Brean Hammond is Professor of Modern English Literature at the University of Nottingham, UK.

• 1. Introduction  2. Pope's Refinement  3. Pope's Moral Political and Cultural Combat  4.The Rape of the Lock  5. Pope's Rape of Excess  6. Missing Parts: Voice and Spectacle in Eloisa to Abelard  7. On the Use of Contradiction: Economics and Morality in the Eighteenth-Century Long Poem  8. The Ideology of Neo-Classical Asthetics: Epistles to Several Persons  9. `And hate for Arts that caus'd himself to rise': The Epistle to Dr Arbuthnot

Brean Hammond is Professor of Modern English Literature at the University of Nottingham, UK.

• 1. Introduction  2. Pope's Refinement  3. Pope's Moral Political and Cultural Combat  4.The Rape of the Lock  5. Pope's Rape of Excess  6. Missing Parts: Voice and Spectacle in Eloisa to Abelard  7. On the Use of Contradiction: Economics and Morality in the Eighteenth-Century Long Poem  8. The Ideology of Neo-Classical Asthetics: Epistles to Several Persons  9. `And hate for Arts that caus'd himself to rise': The Epistle to Dr Arbuthnot

Brean Hammond is Professor of Modern English Literature at the University of Nottingham, UK.

• 1. Introduction  2. Pope's Refinement  3. Pope's Moral Political and Cultural Combat  4.The Rape of the Lock  5. Pope's Rape of Excess  6. Missing Parts: Voice and Spectacle in Eloisa to Abelard  7. On the Use of Contradiction: Economics and Morality in the Eighteenth-Century Long Poem  8. The Ideology of Neo-Classical Asthetics: Epistles to Several Persons  9. `And hate for Arts that caus'd himself to rise': The Epistle to Dr Arbuthnot