Mary D. Edwards is a professor of art history at Pratt Institute in Brooklyn, New York and is a member of the Renaissance Seminar at Columbia University. Her articles have appeared in Studies in Iconography, Zeitschrift für Kunstgeschichte, and the Journal of the Society of Architectural Historians.

“Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840–2010: Critical Essays offers a fascinating glimpse into the visual world of ‘doubles,’ a subject explored by every Western art movement across time. The essays in this book have presented a stimulating, erudite interpretation of the ‘double’ in numerous examples of art. Engaging and highly original, it invites the reader to explore the ‘double’ image in a thoughtful approach that broadens one’s knowledge of the aesthetic of the uncanny in the visual world of the ‘double.’”—Bonnie L. Kutbay, professor emeritus of art history, Mansfield University of Pennsylvania

• Table of ContentsAcknowledgmentsIntroduction (Mary D. Edwards)The Idea of the Double in Text and/or Image from Antiquity to the End of the 20th Century (Mary D. Edwards)The Doppelganger in Richard Dadd’s Life and Art (Karen Stock)Doubles, Doppelgangers and Desire: The Formation of Female Identity in the Photographs of Lady Hawarden (Jenny O. Ramirez)Venus’s Double: Investigating Similitude in ­Burne-Jones’s Pygmalion Cycle (Sarah J. Lippert)Mirror Symbolism, Sexuality and Interiority in the Art of Fernand Khnopff (Natalia Vieyra)Narcissus in the Art of Waterhouse, Dalí, Kusama, Collishaw and Muñoz (Mary D. Edwards)Egon Schiele’s Double ­Self-Portraits as Gedankenmalerei (Lori Felton)Magritte and the Painted Double: Repetition as Subversion (Sandra Zalman)Double Take: Jean Dubuffet, Antonin Artaud and Balinese Costume (Stephanie Chadwick)Doubling, Pairing and Halving in Some ­Self-Portraits by Frida Kahlo (Mary D. Edwards)Superman, Disguised as ­Mild-Mannered Clark Kent: Queerness, Jewish Masculinity and the Superhero’s Alter Ego as Marginalized Other (Megan Fowler)Morrisseau’s Thunderbird with Inner Spirit (circa 1978) (Mary D. Edwards)Happy Hour: The Pairings of Jasper Johns and Felix ­Gonzalez-Torres(Christian Wurst)Reflections on Nature and Self in the Work of Timm Ulrichs (Curt Germundson)Uncanny Objects: Bruce Nauman’s Aesthetic of Anxiety (Maxim Leonid Weintraub)Strange Selves: The Televised Double in Bjørn Melhus’s Das Zauberglas (Ann Jacobson)Tracing the Uncanny: Francis Alÿs’ Doppelganger (1999–present) and Déjà Vu (1996–present) Series (Andrés David Montenegro Rosero)Doubling the Odds: Pregnancy, Femininity and Embodiment in Nicola Costantino’s Trailer (2010) (Sophie Halart)AfterwordMary D. EdwardsAbout the ContributorsIndex

Mary D. Edwards is a professor of art history at Pratt Institute in Brooklyn, New York and is a member of the Renaissance Seminar at Columbia University. Her articles have appeared in Studies in Iconography, Zeitschrift für Kunstgeschichte, and the Journal of the Society of Architectural Historians.

“Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840–2010: Critical Essays offers a fascinating glimpse into the visual world of ‘doubles,’ a subject explored by every Western art movement across time. The essays in this book have presented a stimulating, erudite interpretation of the ‘double’ in numerous examples of art. Engaging and highly original, it invites the reader to explore the ‘double’ image in a thoughtful approach that broadens one’s knowledge of the aesthetic of the uncanny in the visual world of the ‘double.’”—Bonnie L. Kutbay, professor emeritus of art history, Mansfield University of Pennsylvania

• Table of ContentsAcknowledgmentsIntroduction (Mary D. Edwards)The Idea of the Double in Text and/or Image from Antiquity to the End of the 20th Century (Mary D. Edwards)The Doppelganger in Richard Dadd’s Life and Art (Karen Stock)Doubles, Doppelgangers and Desire: The Formation of Female Identity in the Photographs of Lady Hawarden (Jenny O. Ramirez)Venus’s Double: Investigating Similitude in ­Burne-Jones’s Pygmalion Cycle (Sarah J. Lippert)Mirror Symbolism, Sexuality and Interiority in the Art of Fernand Khnopff (Natalia Vieyra)Narcissus in the Art of Waterhouse, Dalí, Kusama, Collishaw and Muñoz (Mary D. Edwards)Egon Schiele’s Double ­Self-Portraits as Gedankenmalerei (Lori Felton)Magritte and the Painted Double: Repetition as Subversion (Sandra Zalman)Double Take: Jean Dubuffet, Antonin Artaud and Balinese Costume (Stephanie Chadwick)Doubling, Pairing and Halving in Some ­Self-Portraits by Frida Kahlo (Mary D. Edwards)Superman, Disguised as ­Mild-Mannered Clark Kent: Queerness, Jewish Masculinity and the Superhero’s Alter Ego as Marginalized Other (Megan Fowler)Morrisseau’s Thunderbird with Inner Spirit (circa 1978) (Mary D. Edwards)Happy Hour: The Pairings of Jasper Johns and Felix ­Gonzalez-Torres(Christian Wurst)Reflections on Nature and Self in the Work of Timm Ulrichs (Curt Germundson)Uncanny Objects: Bruce Nauman’s Aesthetic of Anxiety (Maxim Leonid Weintraub)Strange Selves: The Televised Double in Bjørn Melhus’s Das Zauberglas (Ann Jacobson)Tracing the Uncanny: Francis Alÿs’ Doppelganger (1999–present) and Déjà Vu (1996–present) Series (Andrés David Montenegro Rosero)Doubling the Odds: Pregnancy, Femininity and Embodiment in Nicola Costantino’s Trailer (2010) (Sophie Halart)AfterwordMary D. EdwardsAbout the ContributorsIndex

Mary D. Edwards is a professor of art history at Pratt Institute in Brooklyn, New York and is a member of the Renaissance Seminar at Columbia University. Her articles have appeared in Studies in Iconography, Zeitschrift für Kunstgeschichte, and the Journal of the Society of Architectural Historians.

“Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840–2010: Critical Essays offers a fascinating glimpse into the visual world of ‘doubles,’ a subject explored by every Western art movement across time. The essays in this book have presented a stimulating, erudite interpretation of the ‘double’ in numerous examples of art. Engaging and highly original, it invites the reader to explore the ‘double’ image in a thoughtful approach that broadens one’s knowledge of the aesthetic of the uncanny in the visual world of the ‘double.’”—Bonnie L. Kutbay, professor emeritus of art history, Mansfield University of Pennsylvania

• Table of ContentsAcknowledgmentsIntroduction (Mary D. Edwards)The Idea of the Double in Text and/or Image from Antiquity to the End of the 20th Century (Mary D. Edwards)The Doppelganger in Richard Dadd’s Life and Art (Karen Stock)Doubles, Doppelgangers and Desire: The Formation of Female Identity in the Photographs of Lady Hawarden (Jenny O. Ramirez)Venus’s Double: Investigating Similitude in ­Burne-Jones’s Pygmalion Cycle (Sarah J. Lippert)Mirror Symbolism, Sexuality and Interiority in the Art of Fernand Khnopff (Natalia Vieyra)Narcissus in the Art of Waterhouse, Dalí, Kusama, Collishaw and Muñoz (Mary D. Edwards)Egon Schiele’s Double ­Self-Portraits as Gedankenmalerei (Lori Felton)Magritte and the Painted Double: Repetition as Subversion (Sandra Zalman)Double Take: Jean Dubuffet, Antonin Artaud and Balinese Costume (Stephanie Chadwick)Doubling, Pairing and Halving in Some ­Self-Portraits by Frida Kahlo (Mary D. Edwards)Superman, Disguised as ­Mild-Mannered Clark Kent: Queerness, Jewish Masculinity and the Superhero’s Alter Ego as Marginalized Other (Megan Fowler)Morrisseau’s Thunderbird with Inner Spirit (circa 1978) (Mary D. Edwards)Happy Hour: The Pairings of Jasper Johns and Felix ­Gonzalez-Torres(Christian Wurst)Reflections on Nature and Self in the Work of Timm Ulrichs (Curt Germundson)Uncanny Objects: Bruce Nauman’s Aesthetic of Anxiety (Maxim Leonid Weintraub)Strange Selves: The Televised Double in Bjørn Melhus’s Das Zauberglas (Ann Jacobson)Tracing the Uncanny: Francis Alÿs’ Doppelganger (1999–present) and Déjà Vu (1996–present) Series (Andrés David Montenegro Rosero)Doubling the Odds: Pregnancy, Femininity and Embodiment in Nicola Costantino’s Trailer (2010) (Sophie Halart)AfterwordMary D. EdwardsAbout the ContributorsIndex