Exhibition as Interior, Interior as Exhibition

Spaces of Display within and beyond the Museum and Gallery

Inbunden, Engelska, 2025

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Beskrivning

Exhibition design has long been studied in the fields of art, design and architecture, but the focus has been on the design of the exhibition narrative, rather than the design as interior space. This book breaks new ground, exploring the complex relationships which exist between exhibitions, museums and galleries and interior design.Taking a case-study-driven approach, chapters explore a wealth of spaces; looking at contemporary art galleries and globally-renowned museums, and also subverted spaces like squatted homes, high-rises, distilleries and laboratories. Their geographic coverage ranges from socialist Eastern Europe to the US, stopping via many other countries such as Germany, Croatia, Australia and the UK.These case studies rethink how exhibitions interact with their spatial surroundings, with key themes including the role of labour in creating these spaces, the dualism of public and private space, the impact of exhibition audiences and reception, the political implications of exhibitions and the influence of institutions. With an interdisciplinary range of contributors, and combining a historical and contemporary outlook, this is a must-read for anyone designing or curating design-driven museum spaces.

Produktinformation

Utgivningsdatum:2025-10-02
Mått:162 x 236 x 18 mm
Vikt:600 g
Format:Inbunden
Språk:Engelska
Antal sidor:216
Förlag:Bloomsbury Publishing PLC
ISBN:9781350449749

Utforska kategorier

Arkitektur inom Kultur
Referensverk och tvärvetenskap inom Samhälle och politik
Inredningsarkitektur inom Kultur

Mer om författaren

Penny Sparke is Professor of Design History and Director of the Modern Interiors Research Centre at Kingston University. She previously co-edited Interiors in the Era of Covid-19 (Bloomsbury 2022).

Innehållsförteckning

Introduction - Penny Sparke, Fiona Fisher, Ersi Ioannidou, Pat Kirkham, Patricia Lara-Betancourt, Jana ScholzeSection 1: Exhibitions and the Private/Public Divide1. Museum Exhibitions and the Interior: Labour, Emotion and Hierarchy ‘Behind the Scenes’ - Claire Wintle (University of Brighton)2. Negotiating the White Cube: Textile Interiors - Trine Friis Sørensen (Aarhus University)3. Exhibitions as Laboratories and Office Workstations in the 1990s - Lia Carreira (University of Southampton)4. Model Apartments and a New Culture of Living in Socialist Yugoslavia - Cvetka Požar and Maja Vardjan (co-curators at MAO)5. Tangible Advice – A Home Show in the Periphery of Danish Design in 1953 - Hans-Christian Jensen (University of Southern Denmark)Section 2: Exhibitions as Ambiguous Interiors6. The Exhibition is a Banana: How Imaginary Interiors Change the World - Sam Jacob (University of Illinois Chicago)7. Exhibitions, Interiors, Exteriors: Ambiguous Continuities in the Work of Artists International Association, 1933-1943 - Harriet Atkinson (University of Brighton)8. The Society of Interior Designers of Australia (SIDA): Exhibitions, Room Settings, Fantasy and Spectacle, 1962-1971 - Catriona Quinn (University of New South Wales)9. The Hotel Room as Art Fair Booth, as Interior, as Exhibition - Stephanie Dieckvoss (Kingston University)10. Exhibitions as Temporary Homes: Living in The Public Gallery as Artistic Practice - Katerina Štroblová(University of Ostrava)11. Inhabiting the Exhibition Space: Designing Encounters in the Museum - Tulga Beyerle, Nina Lucia Groß & Tilman Walther (co-curators at Museum für Kunst und Gewerbe Hamburg)Section 3: Exhibitions as Spaces of Enactment12. Beyond the Period Room: Reframing the Interior as a Space for Diasporic Narratives - Stefan Krämer (Ruhr-Universität Bochum)13. Inhabiting the Exhibition: On Architecture, Collecting, and the Everyday - Alejandro Campos Uribe (Delft University of Technology)14. The Communal Interior: Furmany Lane Artist Squat as a Crux of Collective Art - Senem Yildirim (New York University)15. The Domestic Interior as Exhibition Installation: Jan Hoet’s ‘Chambres d’Amis’ - Karen Shelby (City University of New York)16. Between ‘Ideal Home’ and Modern Art Gallery: Revisiting an Exhibition Interior by the Omega Workshops - Ben Angwin (Kingston University)Index