Diana Rodríguez Pérez is the current Junior Research Fellow Mougins Museum in Classical Art and Material Culture at Wolfson College, Oxford, and was previously the Research Assistant for the Beazley Archive Pottery Database at the Classical Art Research Centre.

Select Guide Rating

• List of FiguresAcknowledgmentsList of Abbreviations Notes on Contributors Introductory Notes: Contextualizing ContextDiana Rodríguez PérezPart One – Location and the Find-spot Statues as Artifacts: Towards an Archaeology of Greek SculptureSheila Dillon and Tim Shea Itinerant Statues? The Portrait Landscape of the Athenian AgoraElizabeth Baltes New Perspectives in the Study of Pottery Assemblages from Settlements and their Cemeteries in Central Macedonia during the Archaic Period. Eleni ManakidouPart Two – Experiencing Material Culture Seeing the Parthenon Frieze: Notes from NashvilleRebecca Levitan and Bonna Wescoat Lost in Translation? Theoretical Implications of Considering Iconography in Context Winfred van de Put Volitional Reconsumption: Repetitive Vase Scenes in a Psychophysiological ContextKaterina Volioti Reviewing Space, Context and Meaning: The Eurymedon Vase AgainLloyd Llewellyn-JonesPart Three – Historical and Artistic Contexts Context of Contest: Athena, Poseidon and the Martyria in the West Pediment of the ParthenonMarion Meyer The Stoa of the Herms in Context: (Re)shaping ParadigmsMatteo Zaccarini Not quite Pheidias. Status and Labour Specialisation in Athenian SculptureHelle Hochscheid (Un)identifying Helen and Paris in Late Fifth Century BCA Athenian Vase Painting: How Context is CrucialSamantha Masters and Alexander Andrason Is there a Context Behind the Context? A Group of Apulian Red-Figure Vases in the Museum für Kunst und Gewerbe HamburgFrank Hildebrandt Part Four – Re-contextualization Contexts of Use of Fourth Century Attic Pottery in the Iberian PeninsulaCarmen Sánchez Fernández The Reception of an Attic Prize Vessel. On the Import and Local Production of Amphorae of Panathenaic Shape in Southern Italy.Stine Schierup Greek Images and Local Identities in Lycia: The Case of the Heroon from TrysaAlice Landskron Ancient Art in a Museum Context: The Kent Collection of Greek and Cypriot Pottery in HarrogateSally WaiteList of ReferencesIndex

Diana Rodríguez Pérez is the current Junior Research Fellow Mougins Museum in Classical Art and Material Culture at Wolfson College, Oxford, and was previously the Research Assistant for the Beazley Archive Pottery Database at the Classical Art Research Centre.

Select Guide Rating

• List of FiguresAcknowledgmentsList of Abbreviations Notes on Contributors Introductory Notes: Contextualizing ContextDiana Rodríguez PérezPart One – Location and the Find-spot Statues as Artifacts: Towards an Archaeology of Greek SculptureSheila Dillon and Tim Shea Itinerant Statues? The Portrait Landscape of the Athenian AgoraElizabeth Baltes New Perspectives in the Study of Pottery Assemblages from Settlements and their Cemeteries in Central Macedonia during the Archaic Period. Eleni ManakidouPart Two – Experiencing Material Culture Seeing the Parthenon Frieze: Notes from NashvilleRebecca Levitan and Bonna Wescoat Lost in Translation? Theoretical Implications of Considering Iconography in Context Winfred van de Put Volitional Reconsumption: Repetitive Vase Scenes in a Psychophysiological ContextKaterina Volioti Reviewing Space, Context and Meaning: The Eurymedon Vase AgainLloyd Llewellyn-JonesPart Three – Historical and Artistic Contexts Context of Contest: Athena, Poseidon and the Martyria in the West Pediment of the ParthenonMarion Meyer The Stoa of the Herms in Context: (Re)shaping ParadigmsMatteo Zaccarini Not quite Pheidias. Status and Labour Specialisation in Athenian SculptureHelle Hochscheid (Un)identifying Helen and Paris in Late Fifth Century BCA Athenian Vase Painting: How Context is CrucialSamantha Masters and Alexander Andrason Is there a Context Behind the Context? A Group of Apulian Red-Figure Vases in the Museum für Kunst und Gewerbe HamburgFrank Hildebrandt Part Four – Re-contextualization Contexts of Use of Fourth Century Attic Pottery in the Iberian PeninsulaCarmen Sánchez Fernández The Reception of an Attic Prize Vessel. On the Import and Local Production of Amphorae of Panathenaic Shape in Southern Italy.Stine Schierup Greek Images and Local Identities in Lycia: The Case of the Heroon from TrysaAlice Landskron Ancient Art in a Museum Context: The Kent Collection of Greek and Cypriot Pottery in HarrogateSally WaiteList of ReferencesIndex

Diana Rodríguez Pérez is the current Junior Research Fellow Mougins Museum in Classical Art and Material Culture at Wolfson College, Oxford, and was previously the Research Assistant for the Beazley Archive Pottery Database at the Classical Art Research Centre.

Select Guide Rating

• List of FiguresAcknowledgmentsList of Abbreviations Notes on Contributors Introductory Notes: Contextualizing ContextDiana Rodríguez PérezPart One – Location and the Find-spot Statues as Artifacts: Towards an Archaeology of Greek SculptureSheila Dillon and Tim Shea Itinerant Statues? The Portrait Landscape of the Athenian AgoraElizabeth Baltes New Perspectives in the Study of Pottery Assemblages from Settlements and their Cemeteries in Central Macedonia during the Archaic Period. Eleni ManakidouPart Two – Experiencing Material Culture Seeing the Parthenon Frieze: Notes from NashvilleRebecca Levitan and Bonna Wescoat Lost in Translation? Theoretical Implications of Considering Iconography in Context Winfred van de Put Volitional Reconsumption: Repetitive Vase Scenes in a Psychophysiological ContextKaterina Volioti Reviewing Space, Context and Meaning: The Eurymedon Vase AgainLloyd Llewellyn-JonesPart Three – Historical and Artistic Contexts Context of Contest: Athena, Poseidon and the Martyria in the West Pediment of the ParthenonMarion Meyer The Stoa of the Herms in Context: (Re)shaping ParadigmsMatteo Zaccarini Not quite Pheidias. Status and Labour Specialisation in Athenian SculptureHelle Hochscheid (Un)identifying Helen and Paris in Late Fifth Century BCA Athenian Vase Painting: How Context is CrucialSamantha Masters and Alexander Andrason Is there a Context Behind the Context? A Group of Apulian Red-Figure Vases in the Museum für Kunst und Gewerbe HamburgFrank Hildebrandt Part Four – Re-contextualization Contexts of Use of Fourth Century Attic Pottery in the Iberian PeninsulaCarmen Sánchez Fernández The Reception of an Attic Prize Vessel. On the Import and Local Production of Amphorae of Panathenaic Shape in Southern Italy.Stine Schierup Greek Images and Local Identities in Lycia: The Case of the Heroon from TrysaAlice Landskron Ancient Art in a Museum Context: The Kent Collection of Greek and Cypriot Pottery in HarrogateSally WaiteList of ReferencesIndex