Neil Spiller is editor of AD, previously he was Hawksmoor Chair of Architecture and Landscape and deputy pro vice-chancellor of the University of Greenwich, London. Prior to this, Spiller was dean of the School of Architecture, Design, and Construction at Greenwich. Before this he was professor of architecture and digital theory, vice-dean and graduate director of design at the Bartlett School of Architecture, University College, London.

• Introduction In Constant Renewal: Interstitial CreativityChapter 2 Transforming the World: The Architectural Art of Brian ClarkeChapter 3 Dance of Light and Line: When an Architect Turns to ArtChapter 4 Presenting a Truth: Ben Johnson – Painting IllusionsChapter 5 Exposed Agency: Poetic Architectural Projection Across and Between DisciplinesChapter 6 Recollected in Tranquillity: Brendan Neiland – Changing SensibilitiesChapter 7 Connections: Time, Landscape, and the Art of Andy GoldsworthyChapter 8 An Alchemist of Super-Cooled Liquid: The Art and Craft of Danny LaneChapter 9 Dynamic Reciprocities: Exploring the Site of ProductionChapter 10 Tectonics of the Familiar: The Transposed Landscapes of Zoe ZenghelisChapter 11 The Artist as Contemporary PhilanthropistChapter 12 Canaletto: Synthetic Compositions of Maritime GreenwichChapter 13 Utopian Geometries: Turning Forms and the (Science) Fictions of Utopian ArchitectureChapter 14 Neo-Fluxus: Multimedia Performance Art and ArchitectureChapter 15 From Another Perspective – Surreal Urbanity: Sectors of the Exquisite City

Neil Spiller is editor of AD, previously he was Hawksmoor Chair of Architecture and Landscape and deputy pro vice-chancellor of the University of Greenwich, London. Prior to this, Spiller was dean of the School of Architecture, Design, and Construction at Greenwich. Before this he was professor of architecture and digital theory, vice-dean and graduate director of design at the Bartlett School of Architecture, University College, London.

• Introduction In Constant Renewal: Interstitial CreativityChapter 2 Transforming the World: The Architectural Art of Brian ClarkeChapter 3 Dance of Light and Line: When an Architect Turns to ArtChapter 4 Presenting a Truth: Ben Johnson – Painting IllusionsChapter 5 Exposed Agency: Poetic Architectural Projection Across and Between DisciplinesChapter 6 Recollected in Tranquillity: Brendan Neiland – Changing SensibilitiesChapter 7 Connections: Time, Landscape, and the Art of Andy GoldsworthyChapter 8 An Alchemist of Super-Cooled Liquid: The Art and Craft of Danny LaneChapter 9 Dynamic Reciprocities: Exploring the Site of ProductionChapter 10 Tectonics of the Familiar: The Transposed Landscapes of Zoe ZenghelisChapter 11 The Artist as Contemporary PhilanthropistChapter 12 Canaletto: Synthetic Compositions of Maritime GreenwichChapter 13 Utopian Geometries: Turning Forms and the (Science) Fictions of Utopian ArchitectureChapter 14 Neo-Fluxus: Multimedia Performance Art and ArchitectureChapter 15 From Another Perspective – Surreal Urbanity: Sectors of the Exquisite City

Neil Spiller is editor of AD, previously he was Hawksmoor Chair of Architecture and Landscape and deputy pro vice-chancellor of the University of Greenwich, London. Prior to this, Spiller was dean of the School of Architecture, Design, and Construction at Greenwich. Before this he was professor of architecture and digital theory, vice-dean and graduate director of design at the Bartlett School of Architecture, University College, London.

• Introduction In Constant Renewal: Interstitial CreativityChapter 2 Transforming the World: The Architectural Art of Brian ClarkeChapter 3 Dance of Light and Line: When an Architect Turns to ArtChapter 4 Presenting a Truth: Ben Johnson – Painting IllusionsChapter 5 Exposed Agency: Poetic Architectural Projection Across and Between DisciplinesChapter 6 Recollected in Tranquillity: Brendan Neiland – Changing SensibilitiesChapter 7 Connections: Time, Landscape, and the Art of Andy GoldsworthyChapter 8 An Alchemist of Super-Cooled Liquid: The Art and Craft of Danny LaneChapter 9 Dynamic Reciprocities: Exploring the Site of ProductionChapter 10 Tectonics of the Familiar: The Transposed Landscapes of Zoe ZenghelisChapter 11 The Artist as Contemporary PhilanthropistChapter 12 Canaletto: Synthetic Compositions of Maritime GreenwichChapter 13 Utopian Geometries: Turning Forms and the (Science) Fictions of Utopian ArchitectureChapter 14 Neo-Fluxus: Multimedia Performance Art and ArchitectureChapter 15 From Another Perspective – Surreal Urbanity: Sectors of the Exquisite City