Saygin Salgirli is Assistant Professor, Department of Art History, Visual Art & Theory, University of British Columbia, Canada.

• Introduction: Inside/Outside in and of Islamic Art & Architecture: Toward a Cartographical Approach, Saygin Salgirli (University of British Columbia-Vancouver, Canada)1. In and Out of a Local Idiom: The Story of a Siedlung in Yenimahalle, Ankara, Kivanc Kilinc (American University of Beirut, Lebanon)2. Looking beyond the Lens’ Veil: Capturing the Haram (1840- 1890), Jorge Correia (University of Minho, Portugal)3. Under-Writing Beirut-Mathaf, Whose Ghosts Must be Summoned, Jeff O’Brien (University of British Columbia-Vancouver, Canada)4. For Close Observation: Imagery in the Architecture of Qajar Iran, Friederike Voigt (National Museums of Scotland, UK)5. Potential Worlds: Representation, Mimesis and the Demiurgic Artist in Late Timurid Painting (ca. 1470-1500), Lamia Balafrej (UCLA, USA)6. A Collage of Projections: Exploring an Awadhi Miniature Painting’s Pictorial Space Through 3D Modelling, Hussein Keshani (University of British Columbia-Okanagan, Canada)7. Private and Public in Vernacular Space: The Abandoned Nubian Villages of Bigge, Bernadeta Schäfer and Armgard Goo-Grauer (Berlin Institute of Technology, Germany)8. Singing the Song of Separation: The Nath Vairagi in Mughal Paintings, Anjali Duhan Gulia (Maharshi Dayanand University, India)9. The Ubiquitous Knot: Traces of Hercules in an Unknown Candleholder from the Museum of Islamic Arts in Bursa, Paschalis Androudis & Georgios Orfanidis (Aristotle University of Thessaloniki, Greece)Index

Saygin Salgirli is Assistant Professor, Department of Art History, Visual Art & Theory, University of British Columbia, Canada.

• Introduction: Inside/Outside in and of Islamic Art & Architecture: Toward a Cartographical Approach, Saygin Salgirli (University of British Columbia-Vancouver, Canada)1. In and Out of a Local Idiom: The Story of a Siedlung in Yenimahalle, Ankara, Kivanc Kilinc (American University of Beirut, Lebanon)2. Looking beyond the Lens’ Veil: Capturing the Haram (1840- 1890), Jorge Correia (University of Minho, Portugal)3. Under-Writing Beirut-Mathaf, Whose Ghosts Must be Summoned, Jeff O’Brien (University of British Columbia-Vancouver, Canada)4. For Close Observation: Imagery in the Architecture of Qajar Iran, Friederike Voigt (National Museums of Scotland, UK)5. Potential Worlds: Representation, Mimesis and the Demiurgic Artist in Late Timurid Painting (ca. 1470-1500), Lamia Balafrej (UCLA, USA)6. A Collage of Projections: Exploring an Awadhi Miniature Painting’s Pictorial Space Through 3D Modelling, Hussein Keshani (University of British Columbia-Okanagan, Canada)7. Private and Public in Vernacular Space: The Abandoned Nubian Villages of Bigge, Bernadeta Schäfer and Armgard Goo-Grauer (Berlin Institute of Technology, Germany)8. Singing the Song of Separation: The Nath Vairagi in Mughal Paintings, Anjali Duhan Gulia (Maharshi Dayanand University, India)9. The Ubiquitous Knot: Traces of Hercules in an Unknown Candleholder from the Museum of Islamic Arts in Bursa, Paschalis Androudis & Georgios Orfanidis (Aristotle University of Thessaloniki, Greece)Index

Saygin Salgirli is Assistant Professor, Department of Art History, Visual Art & Theory, University of British Columbia, Canada.

• Introduction: Inside/Outside in and of Islamic Art & Architecture: Toward a Cartographical Approach, Saygin Salgirli (University of British Columbia-Vancouver, Canada)1. In and Out of a Local Idiom: The Story of a Siedlung in Yenimahalle, Ankara, Kivanc Kilinc (American University of Beirut, Lebanon)2. Looking beyond the Lens’ Veil: Capturing the Haram (1840- 1890), Jorge Correia (University of Minho, Portugal)3. Under-Writing Beirut-Mathaf, Whose Ghosts Must be Summoned, Jeff O’Brien (University of British Columbia-Vancouver, Canada)4. For Close Observation: Imagery in the Architecture of Qajar Iran, Friederike Voigt (National Museums of Scotland, UK)5. Potential Worlds: Representation, Mimesis and the Demiurgic Artist in Late Timurid Painting (ca. 1470-1500), Lamia Balafrej (UCLA, USA)6. A Collage of Projections: Exploring an Awadhi Miniature Painting’s Pictorial Space Through 3D Modelling, Hussein Keshani (University of British Columbia-Okanagan, Canada)7. Private and Public in Vernacular Space: The Abandoned Nubian Villages of Bigge, Bernadeta Schäfer and Armgard Goo-Grauer (Berlin Institute of Technology, Germany)8. Singing the Song of Separation: The Nath Vairagi in Mughal Paintings, Anjali Duhan Gulia (Maharshi Dayanand University, India)9. The Ubiquitous Knot: Traces of Hercules in an Unknown Candleholder from the Museum of Islamic Arts in Bursa, Paschalis Androudis & Georgios Orfanidis (Aristotle University of Thessaloniki, Greece)Index