1913

Jean-Michel Rabaté is Vartan Gregorian Professor in the Humanities at the University of Pennsylvania. He is a leading figure among the generation of French theorists taught by Derrida and by Lacan. His books include the Blackwell Manifesto volume The Future of Theory (2002), The Ghosts of Modernity (1996), Joyce and the Politics of Egoism (2001), Jacques Lacan and Literature (2001), and Given: 1) Art, 2) Crime (2006). He has edited The Cambridge Companion to Jacques Lacan (2002), Writing the Image after Roland Barthes (1997), and the Palgrave Advances in James Joyce Studies (2004).

"While reading Rabatk's book I constantly had in mind Theodor Adorno's remark to Walter Benjamin about the latter's habit of 'occult adjacentism'.  Adorno, of course, meant this as a damning criticism of his friend's method in the Arcades project, but it beautifully describes the effect of 1913 and its kaleidoscopic presentation of a world that troublingly-uncannily-intimates our own." (MLR, April 2009) “Rabate offers scholars and students a new portrait of cosmopolitan modernism to contemplate, making a study of globalization central to his understanding of the period’s literary and artistic endeavors.” (The Review of English Studies, June 2009) “This book’s clarity and specificity will reward even readers familiar with his topics. Summing Up: Highly recommended.”(Choice)

• List of Illustrations viAcknowledgments viiIntroduction: Modernism, Crisis, and Early Globalization 11 The New in the Arts 182 Collective Agencies 463 Everyday Life and the New Episteme 724 Learning to be Modern in 1913 965 Global Culture and the Invention of the Other 1186 The Splintered Subject of Modernism 1417 At War with Oneself: The Last Cosmopolitan Travels of German and Austrian Modernism 1648 Modernism and the End of Nostalgia 185Conclusion: Antagonisms 208Notes 217Index 235