Homer B. Pettey is Professor Emeritus of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.).

• AcknowledgementsIllustrationsNotes on Contributors1. Introduction: Cold War Genres and the Rock-and-Roll Film; Homer B. Pettey 2. Social Factors in Brainwashing Films of the 1950s and 1960s; David Seed 3. The Berlin Crisis? Piffl!: Billy Wilder’s Cold War Comedy, One, Two, Three; Ed Sikov4. The Small Adult Film: A Prestige Form of Cold War Cinema; R. Barton Palmer5. "I’m Lucky – I Had Rich Parents": Disability and Class in the Postwar Biopic Genre; Martin F. Norden6. Rogue Nation, 1954: History, Class Consciousness, and the ‘Rogue Cop’ Film; Robert Miklitsch7. Internal Enmity: Hollywood's Fragile Home Stories in the 1950s and 1960s; Elisabeth Bronfen8. Suburban Sublime; Homer B. Pettey9. Domestic Containment for Whom? Gendered and Racial Variations on Cold War: Modernity in the Apartment Plot; Pamela Robertson Wojcik10. Success and the Single Girl: Urban Romances of Working Women; Jennifer Lei Jenkins11. Paris Loves Lovers and Americans Loved Paris: Gender, Class, and Modernity in the Postwar Hollywood Musical; Steven Cohan12. Straight to Baby: Scoring female jazz agency and new masculinity in Henry Mancini's Peter Gunn; Kristin McGeeIndex

Homer B. Pettey is Professor Emeritus of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.).

• AcknowledgementsIllustrationsNotes on Contributors1. Introduction: Cold War Genres and the Rock-and-Roll Film; Homer B. Pettey 2. Social Factors in Brainwashing Films of the 1950s and 1960s; David Seed 3. The Berlin Crisis? Piffl!: Billy Wilder’s Cold War Comedy, One, Two, Three; Ed Sikov4. The Small Adult Film: A Prestige Form of Cold War Cinema; R. Barton Palmer5. "I’m Lucky – I Had Rich Parents": Disability and Class in the Postwar Biopic Genre; Martin F. Norden6. Rogue Nation, 1954: History, Class Consciousness, and the ‘Rogue Cop’ Film; Robert Miklitsch7. Internal Enmity: Hollywood's Fragile Home Stories in the 1950s and 1960s; Elisabeth Bronfen8. Suburban Sublime; Homer B. Pettey9. Domestic Containment for Whom? Gendered and Racial Variations on Cold War: Modernity in the Apartment Plot; Pamela Robertson Wojcik10. Success and the Single Girl: Urban Romances of Working Women; Jennifer Lei Jenkins11. Paris Loves Lovers and Americans Loved Paris: Gender, Class, and Modernity in the Postwar Hollywood Musical; Steven Cohan12. Straight to Baby: Scoring female jazz agency and new masculinity in Henry Mancini's Peter Gunn; Kristin McGeeIndex

Homer B. Pettey is Professor Emeritus of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.).

• AcknowledgementsIllustrationsNotes on Contributors1. Introduction: Cold War Genres and the Rock-and-Roll Film; Homer B. Pettey 2. Social Factors in Brainwashing Films of the 1950s and 1960s; David Seed 3. The Berlin Crisis? Piffl!: Billy Wilder’s Cold War Comedy, One, Two, Three; Ed Sikov4. The Small Adult Film: A Prestige Form of Cold War Cinema; R. Barton Palmer5. "I’m Lucky – I Had Rich Parents": Disability and Class in the Postwar Biopic Genre; Martin F. Norden6. Rogue Nation, 1954: History, Class Consciousness, and the ‘Rogue Cop’ Film; Robert Miklitsch7. Internal Enmity: Hollywood's Fragile Home Stories in the 1950s and 1960s; Elisabeth Bronfen8. Suburban Sublime; Homer B. Pettey9. Domestic Containment for Whom? Gendered and Racial Variations on Cold War: Modernity in the Apartment Plot; Pamela Robertson Wojcik10. Success and the Single Girl: Urban Romances of Working Women; Jennifer Lei Jenkins11. Paris Loves Lovers and Americans Loved Paris: Gender, Class, and Modernity in the Postwar Hollywood Musical; Steven Cohan12. Straight to Baby: Scoring female jazz agency and new masculinity in Henry Mancini's Peter Gunn; Kristin McGeeIndex