Mauro Carbone is Full Professor of Philosophy at the University Jean Moulin Lyon 3 and honorary member of the Institut Universitaire de France. His books include The Flesh of Images: Merleau-Ponty between Painting and Cinema (translated by Marta Nijhuis) and An Unprecedented Deformation: Marcel Proust and the Sensible Ideas (translated by Niall Keane), both also published by SUNY Press. Marta Nijhuis is Lecturer in Philosophy and Theory of Images at the University Jean Moulin Lyon 3 and at EAC Lyon.

"Carbone's book, while quite dense and challenging, offers a number of profound insights into the advent and contemporary life of screens. One picking up this text should not expect an easy read, but it is a book that rewards careful study … the book deserves to be considered as a vital primary source for philosophy's reckoning with the significance of screens." — Philosophy in Review"Carbone's most recent work, now available in English, marks a critical moment in the author's philosophical development: the passage from an original reader and interpreter of Proust and Maurice Merleau-Ponty to a completely original contribution to the history of philosophy … Philosophy-Screens … opens the way for a philosophy that will perhaps be the new standard for thinkers yet to come." — Phenomenological Reviews"Bringing continental philosophy and phenomenological studies to bear on contemporary media studies and film theory, Philosophy-Screens should prompt further contributions on the screens and desires that fill our perceptual universe." — Critical Inquiry"In the end, this book remains a study more invested in psychology, history, culture, materialism, and corporeality—enough, certainly, for one such slender text. And, for now, we shall have to be satisfied with this impressive study of our screens…" — Screen Bodies"Mauro Carbone is one of the very best interpreters of French philosophy in general and aesthetics in particular. This book furthers recent research he has undertaken on cinema and more specifically its significance both in twentieth-century debates in philosophy and its role in our cultural experience. This is an insightful and informative book and will be of interest to a broad spectrum of readers." — Stephen Watson, University of Notre Dame

• List of IllustrationsPreface: In The Light of Our ScreensAcknowledgmentsPart I. What Is a "Philosophy-Cinema?" 1. Sartre and Deleuze via Bergson2. The Philosopher and the Moviemaker: Merleau-Ponty and the Meaning of Cinema3. The Torn Curtain: Lyotard, the Screen, and a Cinema Named DesirePart II. The Animated Life of Screens 4. Delimiting to Exceed: The Theme of the "Arche-Screen"Founding Itself with Its Variants5. Come Live with Me: The Seduction of the Screens Today6. Making Philosophy among and through the ScreensNotesIndex

Mauro Carbone is Full Professor of Philosophy at the University Jean Moulin Lyon 3 and honorary member of the Institut Universitaire de France. His books include The Flesh of Images: Merleau-Ponty between Painting and Cinema (translated by Marta Nijhuis) and An Unprecedented Deformation: Marcel Proust and the Sensible Ideas (translated by Niall Keane), both also published by SUNY Press. Marta Nijhuis is Lecturer in Philosophy and Theory of Images at the University Jean Moulin Lyon 3 and at EAC Lyon.

"Carbone's book, while quite dense and challenging, offers a number of profound insights into the advent and contemporary life of screens. One picking up this text should not expect an easy read, but it is a book that rewards careful study … the book deserves to be considered as a vital primary source for philosophy's reckoning with the significance of screens." — Philosophy in Review"Carbone's most recent work, now available in English, marks a critical moment in the author's philosophical development: the passage from an original reader and interpreter of Proust and Maurice Merleau-Ponty to a completely original contribution to the history of philosophy … Philosophy-Screens … opens the way for a philosophy that will perhaps be the new standard for thinkers yet to come." — Phenomenological Reviews"Bringing continental philosophy and phenomenological studies to bear on contemporary media studies and film theory, Philosophy-Screens should prompt further contributions on the screens and desires that fill our perceptual universe." — Critical Inquiry"In the end, this book remains a study more invested in psychology, history, culture, materialism, and corporeality—enough, certainly, for one such slender text. And, for now, we shall have to be satisfied with this impressive study of our screens…" — Screen Bodies"Mauro Carbone is one of the very best interpreters of French philosophy in general and aesthetics in particular. This book furthers recent research he has undertaken on cinema and more specifically its significance both in twentieth-century debates in philosophy and its role in our cultural experience. This is an insightful and informative book and will be of interest to a broad spectrum of readers." — Stephen Watson, University of Notre Dame

• List of IllustrationsPreface: In The Light of Our ScreensAcknowledgmentsPart I. What Is a "Philosophy-Cinema?" 1. Sartre and Deleuze via Bergson2. The Philosopher and the Moviemaker: Merleau-Ponty and the Meaning of Cinema3. The Torn Curtain: Lyotard, the Screen, and a Cinema Named DesirePart II. The Animated Life of Screens 4. Delimiting to Exceed: The Theme of the "Arche-Screen"Founding Itself with Its Variants5. Come Live with Me: The Seduction of the Screens Today6. Making Philosophy among and through the ScreensNotesIndex

Mauro Carbone is Full Professor of Philosophy at the University Jean Moulin Lyon 3 and honorary member of the Institut Universitaire de France. His books include The Flesh of Images: Merleau-Ponty between Painting and Cinema (translated by Marta Nijhuis) and An Unprecedented Deformation: Marcel Proust and the Sensible Ideas (translated by Niall Keane), both also published by SUNY Press. Marta Nijhuis is Lecturer in Philosophy and Theory of Images at the University Jean Moulin Lyon 3 and at EAC Lyon.

"Carbone's book, while quite dense and challenging, offers a number of profound insights into the advent and contemporary life of screens. One picking up this text should not expect an easy read, but it is a book that rewards careful study … the book deserves to be considered as a vital primary source for philosophy's reckoning with the significance of screens." — Philosophy in Review"Carbone's most recent work, now available in English, marks a critical moment in the author's philosophical development: the passage from an original reader and interpreter of Proust and Maurice Merleau-Ponty to a completely original contribution to the history of philosophy … Philosophy-Screens … opens the way for a philosophy that will perhaps be the new standard for thinkers yet to come." — Phenomenological Reviews"Bringing continental philosophy and phenomenological studies to bear on contemporary media studies and film theory, Philosophy-Screens should prompt further contributions on the screens and desires that fill our perceptual universe." — Critical Inquiry"In the end, this book remains a study more invested in psychology, history, culture, materialism, and corporeality—enough, certainly, for one such slender text. And, for now, we shall have to be satisfied with this impressive study of our screens…" — Screen Bodies"Mauro Carbone is one of the very best interpreters of French philosophy in general and aesthetics in particular. This book furthers recent research he has undertaken on cinema and more specifically its significance both in twentieth-century debates in philosophy and its role in our cultural experience. This is an insightful and informative book and will be of interest to a broad spectrum of readers." — Stephen Watson, University of Notre Dame

• List of IllustrationsPreface: In The Light of Our ScreensAcknowledgmentsPart I. What Is a "Philosophy-Cinema?" 1. Sartre and Deleuze via Bergson2. The Philosopher and the Moviemaker: Merleau-Ponty and the Meaning of Cinema3. The Torn Curtain: Lyotard, the Screen, and a Cinema Named DesirePart II. The Animated Life of Screens 4. Delimiting to Exceed: The Theme of the "Arche-Screen"Founding Itself with Its Variants5. Come Live with Me: The Seduction of the Screens Today6. Making Philosophy among and through the ScreensNotesIndex