Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.

"A tour de force in which every paragraph uncoils with vertiginous twists and turns, lightning metaphors, genuine learning, unstoppable laughter, and a passionate sense of literary pleasure" Independent "Amis's gifts - vigilance, wit, energy of language... A collection that reaffirms him as the suavest and funniest critic of his generation" Mail on Sunday "We have here a literary critic of startling power... Often being right and being funny are, in this book, aspects of the same sentence... Amis is the best practitioner-critic of our day - just what Pritchett was in his prime..." London Review of Books "[Written] with intelligence and ardor and panache... Speaks not just to a lifetime of reading but also to a fascination with individual writers mature" New York Times "Brilliant prose... [Amis] proselytizes for talent by demonstrating it, by doing it... He is a master" New York Times Book Review

Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.

"A tour de force in which every paragraph uncoils with vertiginous twists and turns, lightning metaphors, genuine learning, unstoppable laughter, and a passionate sense of literary pleasure" Independent "Amis's gifts - vigilance, wit, energy of language... A collection that reaffirms him as the suavest and funniest critic of his generation" Mail on Sunday "We have here a literary critic of startling power... Often being right and being funny are, in this book, aspects of the same sentence... Amis is the best practitioner-critic of our day - just what Pritchett was in his prime..." London Review of Books "[Written] with intelligence and ardor and panache... Speaks not just to a lifetime of reading but also to a fascination with individual writers mature" New York Times "Brilliant prose... [Amis] proselytizes for talent by demonstrating it, by doing it... He is a master" New York Times Book Review

Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.

"A tour de force in which every paragraph uncoils with vertiginous twists and turns, lightning metaphors, genuine learning, unstoppable laughter, and a passionate sense of literary pleasure" Independent "Amis's gifts - vigilance, wit, energy of language... A collection that reaffirms him as the suavest and funniest critic of his generation" Mail on Sunday "We have here a literary critic of startling power... Often being right and being funny are, in this book, aspects of the same sentence... Amis is the best practitioner-critic of our day - just what Pritchett was in his prime..." London Review of Books "[Written] with intelligence and ardor and panache... Speaks not just to a lifetime of reading but also to a fascination with individual writers mature" New York Times "Brilliant prose... [Amis] proselytizes for talent by demonstrating it, by doing it... He is a master" New York Times Book Review