Sarah M. Dillon is Assistant Professor of Art History at Kingsborough Community College, CUNY, specializing in early modern art. She received her Ph.D. from the Graduate Center, CUNY, and her work has been published in Comitatus, the Chicago Art Journal, and Burlington Magazine.

• Illustrations – Acknowledgments – Introduction to Seeing Renaissance Glass: Art, Optics, and Glass of Early Modern Italy, 1250–1425 – Stained Glass: Duccio, Simone Martini, and Taddeo Gaddi – Gilded Glass: Nicola Pisano, Simone Martini, Orcagna, and Paolo di Giovanni Fei – Transparent Glass from the East: Beruni, Hunain, and Alhazen – Transparent Glass in the West: Pietro Lorenzetti, Naddo Ceccarelli, and Others – Verre Églomisé Reliquaries: Pietro Teutonico and Tommaso da Modena – Conclusion: Giotto, Brunelleschi, Alberti, and the Network of Glass – Index.

Sarah M. Dillon is Assistant Professor of Art History at Kingsborough Community College, CUNY, specializing in early modern art. She received her Ph.D. from the Graduate Center, CUNY, and her work has been published in Comitatus, the Chicago Art Journal, and Burlington Magazine.

• Illustrations – Acknowledgments – Introduction to Seeing Renaissance Glass: Art, Optics, and Glass of Early Modern Italy, 1250–1425 – Stained Glass: Duccio, Simone Martini, and Taddeo Gaddi – Gilded Glass: Nicola Pisano, Simone Martini, Orcagna, and Paolo di Giovanni Fei – Transparent Glass from the East: Beruni, Hunain, and Alhazen – Transparent Glass in the West: Pietro Lorenzetti, Naddo Ceccarelli, and Others – Verre Églomisé Reliquaries: Pietro Teutonico and Tommaso da Modena – Conclusion: Giotto, Brunelleschi, Alberti, and the Network of Glass – Index.

Sarah M. Dillon is Assistant Professor of Art History at Kingsborough Community College, CUNY, specializing in early modern art. She received her Ph.D. from the Graduate Center, CUNY, and her work has been published in Comitatus, the Chicago Art Journal, and Burlington Magazine.

• Illustrations – Acknowledgments – Introduction to Seeing Renaissance Glass: Art, Optics, and Glass of Early Modern Italy, 1250–1425 – Stained Glass: Duccio, Simone Martini, and Taddeo Gaddi – Gilded Glass: Nicola Pisano, Simone Martini, Orcagna, and Paolo di Giovanni Fei – Transparent Glass from the East: Beruni, Hunain, and Alhazen – Transparent Glass in the West: Pietro Lorenzetti, Naddo Ceccarelli, and Others – Verre Églomisé Reliquaries: Pietro Teutonico and Tommaso da Modena – Conclusion: Giotto, Brunelleschi, Alberti, and the Network of Glass – Index.