Michelle Moore PhD is Professor of English at the College of DuPage. Brian Brems is Associate Professor of English at the College of DuPage and Director of Development at the Limelight Theatre Company

"As a filmmaker and as an essayist, Paul Schrader has always been focused on the life of spirit, often under the most debased conditions and shocking circumstances. That focus, as a writer and as a director, has resulted in several truly remarkable pictures. We’ve worked together on and off throughout the better part of our lives. It hasn’t always been easy, but it has always been fruitful and, quite often, revelatory. Truly, I don’t know where the art of cinema would be without his work, his mind, and his presence. This collection is a just and illuminating tribute to the work of a very important artist." - Martin Scorsese

• Introduction: Taxi Driver Forward - Brian Brems and Michelle E. MooreSchrader and Style - Erik M. BachmanMovement and Meaning: The "unmotivated" Camera in Four Films by Paul Schrader - Deborah AllisonLate Schrader: From the Canon to the Canyons - BillyStevenson"Thinking White:" Performing Racial Tension in Blue Collar - Scott BalcerzakProphets and Zealots: Paul Schrader's Adaptations of The Mosquito Coast and The Last Temptation of Christ - Erica Moulton"So I find another form of expression": Art and Life/Art in Life in Paul Schrader’s Mishima: A Life in Four Chapters - Thomas PraschSchrader’s Women: Cat People and Patty Hearst - Brian BremsPaul Schrader’s Experiment in Italian Neo-decadence: The Comfort of Strangers and the Sadean System - Robert Dassanowsky"Just Being Transparent Baby": Surveillance Culture, Digitization and Self-Regulation in Paul Schrader’s The Canyons - James Slaymaker"Every Act of Preservation Is an Act of Creation": Paul Schrader’s Eco-Theology in First Reformed - Tatiana ProrokovaLeaning on the Everlasting Arms: Love and Silence in First Reformed - Robert RiberaInterview with Paul Schrader conducted by Michelle E. Moore and Brian Brems on 9/27/2018 at the Rail Line Diner, NYFilmographyBibliography

Michelle Moore PhD is Professor of English at the College of DuPage. Brian Brems is Associate Professor of English at the College of DuPage and Director of Development at the Limelight Theatre Company

"As a filmmaker and as an essayist, Paul Schrader has always been focused on the life of spirit, often under the most debased conditions and shocking circumstances. That focus, as a writer and as a director, has resulted in several truly remarkable pictures. We’ve worked together on and off throughout the better part of our lives. It hasn’t always been easy, but it has always been fruitful and, quite often, revelatory. Truly, I don’t know where the art of cinema would be without his work, his mind, and his presence. This collection is a just and illuminating tribute to the work of a very important artist." - Martin Scorsese

• Introduction: Taxi Driver Forward - Brian Brems and Michelle E. MooreSchrader and Style - Erik M. BachmanMovement and Meaning: The "unmotivated" Camera in Four Films by Paul Schrader - Deborah AllisonLate Schrader: From the Canon to the Canyons - BillyStevenson"Thinking White:" Performing Racial Tension in Blue Collar - Scott BalcerzakProphets and Zealots: Paul Schrader's Adaptations of The Mosquito Coast and The Last Temptation of Christ - Erica Moulton"So I find another form of expression": Art and Life/Art in Life in Paul Schrader’s Mishima: A Life in Four Chapters - Thomas PraschSchrader’s Women: Cat People and Patty Hearst - Brian BremsPaul Schrader’s Experiment in Italian Neo-decadence: The Comfort of Strangers and the Sadean System - Robert Dassanowsky"Just Being Transparent Baby": Surveillance Culture, Digitization and Self-Regulation in Paul Schrader’s The Canyons - James Slaymaker"Every Act of Preservation Is an Act of Creation": Paul Schrader’s Eco-Theology in First Reformed - Tatiana ProrokovaLeaning on the Everlasting Arms: Love and Silence in First Reformed - Robert RiberaInterview with Paul Schrader conducted by Michelle E. Moore and Brian Brems on 9/27/2018 at the Rail Line Diner, NYFilmographyBibliography

Michelle Moore PhD is Professor of English at the College of DuPage. Brian Brems is Associate Professor of English at the College of DuPage and Director of Development at the Limelight Theatre Company

"As a filmmaker and as an essayist, Paul Schrader has always been focused on the life of spirit, often under the most debased conditions and shocking circumstances. That focus, as a writer and as a director, has resulted in several truly remarkable pictures. We’ve worked together on and off throughout the better part of our lives. It hasn’t always been easy, but it has always been fruitful and, quite often, revelatory. Truly, I don’t know where the art of cinema would be without his work, his mind, and his presence. This collection is a just and illuminating tribute to the work of a very important artist." - Martin Scorsese

• Introduction: Taxi Driver Forward - Brian Brems and Michelle E. MooreSchrader and Style - Erik M. BachmanMovement and Meaning: The "unmotivated" Camera in Four Films by Paul Schrader - Deborah AllisonLate Schrader: From the Canon to the Canyons - BillyStevenson"Thinking White:" Performing Racial Tension in Blue Collar - Scott BalcerzakProphets and Zealots: Paul Schrader's Adaptations of The Mosquito Coast and The Last Temptation of Christ - Erica Moulton"So I find another form of expression": Art and Life/Art in Life in Paul Schrader’s Mishima: A Life in Four Chapters - Thomas PraschSchrader’s Women: Cat People and Patty Hearst - Brian BremsPaul Schrader’s Experiment in Italian Neo-decadence: The Comfort of Strangers and the Sadean System - Robert Dassanowsky"Just Being Transparent Baby": Surveillance Culture, Digitization and Self-Regulation in Paul Schrader’s The Canyons - James Slaymaker"Every Act of Preservation Is an Act of Creation": Paul Schrader’s Eco-Theology in First Reformed - Tatiana ProrokovaLeaning on the Everlasting Arms: Love and Silence in First Reformed - Robert RiberaInterview with Paul Schrader conducted by Michelle E. Moore and Brian Brems on 9/27/2018 at the Rail Line Diner, NYFilmographyBibliography