Ulrike Sieglohr is Honorary Research Associate in Film, Television and Radio Studies at Staffordshire University, UK.

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• AcknowledgmentsIntroduction Ulrike SieglohrBRITAIN1. Post War Choices and Feminine Possibilities Christine Geraghty2. A Place of One’s Own? Margaret Lockwood and British Film Stardom in the 1940s Sarah StreetFRANCE3. Evil Women in the Post War French Cinema Noël Burch and Geneviève Sellier4. From Stardom to Eclipse: Micheline Presle and Post War French Cinema Carrie Tarr5. The Tainted Woman: Simone Signoret, Site of Pathology or Agent of Retribution? Sarah Leahy and Susan HaywardGERMANY6. Sweeping up the Past: Gender and History in the Post War German ‘Rubble Film’ Erica Carter7. Hildegard Knef: From Rubble Woman to Fallen Woman Ulrike SieglohrITALY8. What About Women? Italian Films and their Concerns Lesley Caldwell9. Woman of Rome: Anna Magnani Mary P. WoodSPAIN10. Feminizing the Nation: Women, Subordination and Subversion in Post-Civil War Spanish Cinema Jo Labanyi11. Ana Mariscal: Franco’s Disavowed Star Núria Triana-ToribioReferencesFurther ReadingIndex

Ulrike Sieglohr is Honorary Research Associate in Film, Television and Radio Studies at Staffordshire University, UK.

Select Guide Rating

• AcknowledgmentsIntroduction Ulrike SieglohrBRITAIN1. Post War Choices and Feminine Possibilities Christine Geraghty2. A Place of One’s Own? Margaret Lockwood and British Film Stardom in the 1940s Sarah StreetFRANCE3. Evil Women in the Post War French Cinema Noël Burch and Geneviève Sellier4. From Stardom to Eclipse: Micheline Presle and Post War French Cinema Carrie Tarr5. The Tainted Woman: Simone Signoret, Site of Pathology or Agent of Retribution? Sarah Leahy and Susan HaywardGERMANY6. Sweeping up the Past: Gender and History in the Post War German ‘Rubble Film’ Erica Carter7. Hildegard Knef: From Rubble Woman to Fallen Woman Ulrike SieglohrITALY8. What About Women? Italian Films and their Concerns Lesley Caldwell9. Woman of Rome: Anna Magnani Mary P. WoodSPAIN10. Feminizing the Nation: Women, Subordination and Subversion in Post-Civil War Spanish Cinema Jo Labanyi11. Ana Mariscal: Franco’s Disavowed Star Núria Triana-ToribioReferencesFurther ReadingIndex

Ulrike Sieglohr is Honorary Research Associate in Film, Television and Radio Studies at Staffordshire University, UK.

Select Guide Rating

• AcknowledgmentsIntroduction Ulrike SieglohrBRITAIN1. Post War Choices and Feminine Possibilities Christine Geraghty2. A Place of One’s Own? Margaret Lockwood and British Film Stardom in the 1940s Sarah StreetFRANCE3. Evil Women in the Post War French Cinema Noël Burch and Geneviève Sellier4. From Stardom to Eclipse: Micheline Presle and Post War French Cinema Carrie Tarr5. The Tainted Woman: Simone Signoret, Site of Pathology or Agent of Retribution? Sarah Leahy and Susan HaywardGERMANY6. Sweeping up the Past: Gender and History in the Post War German ‘Rubble Film’ Erica Carter7. Hildegard Knef: From Rubble Woman to Fallen Woman Ulrike SieglohrITALY8. What About Women? Italian Films and their Concerns Lesley Caldwell9. Woman of Rome: Anna Magnani Mary P. WoodSPAIN10. Feminizing the Nation: Women, Subordination and Subversion in Post-Civil War Spanish Cinema Jo Labanyi11. Ana Mariscal: Franco’s Disavowed Star Núria Triana-ToribioReferencesFurther ReadingIndex