Can postmodern accounts of the gaze - deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere - tell us anything about those structures of vision prior to, and repressed by, modernity?
PHILIP ARMSTRONG teaches English and Cultural Studies at the University of Canterbury, Christ Church, New Zealand. He is currently preparing a second book on Shakespeare and Psychoanalysis and researching accounts of cannibalism in Pacific colonial history.
Innehållsförteckning
List of Illustrations Acknowledgements Introduction Hamlet : The Stage Mirror King Lear : Uncanny Spectacles Othello : Black and White Writing Troilus and Cressida : Space War Mapping Histories Macbeth : Mimicry and Masquerade Conclusion Notes Bibliography Index