Rafael M. Mérida-Jiménez holds a PhD in Spanish literature and is Serra Húnter Associate Professor of Hispanic Literatures at the Universitat de Lleida (Spain). He has published many academic works on Spanish and Catalan literatures from the Middle Ages through the twentieth century, including Fuera de la orden de natura (2001), El gran libro de las brujas (2004), La aventura de «Tirant lo Blanch» y de «Tirante el Blanco» (2007), Damas, santas y pecadoras (2008), and Cuerpos desordenados (2009). He has also edited Sexualidades transgresoras (2002), Manifiestos gays, lesbianos y queer (2009), and Minorías sexuales en España (2013).

• Contents: Dieter Ingenschay: Hispanic/Masculinities/Transition: An Introduction – Kerman Calvo: Sexual Movements Without Sex? Sex-Talk in the Spanish Gay Liberation Movement – Gracia Trujillo: Butches Excluded: Female Masculinities and Their (non) Representations in Spain – Óscar Guasch/Jordi Mas: Bodily, Gender, and Identity Projects in Spain: From the Transvestite to the Transsexual – Alfredo Martínez-Expósito: Embodiments of Class and Nation in Eloy de la Iglesia’s Gay Films – Alberto Mira: Queer Pastoral: Rural Homoeroticism on Film during the Early Years of the Spanish Transition – Rafael M. Mérida-Jiménez: From Stage to Screen: Flor de Otoño’s Transitional Impersonations – Elena Madrigal-Rodríguez: Undressing Masculinity: Male Dress and Accoutrements in Four Female Spanish Characters – Jorge Luis Peralta: Machos or divinas? A Quandary in Argentinean and Spanish Gay Activism – Juan Vicente Aliaga: Demasculinizing: Challenging Hegemonic Masculinity in Spanish Art and Culture – Richard Cleminson/Carlos Pons: Female Masculinity on Stage: Young Man! and the Subversion of Gender Roles.

Rafael M. Mérida-Jiménez holds a PhD in Spanish literature and is Serra Húnter Associate Professor of Hispanic Literatures at the Universitat de Lleida (Spain). He has published many academic works on Spanish and Catalan literatures from the Middle Ages through the twentieth century, including Fuera de la orden de natura (2001), El gran libro de las brujas (2004), La aventura de «Tirant lo Blanch» y de «Tirante el Blanco» (2007), Damas, santas y pecadoras (2008), and Cuerpos desordenados (2009). He has also edited Sexualidades transgresoras (2002), Manifiestos gays, lesbianos y queer (2009), and Minorías sexuales en España (2013).

• Contents: Dieter Ingenschay: Hispanic/Masculinities/Transition: An Introduction – Kerman Calvo: Sexual Movements Without Sex? Sex-Talk in the Spanish Gay Liberation Movement – Gracia Trujillo: Butches Excluded: Female Masculinities and Their (non) Representations in Spain – Óscar Guasch/Jordi Mas: Bodily, Gender, and Identity Projects in Spain: From the Transvestite to the Transsexual – Alfredo Martínez-Expósito: Embodiments of Class and Nation in Eloy de la Iglesia’s Gay Films – Alberto Mira: Queer Pastoral: Rural Homoeroticism on Film during the Early Years of the Spanish Transition – Rafael M. Mérida-Jiménez: From Stage to Screen: Flor de Otoño’s Transitional Impersonations – Elena Madrigal-Rodríguez: Undressing Masculinity: Male Dress and Accoutrements in Four Female Spanish Characters – Jorge Luis Peralta: Machos or divinas? A Quandary in Argentinean and Spanish Gay Activism – Juan Vicente Aliaga: Demasculinizing: Challenging Hegemonic Masculinity in Spanish Art and Culture – Richard Cleminson/Carlos Pons: Female Masculinity on Stage: Young Man! and the Subversion of Gender Roles.

Rafael M. Mérida-Jiménez holds a PhD in Spanish literature and is Serra Húnter Associate Professor of Hispanic Literatures at the Universitat de Lleida (Spain). He has published many academic works on Spanish and Catalan literatures from the Middle Ages through the twentieth century, including Fuera de la orden de natura (2001), El gran libro de las brujas (2004), La aventura de «Tirant lo Blanch» y de «Tirante el Blanco» (2007), Damas, santas y pecadoras (2008), and Cuerpos desordenados (2009). He has also edited Sexualidades transgresoras (2002), Manifiestos gays, lesbianos y queer (2009), and Minorías sexuales en España (2013).

• Contents: Dieter Ingenschay: Hispanic/Masculinities/Transition: An Introduction – Kerman Calvo: Sexual Movements Without Sex? Sex-Talk in the Spanish Gay Liberation Movement – Gracia Trujillo: Butches Excluded: Female Masculinities and Their (non) Representations in Spain – Óscar Guasch/Jordi Mas: Bodily, Gender, and Identity Projects in Spain: From the Transvestite to the Transsexual – Alfredo Martínez-Expósito: Embodiments of Class and Nation in Eloy de la Iglesia’s Gay Films – Alberto Mira: Queer Pastoral: Rural Homoeroticism on Film during the Early Years of the Spanish Transition – Rafael M. Mérida-Jiménez: From Stage to Screen: Flor de Otoño’s Transitional Impersonations – Elena Madrigal-Rodríguez: Undressing Masculinity: Male Dress and Accoutrements in Four Female Spanish Characters – Jorge Luis Peralta: Machos or divinas? A Quandary in Argentinean and Spanish Gay Activism – Juan Vicente Aliaga: Demasculinizing: Challenging Hegemonic Masculinity in Spanish Art and Culture – Richard Cleminson/Carlos Pons: Female Masculinity on Stage: Young Man! and the Subversion of Gender Roles.