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    1. Kultur
    2. Scenkonst och film
    3. Film

    Companion to Rainer Werner Fassbinder

    AvBrigitte Peucker,Brigitte Peucker

    Inbunden, Engelska, 2012

    Del 7 i serien Wiley Blackwell Companions to Film Directors

    2 169 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre.Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982.Interrogates Fassbinder’s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century historyContributions from internationally diverse scholars specializing in film, culture, and German studies.Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975),  Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and Querelle (1982).

    Produktinformation

    • Utgivningsdatum:2012-02-17
    • Mått:175 x 249 x 38 mm
    • Vikt:1 134 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Wiley Blackwell Companions to Film Directors
    • Antal sidor:656
    • Förlag:John Wiley and Sons Ltd
    • ISBN:9781405191630

    Utforska kategorier

    • Film inom Kultur

    Mer om författaren

    Brigitte Peucker is the Elias Leavenworth Professor of German and a Professor of Film Studies at Yale University. She is the author of many essays on questions of representation in film and literature. Earlier books include Lyric Descent in the German Romantic Tradition (1987), Incorporating Images: Film and the Rival Arts (1995), and The Material Image: Art and the Real in Film (2007).

    Recensioner i media

    "This account includes interesting points of view that compliment and supplement one another as they shed light on a complex film practice and its practitioner." (NeoPopRealism Journal, 2011)

    Innehållsförteckning

    • Notes on Contributors viii Acknowledgments xivIntroduction 1Brigitte PeuckerPart I Life and Work 151 The Other Planet Fassbinder 17Juliane Lorenz2 R. W. Fassbinder: Prodigal Son, Not Reconciled? 45Thomas Elsaesser3 Rainer "Maria" Fassbinder: Cinema between Literature and Life 53Leo A. Lensing4 Five Fassbinder Scenes 67Wayne KoestenbaumPart II Genre; Influence; Aesthetics 775 Imitation, Seriality, Cinema: Early Fassbinder and Godard 79Laura McMahon6 Exposed Bodies; Evacuated Identities 101Claire Kaiser7 Redressing the Inaccessible through the Re‐Inscribed Body: In a Year with 13 Moons and Almodóvar’s Bad Education 118Victor Fan8 Nudity and the Question: Chinese Roulette 142Eugenie Brinkema9 Color, Melodrama, and the Problem of Interiority 159Brian Price10 Fassbinder's Work : Style, Sirk, and Queer Labor 181John David Rhodes11 A Nagging Physical Discomfort: Fassbinder and Martha 204Joe McElhaney12 Beyond the Woman's Film: Reflecting Difference in the Fassbinder Melodrama 226Nadine Schwakopf13 Through the Looking Glass: Fassbinder's World on a Wire 245Brad PragerPart III Other Texts; Other Media 26714 Violently Oscillating: Science, Repetition, and Affective Transmutation in Fassbinder's Berlin Alexanderplatz 269Elena del Rio15 In Despair : Performance, Citation, Identity 290Brigitte Peucker16 Declined Invitations: Repetition in Fassbinder's Queer "Monomusical" 313Caryl Flinn17 Fassbinder's France: Genet's Miseen Scène in Fassbinder's Films 333Olga Solovieva18 Un-framing the Image: Theatricality and the Art World of Bitter Tears 352Brigitte Peucker19 A Novel Film: Fassbinder's Fontane Effi Briest 372Elke Siegel20 Swearing and Forswearing Fidelity in Fassbinder's Berlin Alexanderplatz 398Paul CoatesPart IV History; Ideology; Politics 42121 "There Are Many Ways to Fight a Battle": Young Fassbinder and the Myths of 1968 423Eric Rentschler22 A Generation Later and Still Unrepresentable?: Fassbinder and the Red Army Faction 441Frances Guerin23 Two Kinds of Excess: Fassbinder and Veit Harlan 461Laura J. Heins24 Jolie Laide: Fassbinder, Anti‐Semitism, and the Jewish Image 485Rosalind Galt25 Impossible, Impolitic: Ali: Fear Eats the Soul and Fassbinder's Asynchronous Bodies 502Elena Gorfinkel26 "So Much Tenderness": Rainer Werner Fassbinder, Günther Kaufmann, and the Ambivalences of Interracial Desire 516Tobias Nagl and Janelle Blankenship27 Rainer, Rosa, and Werner: New Gay Film as Counter-Public 542Randall Halle28 Fassbinder's Fox and His Friends and Gay Politics in the 1970s 564Ronald Gregg29 Querelle's Finality 579Roy GrundmannSelected Bibliography 604Index 623