Mary Coffey is an associate professor of Spanish and dean at Pomona College.Margot Versteeg the interim director of the Humanities Program and associate chair of the Department of Spanish and Portuguese at the University of Kansas.

• AcknowledgmentsIntroductionMary L. Coffey, Pomona College and Margot Versteeg, University of KansasPart One. Nineteeth-Century Spanish Realism: Root and Branch1. Arabella’s Veil: Translating Realism in Don Quijote con faldas (1808)Catherine Jaffe, Texas State University, San Marcos2. Between Costumbrista Sketch and Short Story: Armando Palacio Valdés’s Aguas fuertesEnrique Rubio Cremades, Universidad de Alicante3. Money, Capital, Monstrosity: Metaphorical Matrices of Realism in Antonio Flores’s Ayer, hoy y mañanaRebecca Haidt, The Ohio State UniversityPart Two. Modernity and the Parameters of Nineteenth-Century Spanish Realism4. The Physician in the Narratives of Galdós and ClarínPeter Bly, Queen’s University5. Travelling by Streetcar through Madrid with Galdós and Pardo BazánMaryellen Bieder, Indiana University, Bloomington6. Urban Hyperrealism: Galdós’s Dickensian Descriptions of MadridLinda M. Willem, Butler University7. Observed versus Imaginative Communities: Creative Realism in Galdós’s MisericordiSusan M. McKenna, University of DelawarePart Three. Stretching the Limits of Spanish Realism8. Colonialism, Collages, and Thick Description: Pardo Bazán and the Rhetoric of Detail Joyce Tolliver, University of Illinois at Urbana-Champaign9. Embodied Minds: Critical Erotic Decisions in La RegentaRandolph D. Pope, University of Virginia10. María Zambrano on Women, Realism, and FreedomRoberta Johnson, University of KansasPart Four. The Challenges of Genre: Spanish Realism beyond the Novel11. Writing (Un)clear Code: The Letters and Fiction of Emilia Pardo Bazán and Benito Pérez GaldósCristina Patiño Eirín, Universidad de Santiago de Compostela12. "Volvía Galdós triunfante": Fortunata y Jacinta on Stage (1930)David T. Gies, University of Virginia13. When Reality Is Too Harsh to Bear: Role-Play in Juan Marsé’s "Historia de detectives" Stephanie Sieburth, Duke UniversityContributorsIndex

Mary Coffey is an associate professor of Spanish and dean at Pomona College.Margot Versteeg the interim director of the Humanities Program and associate chair of the Department of Spanish and Portuguese at the University of Kansas.

• AcknowledgmentsIntroductionMary L. Coffey, Pomona College and Margot Versteeg, University of KansasPart One. Nineteeth-Century Spanish Realism: Root and Branch1. Arabella’s Veil: Translating Realism in Don Quijote con faldas (1808)Catherine Jaffe, Texas State University, San Marcos2. Between Costumbrista Sketch and Short Story: Armando Palacio Valdés’s Aguas fuertesEnrique Rubio Cremades, Universidad de Alicante3. Money, Capital, Monstrosity: Metaphorical Matrices of Realism in Antonio Flores’s Ayer, hoy y mañanaRebecca Haidt, The Ohio State UniversityPart Two. Modernity and the Parameters of Nineteenth-Century Spanish Realism4. The Physician in the Narratives of Galdós and ClarínPeter Bly, Queen’s University5. Travelling by Streetcar through Madrid with Galdós and Pardo BazánMaryellen Bieder, Indiana University, Bloomington6. Urban Hyperrealism: Galdós’s Dickensian Descriptions of MadridLinda M. Willem, Butler University7. Observed versus Imaginative Communities: Creative Realism in Galdós’s MisericordiSusan M. McKenna, University of DelawarePart Three. Stretching the Limits of Spanish Realism8. Colonialism, Collages, and Thick Description: Pardo Bazán and the Rhetoric of Detail Joyce Tolliver, University of Illinois at Urbana-Champaign9. Embodied Minds: Critical Erotic Decisions in La RegentaRandolph D. Pope, University of Virginia10. María Zambrano on Women, Realism, and FreedomRoberta Johnson, University of KansasPart Four. The Challenges of Genre: Spanish Realism beyond the Novel11. Writing (Un)clear Code: The Letters and Fiction of Emilia Pardo Bazán and Benito Pérez GaldósCristina Patiño Eirín, Universidad de Santiago de Compostela12. "Volvía Galdós triunfante": Fortunata y Jacinta on Stage (1930)David T. Gies, University of Virginia13. When Reality Is Too Harsh to Bear: Role-Play in Juan Marsé’s "Historia de detectives" Stephanie Sieburth, Duke UniversityContributorsIndex

Mary Coffey is an associate professor of Spanish and dean at Pomona College.Margot Versteeg the interim director of the Humanities Program and associate chair of the Department of Spanish and Portuguese at the University of Kansas.

• AcknowledgmentsIntroductionMary L. Coffey, Pomona College and Margot Versteeg, University of KansasPart One. Nineteeth-Century Spanish Realism: Root and Branch1. Arabella’s Veil: Translating Realism in Don Quijote con faldas (1808)Catherine Jaffe, Texas State University, San Marcos2. Between Costumbrista Sketch and Short Story: Armando Palacio Valdés’s Aguas fuertesEnrique Rubio Cremades, Universidad de Alicante3. Money, Capital, Monstrosity: Metaphorical Matrices of Realism in Antonio Flores’s Ayer, hoy y mañanaRebecca Haidt, The Ohio State UniversityPart Two. Modernity and the Parameters of Nineteenth-Century Spanish Realism4. The Physician in the Narratives of Galdós and ClarínPeter Bly, Queen’s University5. Travelling by Streetcar through Madrid with Galdós and Pardo BazánMaryellen Bieder, Indiana University, Bloomington6. Urban Hyperrealism: Galdós’s Dickensian Descriptions of MadridLinda M. Willem, Butler University7. Observed versus Imaginative Communities: Creative Realism in Galdós’s MisericordiSusan M. McKenna, University of DelawarePart Three. Stretching the Limits of Spanish Realism8. Colonialism, Collages, and Thick Description: Pardo Bazán and the Rhetoric of Detail Joyce Tolliver, University of Illinois at Urbana-Champaign9. Embodied Minds: Critical Erotic Decisions in La RegentaRandolph D. Pope, University of Virginia10. María Zambrano on Women, Realism, and FreedomRoberta Johnson, University of KansasPart Four. The Challenges of Genre: Spanish Realism beyond the Novel11. Writing (Un)clear Code: The Letters and Fiction of Emilia Pardo Bazán and Benito Pérez GaldósCristina Patiño Eirín, Universidad de Santiago de Compostela12. "Volvía Galdós triunfante": Fortunata y Jacinta on Stage (1930)David T. Gies, University of Virginia13. When Reality Is Too Harsh to Bear: Role-Play in Juan Marsé’s "Historia de detectives" Stephanie Sieburth, Duke UniversityContributorsIndex