KIMERER L. LAMOTHE is the author of Between Dancing and Writing: The Practice of Religious Studies, and of articles appearing in the Journal of the American Academy of Religion, Hypatia, and Soundings. Her teaching appointments in contemporary religious thought include positions at Brown and Harvard University, USA where she also co-ordinated the undergraduate programme in the Comparative Study of Religion.

"LaMothe's succulent attention to the phenomenology of dance technique draws persuasive power from beyond the writing itself. Nietzsche's Dancers is not only a study in the recreation of religious values; it is an expression of the bodily conditions it explores. And, in this regard, the joyous engagement expressed on every page refers readers to lived practices of kinetic fluency as the basis for affirmation of life." - Journal of the American Academy of Religion"Strangely, Christianity, the religion of the incarnation - the 'Word made flesh' - has failed to develop the implications of the intimate relationship between incarnation and dance. In this fascinating and important book, LaMothe addresses Christianity's hostility toward dance, an opposition between dance and religion reinforced by scholarship that consistently ignores one or the other. LaMothe shows that the dancers Isadora Duncan and Martha Graham responded to Nietzsche's advocacy for a 'dancing religion' by creating dances designed to 'catalyze a renaissance of religion, especially Christianity.' LaMothe argues passionately for awareness of the 'physiological conditions of meaning,' and the realization of an incarnation grounded in breathing and movement." - Margaret R. Miles, Emerita Professor of Historical Theology, The Graduate Theological Union, Berkeley, and author of The Word Made Flesh: A History of Christian Thought

• Preface PART I: NIETZSCHE'S DANCE 'A God who Dances' Revaluing Christian Values PART II: ISADORA DUNCAN: DIONYSIAN ARTIST Expressing Life Incarnating Faith in the Body PART III: MARTHA GRAHAM: ATHLETE OF GOD Affirming Life Words and Bodies Conclusion: Dancing Religion