Inbunden, Engelska, 2022

New Perspectives on Early Cinema History

Concepts, Approaches, Audiences

Av Mario Slugan, Daniël Biltereyst

1377 kr

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Beskrivning

Runner-up of Best Edited Collection at the 2023 BAFTSS AwardsIn this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper’s Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.

Produktinformation

Utgivningsdatum: 2022-06-30
Mått: 156 x 234 x 18 mm
Vikt: 595 g
Format: Inbunden
Språk: Engelska
Antal sidor: 304
Förlag: Bloomsbury Publishing PLC
ISBN: 9781350181977
Utmärkelser: Runner-up for BAFTSS (British Association of Film, Television and Screen Studies) Award for Best Edited Collection 2023 (UK)

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Mer om författaren

Mario Slugan is Lecturer in Film Studies, Queen Mary University of London, UK. He is the author of Montage as Perceptual Experience (2017), Noël Carroll on Film (Bloomsbury, 2018) and Fiction and Imagination in Early Cinema (Bloomsbury, 2019). He is also the editor of the open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe and book review editor for Early Popular Visual Culture.Daniël Biltereyst is Professor in Film and Media Studies at Ghent University, Belgium. He is editor of Mapping Movie Magazines (2020) and co-editor of The Routledge Companion to New Cinema Audiences (2019), Moralizing Cinema (2015), Silencing Cinema (2013), Cinema, Audiences and Modernity (2012) and Explorations in New Cinema History (2011).

Recensioner i media

[New Perspectives] questions the established notions of early cinema and points to new frontiers, but it is not an attempt to sever ties with the achievements of preceding research. However, it does not hesitate to challenge the common parlance of early film history ... Although it covers highly theoretical issues and successfully meets the challenges of history and historiography, New Perspectives on Early Cinema History is very accessible not only for scholars and students of film, but also for laypersons with an interest in film and history.

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