Graham Cairns is an academic and author in the field of architecture who has written extensively on film, advertising and political communication. He has held Visiting Professor positions at universities in Spain, the UK, Mexico, the Gambia, South Africa and the US. He has worked in architectural studios in London and Hong Kong and previously founded and ran a performing arts organization, Hybrid Artworks, specializing in video installation and performance writing. He is author and editor of multiple books and articles on architecture as both a form of visual culture and a socio-political construct. He developed this book during a two year period as Visiting Scholar at Columbia University, New York. He is currently director of the academic research organization AMPS (Architecture, Media, Politics, Society), and Executive Editor of its associated journal Architecture_MPS. He is Honorary Senior Research Associate at the Bartlett School of Architecture, University College London, UK.

• Introduction: Reproducing Reality – A Psychological Origin for the Technological Visualisation of Space? (Graham Cairns), Neo-Formalism: The Technological and Social Evolution of Visual Representation and the Emergence of Contemporary Optics and Architecture (Graham Cairns), Part I: Perspective, 1. Envisioning Geometry - Architecture in the Grip of Perspective (Nicholas Temple), 2. Desargues’ Oeuvres: On Perspective, Optics and Conics (Nader El-Bizri), 3. Galileo’s Limit: Mechanical Sciences’ Technologies of Sight and the Translation of Analogical Representations into Diagrammatic Illustrations (Federica Goffi), Part II: Photography, 4.The Transformative Interface: Fragmentation, Process and Construction in the Photographic Representation of Architecture (Nigel Green), 5. The Great Publicist of Modern Building’: Photography and Architecture in the Inter-war Years (Valeria Carullo), 6. Photography and Architecture - From Technical Vision to Art and Phenomenological (Re)vision (Iñaki Bergera), Part III: Film, 7. Absorbing Cinematic Modernism: From the Villa Savoye to the Villa Arpel (François Penz), 8. Cinematic Space and Time: The Morphing of a Theory in Film and Architecture (Graham Cairns), 9. Intersecting Frames: Film + Architecture (Scott McQuire), Part IV: Digital Technologies, 10. Hyperreality, Vision and Architecture (David Ross Scheer), 11. Rebooting Spaceship Earth - Astrospatial Visions for Architecture and Urban Design (Davina Jackson), 12. Leveraging nature to envision (functional) space: An Architecture of Machinic Abduction (Tim Ireland)

Graham Cairns is an academic and author in the field of architecture who has written extensively on film, advertising and political communication. He has held Visiting Professor positions at universities in Spain, the UK, Mexico, the Gambia, South Africa and the US. He has worked in architectural studios in London and Hong Kong and previously founded and ran a performing arts organization, Hybrid Artworks, specializing in video installation and performance writing. He is author and editor of multiple books and articles on architecture as both a form of visual culture and a socio-political construct. He developed this book during a two year period as Visiting Scholar at Columbia University, New York. He is currently director of the academic research organization AMPS (Architecture, Media, Politics, Society), and Executive Editor of its associated journal Architecture_MPS. He is Honorary Senior Research Associate at the Bartlett School of Architecture, University College London, UK.

• Introduction: Reproducing Reality – A Psychological Origin for the Technological Visualisation of Space? (Graham Cairns), Neo-Formalism: The Technological and Social Evolution of Visual Representation and the Emergence of Contemporary Optics and Architecture (Graham Cairns), Part I: Perspective, 1. Envisioning Geometry - Architecture in the Grip of Perspective (Nicholas Temple), 2. Desargues’ Oeuvres: On Perspective, Optics and Conics (Nader El-Bizri), 3. Galileo’s Limit: Mechanical Sciences’ Technologies of Sight and the Translation of Analogical Representations into Diagrammatic Illustrations (Federica Goffi), Part II: Photography, 4.The Transformative Interface: Fragmentation, Process and Construction in the Photographic Representation of Architecture (Nigel Green), 5. The Great Publicist of Modern Building’: Photography and Architecture in the Inter-war Years (Valeria Carullo), 6. Photography and Architecture - From Technical Vision to Art and Phenomenological (Re)vision (Iñaki Bergera), Part III: Film, 7. Absorbing Cinematic Modernism: From the Villa Savoye to the Villa Arpel (François Penz), 8. Cinematic Space and Time: The Morphing of a Theory in Film and Architecture (Graham Cairns), 9. Intersecting Frames: Film + Architecture (Scott McQuire), Part IV: Digital Technologies, 10. Hyperreality, Vision and Architecture (David Ross Scheer), 11. Rebooting Spaceship Earth - Astrospatial Visions for Architecture and Urban Design (Davina Jackson), 12. Leveraging nature to envision (functional) space: An Architecture of Machinic Abduction (Tim Ireland)

Graham Cairns is an academic and author in the field of architecture who has written extensively on film, advertising and political communication. He has held Visiting Professor positions at universities in Spain, the UK, Mexico, the Gambia, South Africa and the US. He has worked in architectural studios in London and Hong Kong and previously founded and ran a performing arts organization, Hybrid Artworks, specializing in video installation and performance writing. He is author and editor of multiple books and articles on architecture as both a form of visual culture and a socio-political construct. He developed this book during a two year period as Visiting Scholar at Columbia University, New York. He is currently director of the academic research organization AMPS (Architecture, Media, Politics, Society), and Executive Editor of its associated journal Architecture_MPS. He is Honorary Senior Research Associate at the Bartlett School of Architecture, University College London, UK.

• Introduction: Reproducing Reality – A Psychological Origin for the Technological Visualisation of Space? (Graham Cairns), Neo-Formalism: The Technological and Social Evolution of Visual Representation and the Emergence of Contemporary Optics and Architecture (Graham Cairns), Part I: Perspective, 1. Envisioning Geometry - Architecture in the Grip of Perspective (Nicholas Temple), 2. Desargues’ Oeuvres: On Perspective, Optics and Conics (Nader El-Bizri), 3. Galileo’s Limit: Mechanical Sciences’ Technologies of Sight and the Translation of Analogical Representations into Diagrammatic Illustrations (Federica Goffi), Part II: Photography, 4.The Transformative Interface: Fragmentation, Process and Construction in the Photographic Representation of Architecture (Nigel Green), 5. The Great Publicist of Modern Building’: Photography and Architecture in the Inter-war Years (Valeria Carullo), 6. Photography and Architecture - From Technical Vision to Art and Phenomenological (Re)vision (Iñaki Bergera), Part III: Film, 7. Absorbing Cinematic Modernism: From the Villa Savoye to the Villa Arpel (François Penz), 8. Cinematic Space and Time: The Morphing of a Theory in Film and Architecture (Graham Cairns), 9. Intersecting Frames: Film + Architecture (Scott McQuire), Part IV: Digital Technologies, 10. Hyperreality, Vision and Architecture (David Ross Scheer), 11. Rebooting Spaceship Earth - Astrospatial Visions for Architecture and Urban Design (Davina Jackson), 12. Leveraging nature to envision (functional) space: An Architecture of Machinic Abduction (Tim Ireland)