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George Plasketes - Please Allow Me to Introduce Myself: Essays on Debut Albums, Inbunden

Inbunden, Engelska, 2013

Please Allow Me to Introduce Myself: Essays on Debut Albums

Av George Plasketes

Del i serien Ashgate Popular and Folk Music Series

2816 kr

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Beskrivning
Debut albums are among the cultural artefacts that capture the popular imagination especially well. As a first impression, the debut album may take on a mythical status, whether the artist or group achieves enduring success or in rare cases when an initial record turns out to be an apogee for an artist. Whatever the subsequent career trajectory, the debut album is a meaningful text that can be scrutinized for its revelatory signs and the expectations that follow. Please Allow Me to Introduce Myself: Essays on Debut Albums tells the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of the album, each essay looks back at the album and places it within multiple contexts, particularly the artist’s career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists.
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George Plasketes is Professor of Radio-Television-Film & Popular Culture at Auburn University in Alabama, USA. He is the author of B-Sides, Undercurrents and Overtones (2009) and editor of the cover collection Play It Again (2010), both part of the Ashgate Popular and Folk Music Series.

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'...A book for music enthusiasts, including those with some musical background, and record collectors and aficionados...Recommended.' Choice ’This volume is the first sustained critical discussion of the general nature and significance of debut albums. All are original essays, written exclusively for the collection, with their authors bringing a diverse range of critical and creative perspectives to their selected debut. In addition to accessible musical analyses of the 23 albums included, each is placed within a wider production context, including the role of the music industry, and considered in relation to time and place, genre, and the artists’ subsequent work. This is a sometimes surprising but always instructive and thought provoking selection of essays, which will encourage greater attention to an important but previously largely neglected topic.’ Roy Shuker, Victoria University of Wellington, New Zealand and author of Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice (Ashgate 2010)

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