Walter Pach was an artist, critic, lecturer, art adviser, and art historian who wrote extensively about modern art and championed the cause of modern art. Through his numerous books, articles, and translations of European art texts Pach brought the emerging modernist viewpoint to the American public.Pach''s fluency in French, German, and Spanish made it possible for him to understand and interpret the avant-garde ideas developing in Europe and translate them for the English-speaking audience. He was able to communicate personally with many noted artists in Europe and Mexico and mediate between gallery dealers and museum curators on their behalf.This is an interesting look at the American art scene (and a little peak at the Parisian scene) and how Americans especially appreciated art in the late nineteenth and early 20th century.

Walter Pach was an artist, critic, lecturer, art adviser, and art historian who wrote extensively about modern art and championed the cause of modern art. Through his numerous books, articles, and translations of European art texts Pach brought the emerging modernist viewpoint to the American public.Pach''s fluency in French, German, and Spanish made it possible for him to understand and interpret the avant-garde ideas developing in Europe and translate them for the English-speaking audience. He was able to communicate personally with many noted artists in Europe and Mexico and mediate between gallery dealers and museum curators on their behalf.This is an interesting look at the American art scene (and a little peak at the Parisian scene) and how Americans especially appreciated art in the late nineteenth and early 20th century.

Walter Pach was an artist, critic, lecturer, art adviser, and art historian who wrote extensively about modern art and championed the cause of modern art. Through his numerous books, articles, and translations of European art texts Pach brought the emerging modernist viewpoint to the American public.Pach''s fluency in French, German, and Spanish made it possible for him to understand and interpret the avant-garde ideas developing in Europe and translate them for the English-speaking audience. He was able to communicate personally with many noted artists in Europe and Mexico and mediate between gallery dealers and museum curators on their behalf.This is an interesting look at the American art scene (and a little peak at the Parisian scene) and how Americans especially appreciated art in the late nineteenth and early 20th century.