Malcolm K. McNee is an Assistant Professor of Spanish and Portuguese at Smith College, USA.

"In this smart interdisciplinary treatment of ecopoetics, Malcolm McNee's The Environmental Imaginary in Brazilian Poetry and Art uses ecocritical theory to build bridges between the most recent developments in Environmental Humanities and the cultural and bioregional contexts of Brazil as well as between the literary and visual arts. Unlike the many primarily political treatments of the theme of nature in Latin American literature, McNee allows contemporary understandings of ecology to inspire a rethinking of older postcolonial paradigms. It will be of great value to ecocritics and, no doubt, to the budding conversation in Brazil about literature and the environment." - George Handley, Professor of Humanities, Classics, and Comparative Literature, Brigham Young University, USA "Just as Brazil is one of the most prominent green sites on the planet, Malcolm K. McNee, with his unique study, is poised to be an authoritative voice in ecocriticism of contemporary Brazilian poetry and visual arts. What he sees and hears reverberates throughout the hemisphere and around the world." - Charles A. Perrone, Professor of Spanish & Portuguese Studies, University of Florida, USA, and author of Seven Faces, Brazilian Poetry since Modernism and Brazil, Lyric, and the Americas "In this seminal and sensitive study of contemporary poetry and visual arts from Brazil, Malcolm McNee expands our understanding not only of the Environmental Imaginary, but also of the aesthetical, historical, and philosophical challenges of our time. Through a careful and delicate analysis of the work of four poets, Manoel de Barros, Astrid Cabral, Sergio Medeiros and Josely Vianna Baptista, and four artists, Frans Krajcberg, Bene Fonteles, Lia do Rio, and Nuno Ramos, McNee's book brings a fresh air and a renewed approach to literary studies, attuned with the most contemporary reflections on ethno-anthropology, and ecocriticsm." - Marilia Librandi-Rocha, Assistant Professor of Brazilian Literature and Culture, Stanford University, USA

• Introduction: Land that Seemed to Us Quite Vast 1. Ecopoetry and Earth Art: Theoretical Orientations and Brazilian Inflections 2. Manoel de Barros and Astrid Cabral: Between Backyard Swamps and the Cosmos 3. Sérgio Medeiros and Josely Vianna Baptista: Meta-Landscape and the (Re)Turn of the Native 4. Frans Krajcberg and Bené Fonteles: Art, Anti-Art, and Environmentalist Engagement 5. Lia do Rio and Nuno Ramos: The Art of Nature Estranged Epilogue: Notes from the Creative Margins of Rio+20

Malcolm K. McNee is an Assistant Professor of Spanish and Portuguese at Smith College, USA.

"In this smart interdisciplinary treatment of ecopoetics, Malcolm McNee's The Environmental Imaginary in Brazilian Poetry and Art uses ecocritical theory to build bridges between the most recent developments in Environmental Humanities and the cultural and bioregional contexts of Brazil as well as between the literary and visual arts. Unlike the many primarily political treatments of the theme of nature in Latin American literature, McNee allows contemporary understandings of ecology to inspire a rethinking of older postcolonial paradigms. It will be of great value to ecocritics and, no doubt, to the budding conversation in Brazil about literature and the environment." - George Handley, Professor of Humanities, Classics, and Comparative Literature, Brigham Young University, USA "Just as Brazil is one of the most prominent green sites on the planet, Malcolm K. McNee, with his unique study, is poised to be an authoritative voice in ecocriticism of contemporary Brazilian poetry and visual arts. What he sees and hears reverberates throughout the hemisphere and around the world." - Charles A. Perrone, Professor of Spanish & Portuguese Studies, University of Florida, USA, and author of Seven Faces, Brazilian Poetry since Modernism and Brazil, Lyric, and the Americas "In this seminal and sensitive study of contemporary poetry and visual arts from Brazil, Malcolm McNee expands our understanding not only of the Environmental Imaginary, but also of the aesthetical, historical, and philosophical challenges of our time. Through a careful and delicate analysis of the work of four poets, Manoel de Barros, Astrid Cabral, Sergio Medeiros and Josely Vianna Baptista, and four artists, Frans Krajcberg, Bene Fonteles, Lia do Rio, and Nuno Ramos, McNee's book brings a fresh air and a renewed approach to literary studies, attuned with the most contemporary reflections on ethno-anthropology, and ecocriticsm." - Marilia Librandi-Rocha, Assistant Professor of Brazilian Literature and Culture, Stanford University, USA

• Introduction: Land that Seemed to Us Quite Vast 1. Ecopoetry and Earth Art: Theoretical Orientations and Brazilian Inflections 2. Manoel de Barros and Astrid Cabral: Between Backyard Swamps and the Cosmos 3. Sérgio Medeiros and Josely Vianna Baptista: Meta-Landscape and the (Re)Turn of the Native 4. Frans Krajcberg and Bené Fonteles: Art, Anti-Art, and Environmentalist Engagement 5. Lia do Rio and Nuno Ramos: The Art of Nature Estranged Epilogue: Notes from the Creative Margins of Rio+20