Michelle E. Moore – författare

Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America’s great modernist writers and the nation’s “second city.” Michelle E. Moore explores the ways in which the defining writers of the era—Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald—engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.

Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America''s great modernist writers and the nation''s “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.

Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America''s great modernist writers and the nation''s “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.

Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America’s great modernist writers and the nation’s “second city.” Michelle E. Moore explores the ways in which the defining writers of the era—Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald—engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.

The first collected volume of work on cult film director and icon John Waters, which offers a comprehensive study of his work as an important filmmaker and cultural force. Includes chapters covering important themes in Waters's work, stylistic tendencies, his relationship to the art world, and interviews reflecting on the impact of Waters's films on his collaborators and audience. Also features a new retrospective interview with Waters in which he reflects on his career and films.

The first collected volume of work on cult film director and icon John Waters, which offers a comprehensive study of his work as an important filmmaker and cultural force. Includes chapters covering important themes in Waters’s work, stylistic tendencies, his relationship to the art world, and interviews reflecting on the impact of Waters’s films on his collaborators and audience. Also features a new retrospective interview with Waters in which he reflects on his career and films.

Paul Schrader’s unique relationship to the role of the author (as screenwriter, director and critic) has long informed his cinema, and raises complicated questions about the definition of the auteur. This volume of essays – one of the first collections to assess Schrader’s contributions to directing, screenwriting and criticism – includes the first original appraisals of his much-lauded masterpiece First Reformed (2017), as well as a chapter-length interview with Schrader himself, conducted by the editors. Providing a comprehensive exploration of his groundbreaking achievements in cinema, the book considers Schrader’s more overlooked films and provides new insights to their connection with his celebrated work in direction and screenwriting such as Taxi Driver (1976), Cat People (1982) and The Comfort of Strangers (1990).