Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.

• 1. Introduction 2. Real People Part 1: Winning and/or losing the game of life in autobiographical performance—Winners and Losers3. Real People Part 2: Insecurity and ethical failure in the encounter with stranger—100% Vancouver, RARE, and Polyglotte4. Real Words: Reproducing life in remediated verbatim theatre—Seeds and 300 TAPES5. Real Space: The insecure geographies of site-specific audio walks—Garden/ /Suburbia and Landline6. Real Bodies Part 1: The traumatic real in immersive performances of political crisis and insecurity—Counting Sheep and Foreign Radical7. Real Bodies Part 2: Narcissistic spectatorship in theatrical "haunted houses" of solo immersive performance—Everyman8. Coda: Theatres of the real in the age of post-reality

Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.

• 1. Introduction 2. Real People Part 1: Winning and/or losing the game of life in autobiographical performance—Winners and Losers3. Real People Part 2: Insecurity and ethical failure in the encounter with stranger—100% Vancouver, RARE, and Polyglotte4. Real Words: Reproducing life in remediated verbatim theatre—Seeds and 300 TAPES5. Real Space: The insecure geographies of site-specific audio walks—Garden/ /Suburbia and Landline6. Real Bodies Part 1: The traumatic real in immersive performances of political crisis and insecurity—Counting Sheep and Foreign Radical7. Real Bodies Part 2: Narcissistic spectatorship in theatrical "haunted houses" of solo immersive performance—Everyman8. Coda: Theatres of the real in the age of post-reality

Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.

• 1. Introduction 2. Real People Part 1: Winning and/or losing the game of life in autobiographical performance—Winners and Losers3. Real People Part 2: Insecurity and ethical failure in the encounter with stranger—100% Vancouver, RARE, and Polyglotte4. Real Words: Reproducing life in remediated verbatim theatre—Seeds and 300 TAPES5. Real Space: The insecure geographies of site-specific audio walks—Garden/ /Suburbia and Landline6. Real Bodies Part 1: The traumatic real in immersive performances of political crisis and insecurity—Counting Sheep and Foreign Radical7. Real Bodies Part 2: Narcissistic spectatorship in theatrical "haunted houses" of solo immersive performance—Everyman8. Coda: Theatres of the real in the age of post-reality