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Abigail Susik - Surrealism and Animation, Häftad

Häftad, Engelska, 2027

Surrealism and Animation

Transnational Connections, 1920-Present

Av Abigail Susik

Del i serien Transnational Surrealism

436 kr

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Beskrivning
From Betty Boop to Donald Duck, Tex Avery to Walt Disney, collage animation to Japanese anime, and Claymation to 3D animation, Surrealism and Animation is the first book to identify correspondences between the art of animation and the International Surrealist Movement.Sharing a deep commitment to a reanimation of everyday life, surrealist artists and animators sought a marvellous, living form of art. Cartoons and trick films by pioneers such as Georges Méliès were influential for Salvador Dalí and André Breton, among others; many other surrealists and their associates such as Max Ernst, Joseph Cornell, Hans Richter, Len Lye, Roland Topor, Jan Švankmajer, and Lawrence Jordan turned to animated cinema and theories of animacy to express their surrealist visions.Surrealism and Animation is the first book devoted to surrealism’s vivid engagement with the history, theory, and medium of animation on a transnational basis. Featuring seventeen essays by leading and emerging scholars, as well as interviews with contemporary artists Penny Slinger and Jacolby Satterwhite, this collection investigates a shimmering range of topics on animated surrealism, including black humour, queer subjectivities, ecofeminism, Black surrealisms, and more.
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Abigail Susik is Associate Professor of Art History at Willamette University, USA, and joint editor of the Transnational Surrealism series. She has published several books on surrealism, including Surrealist Sabotage and The War on Work (2021).

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For the 100th anniversary of surrealism, Susik has assembled an extraordinary collection that reinforces the cross-cultural longevity of the movement. Ranging across film studies and the plastic arts, it gathers fresh insights into canonical figures while bringing a range of exciting new voices into the conversation. This is solid historical scholarship that greatly expands on contemporary theoretical debates around the nature and uses of animation writ large.

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