Murray Pomerance is an independent scholar living in Toronto and Adjunct Professor in the School of Media and Communication at RMIT University, Melbourne. He is the author of The Film Cheat: Screen Artifice and Viewing Pleasure (2020), Grammatical Dreams (2020), Virtuoso: Film Performance and the Actor’s Magic (2019), A Dream of Hitchcock (2019), and Cinema, If You Please: The Memory of Taste, the Taste of Memory (2018), among many other volumes, and editor or co-editor of more than two dozen books including The Other Hollywood Renaissance (2020). He edits the “Horizons of Cinema” series at SUNY Press and the “Techniques of the Moving Image” series at Rutgers. A Voyage with Hitchcock and Color It True: Impressions of Cinema are both forthcoming. Dr Steven Rybin is Associate Professor of Film at Minnesota State University, Mankato. He is the author of several books including Geraldine Chaplin (2020), Gestures of Love: Romancing Performance in Classical Hollywood Cinema (2017), Michael Mann (2013) and Terence Malik and the Thought of Film (2011). He is editor of The Cinema of Hal Hartley (2016), Hamlet Lives in Hollywood (2017) and Stellar Transformations: Movie Stars of the 2010s (2022).

Select Guide Rating

• IntroductionSteven Rybin and Murray Pomerance 1. The Pre-Bard Stage Career of John Barrymore, Philip Carli2. Dangerously Modern: Shakespeare, Voice, and the ‘New Psychology’ in John Barrymore’s ‘Unstable’ Characters, Michael Hammond 3. The Curious Case of Sherlock Holmes, Colin Williamson 4. John Barrymore’s Introspective Performance in Beau Brummel, Martin Shingler 5. "Keep back your pity": The wounded Barrymore of The Sea Beast (1926) and Moby Dick (1930), Dominic Lennard6. From Rome to Berlin: Barrymore as Romantic Lover, Douglas McFarland 7. The Power of Stillness: John Barrymore’s Performance in Svengali 1931, Diane Carson 8. Prospero Unbound: John Barrymore’s Theatrical Transformations of Cinema Reality, George Toles 9. A Star is Dead: Barrymore’s Anti-Christian Metaperformance, Kyle Stevens 10. Handling Time: The Passing of Tradition in A Bill of Divorcement, Daniel Varndell 11. John Barrymore’s Sparkling Topaze. Steven Rybin12. "Planes, Motors, Schedules": Night Flight and the Modernity of John Barrymore, Will Scheibel 13. Barrymore and the Scene of Acting: Gesture, Speech, asnd the Repression of Cinematic Performance, Barry Langford14. "I Never Thought I Should Sink So Low as to Become an Actor": John Barrymore in Twentieth Century, William Rothman 15. Barrymore Does Barrymore: The Performing Self Triumphant in The Great Profile, R. Barton Palmer Works Cited and ConsultedContributorsIndex