Antoine Gaudin is Associate Professor at Université Sorbonne Nouvelle. He is the author of L’Espace cinématographique: esthétique et dramaturgie (2015) and has co-edited an issue of the journal Théorème entitled Représentations-limites des corps sexuels dans le cinéma et l’audiovisuel contemporains (2018, with Martin Goutte and Barbara Laborde). He has published many articles on cinematic space and music and sound in film and is editor of the book review section of the academic website nonfiction.fr. He is currently writing a monograph on music videos.David Roche is Professor of Film Studies at Université Paul-Valéry Montpellier, a 2022-27 IUF member and President of SERCIA. His recent publications include the monographs Arrival (2024), Meta in Film and Television Series (2022). His articles have appeared in the journals Adaptation, Horror Studies, Journal of Film and Video, Miranda, Positif, Post-script and TV/Series among others. His current research focuses on the relationship between aesthetics and politics, with particular interest in the work of women directors in the scope of the FEMME ANR project.

This ambitious collection of essays offers significant insights into the crucial, often-overlooked relationships between sound and cinematic space. Bridging theory, aesthetics, and practice, the chapters compellingly explore how audiovisual space articulates with technology, sensoriality, politics, and ecocriticism. A major interdisciplinary contribution, this remarkable volume invites us to listen more closely.

• Illustrations AcknowledgementsContributorsIntroduction: Sound and Space in FilmAntoine Gaudin and David RochePart I. Revisiting Classical Sound Spaces1. Reverberation and Cinematic Representation: Debates among Technicians During the Transition to SoundJames Buhler2. Kay Rose's Spatial Sound Design and Soundscapes for The River (1984)Helen Hanson3. Sound Space: Spatial Events and Material AffectsSerge CardinalPart II. Creating Sound Spaces4. Mise-en-sonore: Placemaking in Film and Audiovisual Media ArtworkBudhaditya Chattopadhyay5. The Contradictory Functions of Offscreen Sound in In Vanda’s Room (Pedro Costa, 2000)Amanda Robles6. Sounds from the Space of the Film Set to the Space of the Auditorium: The Uses of Mixdown in Contemporary French CinemaCamille PierrePart III. Negotiating Space through the Senses7. Michelangelo Antonioni's Soundscapes and the Relation between Humans and the EnvironmentSylvie Dubois8. Raindrops Keep Falling on the Screen: Resonance in Sensory Disability Cinema, following the Path of Jean-Luc NancyMarie Martin8. In the Kitchen: The Poetics and Geopolitics of Sound Gestures in Indian, Chinese and Hong Kong CinemasTérésa FauconPart IV. The Ecopoetics and Ecopolitics of Sound Space10. Binding the British Nation Together through Sound in Official Documentaries of the Second World WarAnita Jorge11. Towards an Ecopoetics of Silence in Cinema: Walking in the Woods to Experience the World DifferentlyLouis Daubresse12. Narrative Ecology and the Politics of Ambient Sounds in Drift (Helena Wittmann, 2017)Jade de Cock de RameyenIndex