Eva Frojmovic is Lecturer in the School of Fine Art, History of Art and Cultural Studies at University of Leeds. She specialises in medieval Jewish art and manuscript illumination. She is also Director of the Centre for Jewish Studies. She edited the collection Imagining the Self, Imagining the Other: Visual Representation and Jewish Culture in the Middle Ages and Early Modern Period (Leiden: Brill, 2002).Catherine E. Karkov is Chair of Art History at the University of Leeds and has published widely on Insular and Anglo-Saxon art and archaeology. She is the author of Text and Picture in Anglo-Saxon England: Narrative Strategies in the Junius 11 Manuscript (Cambridge: Cambridge University Press, 2001), The Ruler Portraits of Anglo-Saxon England (Woodbridge: Boydell Press, 2004), and The Art of Anglo-Saxon England (Boydell Press, 2011).

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• ContentsIntroductionEva Frojmovic and Catherine E. KarkovPart 1 The language of the postcolonialChapter 1. Decolonising gold bracteates: From Late Roman medallions to Scandinavian Migration Period pendantsNancy L. Wicker Chapter 2. The Franks Casket speaks back: The bones of the past, the becoming of EnglandCatherine E. Karkov Chapter 3. Camouflaging and echoing the Latin mass in an illuminated French-language missalMargaret E. Hadley Part 2 The location of the postcolonialChapter 4. Mandeville’s Jews, colonialism, certainty, and art historyAsa Simon MittmanChapter 5. Conquest and coexistence in sixteenth-century Granada: Imposing orders in the Alhambra’s MexuarLara EggletonChapter 6. Beyond Foucault’s laugh: On the ethical practice of medieval art historyRoland Betancourt Part 3 The ambivalence of the postcolonialChapter 7. Postcolonising Thomas Becket: The saint as resistant siteAlyce A. Jordan Chapter 8. Defining a merchant identity and aesthetic in Pisa: Muslim ceramics as commodities, mementos, and architectural decoration on eleventh-century churchesKaren Rose MathewsChapter 9. The Muslim warrior at the Seder meal: Dynamics between minorities in the Rylands HaggadahJane BarlowChapter 10. Neighbouring and mixta in thirteenth-century AshkenazEva Frojmovic BibliographyIndex

Eva Frojmovic is Lecturer in the School of Fine Art, History of Art and Cultural Studies at University of Leeds. She specialises in medieval Jewish art and manuscript illumination. She is also Director of the Centre for Jewish Studies. She edited the collection Imagining the Self, Imagining the Other: Visual Representation and Jewish Culture in the Middle Ages and Early Modern Period (Leiden: Brill, 2002).Catherine E. Karkov is Chair of Art History at the University of Leeds and has published widely on Insular and Anglo-Saxon art and archaeology. She is the author of Text and Picture in Anglo-Saxon England: Narrative Strategies in the Junius 11 Manuscript (Cambridge: Cambridge University Press, 2001), The Ruler Portraits of Anglo-Saxon England (Woodbridge: Boydell Press, 2004), and The Art of Anglo-Saxon England (Boydell Press, 2011).

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• ContentsIntroductionEva Frojmovic and Catherine E. KarkovPart 1 The language of the postcolonialChapter 1. Decolonising gold bracteates: From Late Roman medallions to Scandinavian Migration Period pendantsNancy L. Wicker Chapter 2. The Franks Casket speaks back: The bones of the past, the becoming of EnglandCatherine E. Karkov Chapter 3. Camouflaging and echoing the Latin mass in an illuminated French-language missalMargaret E. Hadley Part 2 The location of the postcolonialChapter 4. Mandeville’s Jews, colonialism, certainty, and art historyAsa Simon MittmanChapter 5. Conquest and coexistence in sixteenth-century Granada: Imposing orders in the Alhambra’s MexuarLara EggletonChapter 6. Beyond Foucault’s laugh: On the ethical practice of medieval art historyRoland Betancourt Part 3 The ambivalence of the postcolonialChapter 7. Postcolonising Thomas Becket: The saint as resistant siteAlyce A. Jordan Chapter 8. Defining a merchant identity and aesthetic in Pisa: Muslim ceramics as commodities, mementos, and architectural decoration on eleventh-century churchesKaren Rose MathewsChapter 9. The Muslim warrior at the Seder meal: Dynamics between minorities in the Rylands HaggadahJane BarlowChapter 10. Neighbouring and mixta in thirteenth-century AshkenazEva Frojmovic BibliographyIndex

Eva Frojmovic is Lecturer in the School of Fine Art, History of Art and Cultural Studies at University of Leeds. She specialises in medieval Jewish art and manuscript illumination. She is also Director of the Centre for Jewish Studies. She edited the collection Imagining the Self, Imagining the Other: Visual Representation and Jewish Culture in the Middle Ages and Early Modern Period (Leiden: Brill, 2002).Catherine E. Karkov is Chair of Art History at the University of Leeds and has published widely on Insular and Anglo-Saxon art and archaeology. She is the author of Text and Picture in Anglo-Saxon England: Narrative Strategies in the Junius 11 Manuscript (Cambridge: Cambridge University Press, 2001), The Ruler Portraits of Anglo-Saxon England (Woodbridge: Boydell Press, 2004), and The Art of Anglo-Saxon England (Boydell Press, 2011).

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• ContentsIntroductionEva Frojmovic and Catherine E. KarkovPart 1 The language of the postcolonialChapter 1. Decolonising gold bracteates: From Late Roman medallions to Scandinavian Migration Period pendantsNancy L. Wicker Chapter 2. The Franks Casket speaks back: The bones of the past, the becoming of EnglandCatherine E. Karkov Chapter 3. Camouflaging and echoing the Latin mass in an illuminated French-language missalMargaret E. Hadley Part 2 The location of the postcolonialChapter 4. Mandeville’s Jews, colonialism, certainty, and art historyAsa Simon MittmanChapter 5. Conquest and coexistence in sixteenth-century Granada: Imposing orders in the Alhambra’s MexuarLara EggletonChapter 6. Beyond Foucault’s laugh: On the ethical practice of medieval art historyRoland Betancourt Part 3 The ambivalence of the postcolonialChapter 7. Postcolonising Thomas Becket: The saint as resistant siteAlyce A. Jordan Chapter 8. Defining a merchant identity and aesthetic in Pisa: Muslim ceramics as commodities, mementos, and architectural decoration on eleventh-century churchesKaren Rose MathewsChapter 9. The Muslim warrior at the Seder meal: Dynamics between minorities in the Rylands HaggadahJane BarlowChapter 10. Neighbouring and mixta in thirteenth-century AshkenazEva Frojmovic BibliographyIndex