JENNIFER HIGGIE is a writer who studied painting at art school in Australia before moving to London. Previously the editor of frieze magazine, she was also the presenter of Bow Down, a podcast about women in art history. She is a screenwriter, the editor of a collection of writings on art and humour, The Artist's Joke, a novel, Bedlam, a children's book, There's Not One, and The Mirror and the Palette: Rebellion, Revolution and Resilience - 500 Years of Women's Self-Portraits.

A bewitching, invigorating history of women artists, the work they've made and the impossibly hard conditions in which it was produced. I can't think of a more satisfying riposte to anyone who asks why there have been no great women artists than to present them with this incandescent book

JENNIFER HIGGIE is a writer who studied painting at art school in Australia before moving to London. Previously the editor of frieze magazine, she was also the presenter of Bow Down, a podcast about women in art history. She is a screenwriter, the editor of a collection of writings on art and humour, The Artist's Joke, a novel, Bedlam, a children's book, There's Not One, and The Mirror and the Palette: Rebellion, Revolution and Resilience - 500 Years of Women's Self-Portraits.

A bewitching, invigorating history of women artists, the work they've made and the impossibly hard conditions in which it was produced. I can't think of a more satisfying riposte to anyone who asks why there have been no great women artists than to present them with this incandescent book

JENNIFER HIGGIE is a writer who studied painting at art school in Australia before moving to London. Previously the editor of frieze magazine, she was also the presenter of Bow Down, a podcast about women in art history. She is a screenwriter, the editor of a collection of writings on art and humour, The Artist's Joke, a novel, Bedlam, a children's book, There's Not One, and The Mirror and the Palette: Rebellion, Revolution and Resilience - 500 Years of Women's Self-Portraits.

A bewitching, invigorating history of women artists, the work they've made and the impossibly hard conditions in which it was produced. I can't think of a more satisfying riposte to anyone who asks why there have been no great women artists than to present them with this incandescent book