Mary D. Edwards – författare

The gravitational pull of the earth and the challenge to resist it have long inspired artists. Like the Greek vases depicting Sisyphus's endless quest to push his boulder up a hill and the Whirlwind Lovers in Dante's Inferno, images that portray the defiance of gravity or submission to it permeate the artistic world. This collection examines the ways artists from antiquity to today use gravity and levity symbolically, metaphorically, and expressively.The 26 essays examine these opposing forces through analysis of such dualities as ascent and descent, weight and weightlessness, hope and despair, or life and death, and draw distinct lines between the works of art and texts of such writers and thinkers as Homer, Aristotle, Newton, Marx and Einstein. Together, they demonstrate that as our ideas about this essential force or space-time concept change, so too, do artists create new ways to represent visually the phenomenon of gravity.

The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.