Bokus
Chris Danta, Helen Groth - Mindful Aesthetics, E-bok

E-bok, Engelska, 2013

Mindful Aesthetics

Literature and the Science of Mind

Av Chris Danta, Helen Groth

699 kr

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Beskrivning
In the last few decades, literary critics have increasingly drawn insights from cognitive neuroscience to deepen and clarify our understanding of literary representations of mind. This cognitive turn has been equally generative and contentious. While cognitive literary studies has reinforced how central the concept of mind is to aesthetic practice from the classical period to the present, critics have questioned its literalism and selective borrowing of scientific authority. Mindful Aesthetics presents both these perspectives as part of a broader consideration of the ongoing and vital importance of shifting concepts of mind to both literary and critical practice. This collection contributes to the forging of a 'new interdisciplinarity,' to paraphrase Alan Richardson's recent preface to the Neural Sublime, that is more concerned with addressing how, rather than why, we should navigate the increasingly narrow gap between the humanities and the sciences.
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Chris Danta is Senior Lecturer in English in the School of the Arts and Media at the University of New South Wales, Australia. He is the author of Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot (2011) and the coeditor of Strong Opinions: J. M. Coetzee and the Authority of Contemporary Fiction (2011). He has also published essays in New Literary History, Angelaki, Textual Practice, Modernism/modernity, SubStance and Literature & Theology.Helen Groth is an Associate Professor and ARC Future Fellow in the School of the Arts and Media at the University of New South Wales, Australia. She is the author of Victorian Photography and Literary Nostalgia (2003), Moving Images: Nineteenth-Century Reading and Screen Practices (2013) and with Natalya Lusty, Dreams and Modernity: A Cultural History (2013).

Recensioner i media

[Danta and Groth's] collection, Mindful Aesthetics, goes out of its way to include all manner of competing views. There is an essay by the polemical evolutionary critic Brian Boyd who dismisses both psychoanalysis and behaviorism. There is a vigorous defense of theory by Claire Colebrook (and another by Paul Sheehan). There is also a critique by Anthony Uhlmann of the centrality of metaphor to understandings of embodied cognition. … The collection is quite lively.

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