WILLIAM DEMASTES is Professor of English, Louisiana State University, USA, where he teaches modern drama/theatre, especially American and British; modern American literature; Shakespeare; theatre, science, philosophy. A co-planner for American Theatre and Drama Association conferences, he is the author or co-editor of several books, including: Staging Consciousness: Theater and the Materialization of Mind (Michigan UP, 2002); Theatre of Chaos: Beyond Absurdism, Into Orderly Disorder (Cambridge UP 1997); Irish Playwrights, 1880-1995: A Research and Production Sourcebook (Gr

'DeMastes (Louisiana State Univ., Baton Rouge) and Fischer (Univ. of Kansas) have assembled an impressive collection of essays intended to answer this question: "Precisely what is, has been, or should be, the purpose of American drama and its relationship to the political and cultural life of America?" Those familiar with scholarship on American theater will recognize contributors Rosemarie Bank, Christopher Bigsby, and Janet Haedicke and welcome the contributions of such budding scholars as Anne Fletcher, Amy Hughes, and Ladrica Menson-Furr. One of the real strengths of the volume, other than the impressive nature of the writing and scholarship, is the link the essays create between drama and the changing currents in American politics and popular culture. The essays cover American theater from Native American performances, the slavery issue in the period before the Civil War, and immigration and the melting pot to Arthur Miller and Tennessee Williams, African American drama, and the post-9/11 world. The book is an excellent reminder that the meaning of being an American changes, just as does literature the country produces. This welcome book should pave the way for future scholarship along these same lines. Summing Up: Highly recommended. All readers; all levels.' - Choice 'Interrogating America is a wide-ranging and impressive collection of essays, one reminding us of the varied theatrical languages that contribute to the rhetoric of nationhood. Demastes and Fischer have assembled a balanced volume, one that features a number of veteran American drama scholars as well as some newer voices who, together, engage in important debates regarding the scope and range of American theater. This is a welcome addition to the field.' - Matthew Roudane, Professor and Chair, Department of English, Georgia State University, USA 'As Americans, we think we know who we are, yet the theatre magnifies some aspects of identity or reveals little-suspected complexities. These essays examine both our theatre and our dramatic literature, sampling an impressive range of material while managing nicely to stay focused on the central issue: how have we defined ourselves in the past and who are we now? The responses by these stellar scholars abound with fresh insights and observations that ring true.' - Felicia Hardison Londre, Curators' Professor of Theatre, University of Missouri-Kansas City, USA

• The Savage Other: "Indianizing" and Performance in Nineteenth-Century American Culture; R.K. Bank Defining Faith: Theatrical Reactions to Pro-Slavery Christianity in Antebellum America; A.E. Hughes Negotiating a New Identity: Irish-Americans and the Variety Theatre in the 1860s; S. Kattwinkel Drama and Cultural Pluralism In The America of Susan Glaspell's Inheritors.; N.H.Real Beneath the Horizon: Pipe Dreams, Identity, and Capital in Eugene O'Neill's First Broadway Play; J.E.Jenkins Vernacularizing Brecht: The Political Theater of the New Deal; I.Saal Let Freedom Ring: Mordecai Gorelik's Politicized Stage Designs; A.Fletcher Choreographing America: Re-defining American Ballet in the Age of Consensus; A.Harris Arthur Miller: In Memoriam; C.Bigsby Menageries, Melting Pots, Movies: Tennessee on America; J.V. Haedicke Facts on Trial: Documentary Theatre and Zoot Suit; J.O'Connor "The Ground on Which I Stand is I, Too, Am America": African American Cycle Dramatists, Dramas and the Voice of Inclusion; L.Menson-Furr My Uncle Sam in Consumer Society: Len Jenkin and the Death of Death of a Salesman; S.Feffer From Paradise to Parasite: Information Theory, Noise, and Disequilibrium in John Guare's Six Degrees of Separation; M.Heuvel "Not Very Steven Spielberg"?: Angels in America on Film; D.Geis Reflections in a Pool: Mary Zimmerman's Metamorphoses and post-9/11 New York City; A.Nouryeh An American Echo: Suzan-Lori Parks's The America Play and James Scruggs's Disposable Men; R.Vorlicky List of Contributors Index

WILLIAM DEMASTES is Professor of English, Louisiana State University, USA, where he teaches modern drama/theatre, especially American and British; modern American literature; Shakespeare; theatre, science, philosophy. A co-planner for American Theatre and Drama Association conferences, he is the author or co-editor of several books, including: Staging Consciousness: Theater and the Materialization of Mind (Michigan UP, 2002); Theatre of Chaos: Beyond Absurdism, Into Orderly Disorder (Cambridge UP 1997); Irish Playwrights, 1880-1995: A Research and Production Sourcebook (Gr

'DeMastes (Louisiana State Univ., Baton Rouge) and Fischer (Univ. of Kansas) have assembled an impressive collection of essays intended to answer this question: "Precisely what is, has been, or should be, the purpose of American drama and its relationship to the political and cultural life of America?" Those familiar with scholarship on American theater will recognize contributors Rosemarie Bank, Christopher Bigsby, and Janet Haedicke and welcome the contributions of such budding scholars as Anne Fletcher, Amy Hughes, and Ladrica Menson-Furr. One of the real strengths of the volume, other than the impressive nature of the writing and scholarship, is the link the essays create between drama and the changing currents in American politics and popular culture. The essays cover American theater from Native American performances, the slavery issue in the period before the Civil War, and immigration and the melting pot to Arthur Miller and Tennessee Williams, African American drama, and the post-9/11 world. The book is an excellent reminder that the meaning of being an American changes, just as does literature the country produces. This welcome book should pave the way for future scholarship along these same lines. Summing Up: Highly recommended. All readers; all levels.' - Choice 'Interrogating America is a wide-ranging and impressive collection of essays, one reminding us of the varied theatrical languages that contribute to the rhetoric of nationhood. Demastes and Fischer have assembled a balanced volume, one that features a number of veteran American drama scholars as well as some newer voices who, together, engage in important debates regarding the scope and range of American theater. This is a welcome addition to the field.' - Matthew Roudane, Professor and Chair, Department of English, Georgia State University, USA 'As Americans, we think we know who we are, yet the theatre magnifies some aspects of identity or reveals little-suspected complexities. These essays examine both our theatre and our dramatic literature, sampling an impressive range of material while managing nicely to stay focused on the central issue: how have we defined ourselves in the past and who are we now? The responses by these stellar scholars abound with fresh insights and observations that ring true.' - Felicia Hardison Londre, Curators' Professor of Theatre, University of Missouri-Kansas City, USA

• The Savage Other: "Indianizing" and Performance in Nineteenth-Century American Culture; R.K. Bank Defining Faith: Theatrical Reactions to Pro-Slavery Christianity in Antebellum America; A.E. Hughes Negotiating a New Identity: Irish-Americans and the Variety Theatre in the 1860s; S. Kattwinkel Drama and Cultural Pluralism In The America of Susan Glaspell's Inheritors.; N.H.Real Beneath the Horizon: Pipe Dreams, Identity, and Capital in Eugene O'Neill's First Broadway Play; J.E.Jenkins Vernacularizing Brecht: The Political Theater of the New Deal; I.Saal Let Freedom Ring: Mordecai Gorelik's Politicized Stage Designs; A.Fletcher Choreographing America: Re-defining American Ballet in the Age of Consensus; A.Harris Arthur Miller: In Memoriam; C.Bigsby Menageries, Melting Pots, Movies: Tennessee on America; J.V. Haedicke Facts on Trial: Documentary Theatre and Zoot Suit; J.O'Connor "The Ground on Which I Stand is I, Too, Am America": African American Cycle Dramatists, Dramas and the Voice of Inclusion; L.Menson-Furr My Uncle Sam in Consumer Society: Len Jenkin and the Death of Death of a Salesman; S.Feffer From Paradise to Parasite: Information Theory, Noise, and Disequilibrium in John Guare's Six Degrees of Separation; M.Heuvel "Not Very Steven Spielberg"?: Angels in America on Film; D.Geis Reflections in a Pool: Mary Zimmerman's Metamorphoses and post-9/11 New York City; A.Nouryeh An American Echo: Suzan-Lori Parks's The America Play and James Scruggs's Disposable Men; R.Vorlicky List of Contributors Index

WILLIAM DEMASTES is Professor of English, Louisiana State University, USA, where he teaches modern drama/theatre, especially American and British; modern American literature; Shakespeare; theatre, science, philosophy. A co-planner for American Theatre and Drama Association conferences, he is the author or co-editor of several books, including: Staging Consciousness: Theater and the Materialization of Mind (Michigan UP, 2002); Theatre of Chaos: Beyond Absurdism, Into Orderly Disorder (Cambridge UP 1997); Irish Playwrights, 1880-1995: A Research and Production Sourcebook (Gr

'DeMastes (Louisiana State Univ., Baton Rouge) and Fischer (Univ. of Kansas) have assembled an impressive collection of essays intended to answer this question: "Precisely what is, has been, or should be, the purpose of American drama and its relationship to the political and cultural life of America?" Those familiar with scholarship on American theater will recognize contributors Rosemarie Bank, Christopher Bigsby, and Janet Haedicke and welcome the contributions of such budding scholars as Anne Fletcher, Amy Hughes, and Ladrica Menson-Furr. One of the real strengths of the volume, other than the impressive nature of the writing and scholarship, is the link the essays create between drama and the changing currents in American politics and popular culture. The essays cover American theater from Native American performances, the slavery issue in the period before the Civil War, and immigration and the melting pot to Arthur Miller and Tennessee Williams, African American drama, and the post-9/11 world. The book is an excellent reminder that the meaning of being an American changes, just as does literature the country produces. This welcome book should pave the way for future scholarship along these same lines. Summing Up: Highly recommended. All readers; all levels.' - Choice 'Interrogating America is a wide-ranging and impressive collection of essays, one reminding us of the varied theatrical languages that contribute to the rhetoric of nationhood. Demastes and Fischer have assembled a balanced volume, one that features a number of veteran American drama scholars as well as some newer voices who, together, engage in important debates regarding the scope and range of American theater. This is a welcome addition to the field.' - Matthew Roudane, Professor and Chair, Department of English, Georgia State University, USA 'As Americans, we think we know who we are, yet the theatre magnifies some aspects of identity or reveals little-suspected complexities. These essays examine both our theatre and our dramatic literature, sampling an impressive range of material while managing nicely to stay focused on the central issue: how have we defined ourselves in the past and who are we now? The responses by these stellar scholars abound with fresh insights and observations that ring true.' - Felicia Hardison Londre, Curators' Professor of Theatre, University of Missouri-Kansas City, USA

• The Savage Other: "Indianizing" and Performance in Nineteenth-Century American Culture; R.K. Bank Defining Faith: Theatrical Reactions to Pro-Slavery Christianity in Antebellum America; A.E. Hughes Negotiating a New Identity: Irish-Americans and the Variety Theatre in the 1860s; S. Kattwinkel Drama and Cultural Pluralism In The America of Susan Glaspell's Inheritors.; N.H.Real Beneath the Horizon: Pipe Dreams, Identity, and Capital in Eugene O'Neill's First Broadway Play; J.E.Jenkins Vernacularizing Brecht: The Political Theater of the New Deal; I.Saal Let Freedom Ring: Mordecai Gorelik's Politicized Stage Designs; A.Fletcher Choreographing America: Re-defining American Ballet in the Age of Consensus; A.Harris Arthur Miller: In Memoriam; C.Bigsby Menageries, Melting Pots, Movies: Tennessee on America; J.V. Haedicke Facts on Trial: Documentary Theatre and Zoot Suit; J.O'Connor "The Ground on Which I Stand is I, Too, Am America": African American Cycle Dramatists, Dramas and the Voice of Inclusion; L.Menson-Furr My Uncle Sam in Consumer Society: Len Jenkin and the Death of Death of a Salesman; S.Feffer From Paradise to Parasite: Information Theory, Noise, and Disequilibrium in John Guare's Six Degrees of Separation; M.Heuvel "Not Very Steven Spielberg"?: Angels in America on Film; D.Geis Reflections in a Pool: Mary Zimmerman's Metamorphoses and post-9/11 New York City; A.Nouryeh An American Echo: Suzan-Lori Parks's The America Play and James Scruggs's Disposable Men; R.Vorlicky List of Contributors Index