or more works by a single writer, while a few take a comparative approach. Often the works studied are lesser-known or infrequently discussed works, thereby making this volume a valuable addition to current scholarship. In addition, this volume complements other works on Mamet and Pinter on our backlist, including Kane's earlier edited volumes on Mamet which both received solid sales and accolades from Choice. Assembled by a Garland/Routledge author with a proven sales record and impressive critical reception, this collection should be an easy sell to academic and theater libraries, as well as Pinter and Mamet specialists.

This collection of 15 original essays, assembled by renowned Mamet and Pinter scholar Leslie Kane, examines the pervasiveness of crime and criminality in the plays and screenplays of two of the most influential contemporary dramatists. The contributors generally focus on one or more works by a single writer, while a few take a comparative approach. Often the works studied are lesser-known or infrequently discussed works, thereby making this volume a valuable addition to current scholarship. In addition, this volume complements other works on Mamet and Pinter on our backlist, including Kane's earlier edited volumes on Mamet which both received solid sales and accolades from Choice. Assembled by a Garland/Routledge author with a proven sales record and impressive critical reception, this collection should be an easy sell to academic and theater libraries, as well as Pinter and Mamet specialists.