David Irving is ICREA Research Professor at Institució Milà i Fontanals de Recerca en Humanitats, CSIC, Spain. His research focuses on the role of music in intercultural exchange, colonialism, and diplomacy in the early modern period (1500-1800). He is author of Colonial Counterpoint: Music in Early Modern Manila (Oxford, 2010), and co-editor of Intercultural Exchange in Southeast Asia: History and Society in the Early Modern World (I.B. Tauris, 2013). He was awarded the Andrew McCredie Medal for Musicology in 2015, and the Jerome Roche Prize by the RMA in 2010.ESTELLE JOUBERT is Associate Professor of Musicology at Dalhousie University. Her research focuses on opera and political thought of the Enlightenment, music and identity politics in Europe, and music in the global eighteenth century.

• Edited by David R.M. Irving and Estelle JoubertIntroduction: Musicking in the Age of Enlightenment, David R.M. Irving and Estelle Joubert1. Society: Music and Community, Estelle Joubert2. Philosophies: Making Sense of Vibration, Roger Mathew Grant3. Politics: Music and the Law, Rebekah Ahrendt4. Exchange: Musical Transactions Around the World, David R.M. Irving5. Education: Forming Musical Identities, Stephen Rose6. Popular Culture: Let’s Use Scare Quotes, Elisabeth Le Guin7. Performance: On and Off the Page, Geoffrey Burgess8. Technologies: Musical Media of Enlightenment, Rebecca Cypess

David Irving is ICREA Research Professor at Institució Milà i Fontanals de Recerca en Humanitats, CSIC, Spain. His research focuses on the role of music in intercultural exchange, colonialism, and diplomacy in the early modern period (1500-1800). He is author of Colonial Counterpoint: Music in Early Modern Manila (Oxford, 2010), and co-editor of Intercultural Exchange in Southeast Asia: History and Society in the Early Modern World (I.B. Tauris, 2013). He was awarded the Andrew McCredie Medal for Musicology in 2015, and the Jerome Roche Prize by the RMA in 2010.ESTELLE JOUBERT is Associate Professor of Musicology at Dalhousie University. Her research focuses on opera and political thought of the Enlightenment, music and identity politics in Europe, and music in the global eighteenth century.

• Edited by David R.M. Irving and Estelle JoubertIntroduction: Musicking in the Age of Enlightenment, David R.M. Irving and Estelle Joubert1. Society: Music and Community, Estelle Joubert2. Philosophies: Making Sense of Vibration, Roger Mathew Grant3. Politics: Music and the Law, Rebekah Ahrendt4. Exchange: Musical Transactions Around the World, David R.M. Irving5. Education: Forming Musical Identities, Stephen Rose6. Popular Culture: Let’s Use Scare Quotes, Elisabeth Le Guin7. Performance: On and Off the Page, Geoffrey Burgess8. Technologies: Musical Media of Enlightenment, Rebecca Cypess

David Irving is ICREA Research Professor at Institució Milà i Fontanals de Recerca en Humanitats, CSIC, Spain. His research focuses on the role of music in intercultural exchange, colonialism, and diplomacy in the early modern period (1500-1800). He is author of Colonial Counterpoint: Music in Early Modern Manila (Oxford, 2010), and co-editor of Intercultural Exchange in Southeast Asia: History and Society in the Early Modern World (I.B. Tauris, 2013). He was awarded the Andrew McCredie Medal for Musicology in 2015, and the Jerome Roche Prize by the RMA in 2010.ESTELLE JOUBERT is Associate Professor of Musicology at Dalhousie University. Her research focuses on opera and political thought of the Enlightenment, music and identity politics in Europe, and music in the global eighteenth century.

• Edited by David R.M. Irving and Estelle JoubertIntroduction: Musicking in the Age of Enlightenment, David R.M. Irving and Estelle Joubert1. Society: Music and Community, Estelle Joubert2. Philosophies: Making Sense of Vibration, Roger Mathew Grant3. Politics: Music and the Law, Rebekah Ahrendt4. Exchange: Musical Transactions Around the World, David R.M. Irving5. Education: Forming Musical Identities, Stephen Rose6. Popular Culture: Let’s Use Scare Quotes, Elisabeth Le Guin7. Performance: On and Off the Page, Geoffrey Burgess8. Technologies: Musical Media of Enlightenment, Rebecca Cypess