Jana Scholze – författare

The definitive monograph of internationally acclaimed designers – creators of the Tip Ton and the 2012 Olympic Torch.Collaborators for over 20 years, Edward Barber and Jay Osgerby have applied their talents to everything from industrial design and furniture to lighting and installations. The most comprehensive survey of their work to date, this book offers a unique, 360-degree view of their approach and working methods. Stunning images explore their work thematically, while six essays provide an exclusive look into career-defining projects.

The Covid-19 lockdowns caused people worldwide to be confined to their homes for longer and on a greater scale than ever before. This forced many unprecedented changes to the way we treat domestic space – as relationships shifted between the public and the private worlds, and homes were rapidly adapted to accommodate the additional roles of schools, offices, gyms, restaurants, making-spaces and more. Above all, our understanding of the home as a site to support and enhance the well-being of its inhabitants changed in a variety of novel ways.Interiors in the Era of Covid is a collection of essays which explore the complex ways in which our inside spaces (contemporary and historical) have responded to Covid-19 and other human crises. With case studies ranging from US and Europe to Japan, China, Colombia, and Bangladesh, this is a truly global work which examines wide-ranging subjects from home-working and home technologies, to the impact of lockdown on people’s identities, gender roles in the home, and the realities of domestic living with Covid in refugee camps.Exploring the roles played by designers (both amateur and professional) in accommodating changing requirements and anticipating future ones – whether Covid or beyond – this book is a must-read for students and researchers in interior design, architecture, architectural and design history, and anyone interested in the home and the relationships between health and design.

Exhibition design has long been studied in the fields of art, design and architecture, but the focus has been on the design of the exhibition narrative, rather than the design as interior space. This book breaks new ground, exploring the complex relationships which exist between exhibitions, museums and galleries and interior design.Taking a case-study-driven approach, chapters explore a wealth of spaces; looking at contemporary art galleries and globally-renowned museums, and also subverted spaces like squatted homes, high-rises, distilleries and laboratories. Their geographic coverage ranges from socialist Eastern Europe to the US, stopping via many other countries such as Germany, Croatia, Australia and the UK.These case studies rethink how exhibitions interact with their spatial surroundings, with key themes including the role of labour in creating these spaces, the dualism of public and private space, the impact of exhibition audiences and reception, the political implications of exhibitions and the influence of institutions. With an interdisciplinary range of contributors, and combining a historical and contemporary outlook, this is a must-read for anyone designing or curating design-driven museum spaces.