Toronto Iberic – serie
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300 produkter
300 produkter
Inbunden, Engelska, 2026
795 kr
Skickas inom 5-8 vardagar
Water Women explores the relationship that female agency and autonomy have with bodies of water in the cultural imaginary of the nineteenth century. Drawing on a corpus of poetry, poetic prose, and visual culture by more than twenty authors and artists from Spain, Galicia, Catalonia, Cuba, and Colombia, the book is situated at the intersection of gender studies and new materialisms. It uncovers the ways that a bodily or affective relationship with water creates space for female literary figures to exist outside of the structures of contemporary political and scientific thought-structures that depend on a fabricated biological necessity for woman’s natural purity and subjugation. In these pages, the sea seduces, overwhelms, and provides safe harbor. Women love, lose, labour, end their lives, and live free as monsters who are one with the waves. Water Women details the edge of the water as a space of liminality, an entry into the water as an assertion of freedom, suicide in the water as an inversion of Ophelia’s passive madness, and the role of feminine non-human creatures like sirens and undines in creating a commentary on society’s impossible expectations. Through the profound relationship between the natural world and the human, this book opens space for diverse embodiments and performances of gender, agency, and eroticism within our understanding of the nineteenth century.
Inbunden, Engelska, 2026
676 kr
Kommande
A Way Back Home details the fundamental Jewish experience of exile and return as seen through the eyes of one North African Jew, Jacob Cansino of Oran, and two Spanish Catholics, Miguel de Cervantes (author of Don Quixote) and Domingo de Toral y Valdés. These three protagonists maintained an unbreakable bond with the Iberian Peninsula throughout their lives, and their triumphant homecomings facilitated the return of openly practising Jews, both in the flesh and on the page, to Madrid, the capital of the Spanish Empire. This interdisciplinary book underscores the concept of the Iberian Peninsula as the homeland of those expelled fifteenth-century Jews and their descendants, such as royal translator Cansino. Professor of Spanish Michael Gordon also connects Cervantes’s dramatic return to Madrid with much more obscure soldier-writer Toral y Valdés’s. They both were exiled as young men, survived countless military adventures, and had extensive contact with Iberian Jews throughout Muslim lands before coming home to their country of origin. Weaving together literature, history, religious studies, economics, and geography, A Way Back Home creates an interactive, reflective, and dramatic reading experience.Together, these three protagonists’ intertwined lives epitomize the story of Jewish return to Spain more than a century after the 1492 expulsion.
Inbunden, Engelska, 2027
745 kr
Kommande
Capital Cinema examines how cinematic representations of Madrid reveal the cultural and material endurance of authoritarianism fifty years after the death of Spanish dictator Francisco Franco. This book examines a corpus of Spanish urban films from well-known directors such as Luis García Berlanga, Carlos Saura, and Pedro Almodóvar, as well as works from lesser-studied filmmakers such as Víctor Moreno. Engaging with the theoretical frameworks of memory studies, affect theory, and media studies, Spanish studies professor Jacqueline Sheean positions cinema as both a spatial and ideological medium in order to map Francoist power structures and their material and affective landscapes in Spain's capital. Through an analysis of fiction and non-fiction films spanning from the Franco dictatorship to the late 2010s, the book examines the survival and evolution of fascist ideologies, even in democratic Spain. Ultimately, the book frames Francoism as an ongoing, spatially embedded process rather than a historical rupture, thus contributing to conversations on cultural memory, authoritarian legacies, and the politics of urban space.
Häftad, Engelska, 2011
496 kr
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What is the role of literature in the formation of the state? Anthony J. Cascardi takes up this fundamental question in Cervantes, Literature, and the Discourse of Politics, a comprehensive analysis of the presence of politics in Don Quixote. Cascardi argues that when public speech is constrained, as it was in seventeenth-century Spain, politics must be addressed through indirect forms including comedy, myth, and travellers' tales.Cervantes, Literature, and the Discourse of Politics convincingly re-engages the ancient roots of political theory in modern literature by situating Cervantes within a long line of political thinkers. Cascardi notably connects Cervantes's political theory to Plato's, much as the writer's literary criticism has been firmly linked to Aristotle's. He also shows how Cervantes's view of literature provided a compelling alternative to the modern, scientific politics of Machiavelli and Hobbes, highlighting the potential interplay of literature and politics in an ideal state.
E-bok
PDF, Engelska, 2018748 kr
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Silvia Bermúdez’s fascinating study reveals how Spanish popular music, produced between 1980 and 2013, was the first cultural site to engage in critical debate about ethnicity and race in relation to the immigration patterns that have been changing the social landscape of Spanish society since the late 1970s.In Rocking the Boat, Bermúdez examines the lyrics of songs by both renowned and up and coming artists to illuminate how these new migrants challenged Spain’s notions of homogeneity, boundaries, accommodation, and incorporation. Bermúdez observes that immigration has had such a significant influence on Spanish society that the tattered boats, seen to this day on the shores of Spain and throughout the Mediterranean Sea, have become inverted emblems of the ships that were once symbols of great power and economic development. Rocking the Boat is a nuanced account of how popular urban music shaped the discourse on immigration, transnational migrants, and racialization in Spain’s new social landscape.
E-bok
Engelska, 2018748 kr
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Silvia Bermúdez’s fascinating study reveals how Spanish popular music, produced between 1980 and 2013, was the first cultural site to engage in critical debate about ethnicity and race in relation to the immigration patterns that have been changing the social landscape of Spanish society since the late 1970s.In Rocking the Boat, Bermúdez examines the lyrics of songs by both renowned and up and coming artists to illuminate how these new migrants challenged Spain’s notions of homogeneity, boundaries, accommodation, and incorporation. Bermúdez observes that immigration has had such a significant influence on Spanish society that the tattered boats, seen to this day on the shores of Spain and throughout the Mediterranean Sea, have become inverted emblems of the ships that were once symbols of great power and economic development. Rocking the Boat is a nuanced account of how popular urban music shaped the discourse on immigration, transnational migrants, and racialization in Spain’s new social landscape.
E-bok
PDF, Engelska, 2014975 kr
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In sixteenth- and seventeenth-century Spain, debating the acceptability of games and recreation was serious business. With Lector Ludens, Michael Scham uses Cervantes’s Don Quijote and Novelas ejemplares as the basis for a wide-ranging exploration of early modern Spanish views on recreations ranging from cards and dice to hunting, attending the theater, and reading fiction.Shifting fluidly between modern theories of play, little-known Spanish treatises on leisure and games, and the evidence in Cervantes’s own works, Scham illuminates Cervantes’s intense fascination with games, play, and leisure, as well as the tensions in early modern Spain between the stern moralizing of the Counter-Reformation and the playfulness of Renaissance humanism.
E-bok
Engelska, 20141 089 kr
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In sixteenth- and seventeenth-century Spain, debating the acceptability of games and recreation was serious business. With Lector Ludens, Michael Scham uses Cervantes’s Don Quijote and Novelas ejemplares as the basis for a wide-ranging exploration of early modern Spanish views on recreations ranging from cards and dice to hunting, attending the theater, and reading fiction.Shifting fluidly between modern theories of play, little-known Spanish treatises on leisure and games, and the evidence in Cervantes’s own works, Scham illuminates Cervantes’s intense fascination with games, play, and leisure, as well as the tensions in early modern Spain between the stern moralizing of the Counter-Reformation and the playfulness of Renaissance humanism.
E-bok
PDF, Engelska, 2021994 kr
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The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic.This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance.Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries.
E-bok
Engelska, 2021991 kr
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The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic.This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance.Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries.
E-bok
PDF, Engelska, 20141 089 kr
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Anxieties of Interiority and Dissection in Early Modern Spain brings the study of Europe’s “culture of dissection” to the Iberian peninsula, presenting a neglected episode in the development of the modern concept of the self. Enrique Fernandez explores the ways in which sixteenth and seventeenth-century anatomical research stimulated both a sense of interiority and a fear of that interior’s exposure and punishment by the early modern state.Examining works by Miguel de Cervantes, MarÍa de Zayas, Fray Luis de Granada, and Francisco de Quevedo, Fernandez highlights the existence of narratives in which the author creates a surrogate self on paper, then “dissects” it. He argues that these texts share a fearful awareness of having a complex inner self in a country where one’s interiority was under permanent threat of punitive exposure by the Inquisition or the state. A sophisticated analysis of literary, religious, and medical practice in early modern Spain, Fernandez’s work will interest scholars working on questions of early modern science, medicine, and body politics.
E-bok
Engelska, 20151 089 kr
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Anxieties of Interiority and Dissection in Early Modern Spain brings the study of Europe’s “culture of dissection” to the Iberian peninsula, presenting a neglected episode in the development of the modern concept of the self. Enrique Fernandez explores the ways in which sixteenth and seventeenth-century anatomical research stimulated both a sense of interiority and a fear of that interior’s exposure and punishment by the early modern state.Examining works by Miguel de Cervantes, MarÍa de Zayas, Fray Luis de Granada, and Francisco de Quevedo, Fernandez highlights the existence of narratives in which the author creates a surrogate self on paper, then “dissects” it. He argues that these texts share a fearful awareness of having a complex inner self in a country where one’s interiority was under permanent threat of punitive exposure by the Inquisition or the state. A sophisticated analysis of literary, religious, and medical practice in early modern Spain, Fernandez’s work will interest scholars working on questions of early modern science, medicine, and body politics.
E-bok
PDF, Engelska, 2016861 kr
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In Ghostly Landscapes, Patricia M. Keller analyses the aesthetics of haunting and the relationship between ideology and image production by revisiting twentieth-century Spanish history through the camera’s lens. Through its vision she demonstrates how the traumatic losses of the Spanish Civil War and their systematic denial and burial during the fascist dictatorship have constituted fertile territory for the expressions of loss, uncanny return, and untimeliness that characterize the aesthetic presence of the ghost.Examining fascist documentary newsreels, countercultural art films from the Spanish New Wave, and conceptual landscape photographs created since the transition to democracy, Keller reveals how haunting serves to mourn loss, redefine space and history, and confirm the significance of lives and stories previously hidden or erased. Her richly illustrated book constitutes a significant reevaluation of fascist and post-fascist Spanish visual culture and a unique theorization of haunting as an aesthetic register inextricably connected to the visual and the landscape.
E-bok
Engelska, 2016861 kr
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In Ghostly Landscapes, Patricia M. Keller analyses the aesthetics of haunting and the relationship between ideology and image production by revisiting twentieth-century Spanish history through the camera’s lens. Through its vision she demonstrates how the traumatic losses of the Spanish Civil War and their systematic denial and burial during the fascist dictatorship have constituted fertile territory for the expressions of loss, uncanny return, and untimeliness that characterize the aesthetic presence of the ghost.Examining fascist documentary newsreels, countercultural art films from the Spanish New Wave, and conceptual landscape photographs created since the transition to democracy, Keller reveals how haunting serves to mourn loss, redefine space and history, and confirm the significance of lives and stories previously hidden or erased. Her richly illustrated book constitutes a significant reevaluation of fascist and post-fascist Spanish visual culture and a unique theorization of haunting as an aesthetic register inextricably connected to the visual and the landscape.
E-bok
PDF, Engelska, 2014508 kr
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Before he was a writer, Miguel de Cervantes was a soldier. Enlisting in the Spanish infantry in 1570, he fought at the battle of Lepanto, was seized at sea and held captive by Algerian corsairs, and returned to Spain with a deep knowledge of military life. He understood the costs of heroism, the fragility of fame, and the power of the military culture of brotherhood.In Heroic Forms, Stephen Rupp connects Cervantes’s complex and inventive approach to literary genre and his many representations of early modern warfare. Examining Cervantes’s plays and poetry as well as his prose, Rupp demonstrates how Cervantes’s works express his perceptions of military life and how Cervantes interpreted the experience of war through the genres of the era: epic, tragedy, pastoral, romance, and picaresque fiction.
E-bok
Engelska, 2014508 kr
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Before he was a writer, Miguel de Cervantes was a soldier. Enlisting in the Spanish infantry in 1570, he fought at the battle of Lepanto, was seized at sea and held captive by Algerian corsairs, and returned to Spain with a deep knowledge of military life. He understood the costs of heroism, the fragility of fame, and the power of the military culture of brotherhood.In Heroic Forms, Stephen Rupp connects Cervantes’s complex and inventive approach to literary genre and his many representations of early modern warfare. Examining Cervantes’s plays and poetry as well as his prose, Rupp demonstrates how Cervantes’s works express his perceptions of military life and how Cervantes interpreted the experience of war through the genres of the era: epic, tragedy, pastoral, romance, and picaresque fiction.
E-bok
PDF, Engelska, 2016864 kr
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Known in early modern Europe by many names – the French Disease, the Bubas, and, eventually, syphilis – the Great Pox was a chronic disease that carried the stigma of sexuality and produced a slow and painful death. The main institution which treated it, the pox hospital, has come down to us as a stench-filled and overcrowded place that sought to treat the body and reform the soul.Using the sole surviving admissions book for Toledo, Spain’s Hospital de Santiago, Cristian Berco reconstructs the lives of men and women afflicted with the pox by tracing their experiences before, during, and after their hospitalization. Through an innovative combination of medical, institutional, and notarial sources, he explores the physical and social lives of the patients. What were the social repercussions of living with a shameful disease? What did living with this chronic illness mean for careers and networks, love and families, and everyday relationships? From Body to Community is a textured analysis at once touched by the illness but not solely defined by it.
E-bok
Engelska, 2016861 kr
Läs direkt efter köp
Known in early modern Europe by many names – the French Disease, the Bubas, and, eventually, syphilis – the Great Pox was a chronic disease that carried the stigma of sexuality and produced a slow and painful death. The main institution which treated it, the pox hospital, has come down to us as a stench-filled and overcrowded place that sought to treat the body and reform the soul.Using the sole surviving admissions book for Toledo, Spain’s Hospital de Santiago, Cristian Berco reconstructs the lives of men and women afflicted with the pox by tracing their experiences before, during, and after their hospitalization. Through an innovative combination of medical, institutional, and notarial sources, he explores the physical and social lives of the patients. What were the social repercussions of living with a shameful disease? What did living with this chronic illness mean for careers and networks, love and families, and everyday relationships? From Body to Community is a textured analysis at once touched by the illness but not solely defined by it.
E-bok
PDF, Engelska, 20151 089 kr
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As the first translator of Plato’s complete works into Latin, the Florentine writer Marsilio Ficino (1433–99) and his blend of Neoplatonic and Hermetic philosophy were fundamental to the intellectual atmosphere of the Renaissance. In Spain, his works were regularly read, quoted, and referenced, at least until the nineteenth century, when literary critics and philosophers wrote him out of the history of early modern Spain.In Ficino in Spain, Susan Byrne uses textual and bibliographic evidence to show the pervasive impact of Ficino’s writings and translations on the Spanish Renaissance. Cataloguing everything from specific mentions of his name in major texts to glossed volumes of his works in Spanish libraries, Byrne shows that Spanish writers such as Miguel de Cervantes, Lope de Vega, BartolomÉ de las Casas, and Garcilaso de la Vega all responded to Ficino and adapted his imagery for their own works. An important contribution to the study of Spanish literature and culture from the fifteenth to the seventeenth centuries, Ficino in Spain recovers the role that Hermetic and Neoplatonic thought played in the world of Spanish literature.
E-bok
Engelska, 20151 089 kr
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As the first translator of Plato’s complete works into Latin, the Florentine writer Marsilio Ficino (1433–99) and his blend of Neoplatonic and Hermetic philosophy were fundamental to the intellectual atmosphere of the Renaissance. In Spain, his works were regularly read, quoted, and referenced, at least until the nineteenth century, when literary critics and philosophers wrote him out of the history of early modern Spain.In Ficino in Spain, Susan Byrne uses textual and bibliographic evidence to show the pervasive impact of Ficino’s writings and translations on the Spanish Renaissance. Cataloguing everything from specific mentions of his name in major texts to glossed volumes of his works in Spanish libraries, Byrne shows that Spanish writers such as Miguel de Cervantes, Lope de Vega, BartolomÉ de las Casas, and Garcilaso de la Vega all responded to Ficino and adapted his imagery for their own works. An important contribution to the study of Spanish literature and culture from the fifteenth to the seventeenth centuries, Ficino in Spain recovers the role that Hermetic and Neoplatonic thought played in the world of Spanish literature.
E-bok
PDF, Engelska, 2016861 kr
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In the second sentence of Don Quixote, Cervantes describes the diet of the protagonist, Alonso Quijano: “A stew made of more beef than mutton, cold salad on most nights, abstinence eggs on Saturdays, lentils on Fridays, and an additional squab on Sundays.”Through an inventive and original engagement with this text, Carolyn A. Nadeau explores the shifts in Spain’s cultural and gastronomic history. Using cooking manuals, novels, poems, dietary treatises, and other texts, she brings to light the figurative significance of foodstuffs and culinary practices in early modern Spain. Drawing on the work of Pierre Bourdieu and Stephen Mennell, Food Matters reveals patterns of interdependence as observed, for example, in how Muslim and Jewish aversion to pork fired Spain’s passion for ham, what happened when New World foodstuffs entered into Old World kitchens, and how food and sexual urges that so often came together, regardless of class, ethnicity, or gender, construct moments of communal celebration.This mouth-watering tour of the discourses of food in early modern Spain is complemented by an appendix that features forty-seven recipes drawn from contemporary sources.
E-bok
Engelska, 2016861 kr
Läs direkt efter köp
In the second sentence of Don Quixote, Cervantes describes the diet of the protagonist, Alonso Quijano: “A stew made of more beef than mutton, cold salad on most nights, abstinence eggs on Saturdays, lentils on Fridays, and an additional squab on Sundays.”Through an inventive and original engagement with this text, Carolyn A. Nadeau explores the shifts in Spain’s cultural and gastronomic history. Using cooking manuals, novels, poems, dietary treatises, and other texts, she brings to light the figurative significance of foodstuffs and culinary practices in early modern Spain. Drawing on the work of Pierre Bourdieu and Stephen Mennell, Food Matters reveals patterns of interdependence as observed, for example, in how Muslim and Jewish aversion to pork fired Spain’s passion for ham, what happened when New World foodstuffs entered into Old World kitchens, and how food and sexual urges that so often came together, regardless of class, ethnicity, or gender, construct moments of communal celebration.This mouth-watering tour of the discourses of food in early modern Spain is complemented by an appendix that features forty-seven recipes drawn from contemporary sources.
E-bok
PDF, Engelska, 2016962 kr
Läs direkt efter köp
In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe’s first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria).Piecing together the surviving evidence, Wright traces Latino’s life in Granada, Iberia’s last Muslim metropolis, from his early clandestine education as a slave in a noble household to his distinguished career as a schoolmaster at the University of Granada. When intensifying racial discrimination and the chaos of the Morisco Revolt threatened Latino’s hard-won status, he set out to secure his position by publishing an epic poem in Latin verse, the Austrias Carmen, that would demonstrate his mastery of Europe’s international literary language and celebrate his own African heritage.Through Latino’s remarkable, hitherto untold story, Wright illuminates the racial and religious tensions of sixteenth-century Spain and the position of black Africans within Spain’s nascent empire and within the emerging African diaspora.
E-bok
Engelska, 2016962 kr
Läs direkt efter köp
In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe’s first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria).Piecing together the surviving evidence, Wright traces Latino’s life in Granada, Iberia’s last Muslim metropolis, from his early clandestine education as a slave in a noble household to his distinguished career as a schoolmaster at the University of Granada. When intensifying racial discrimination and the chaos of the Morisco Revolt threatened Latino’s hard-won status, he set out to secure his position by publishing an epic poem in Latin verse, the Austrias Carmen, that would demonstrate his mastery of Europe’s international literary language and celebrate his own African heritage.Through Latino’s remarkable, hitherto untold story, Wright illuminates the racial and religious tensions of sixteenth-century Spain and the position of black Africans within Spain’s nascent empire and within the emerging African diaspora.
Häftad, Engelska, 2013
386 kr
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Law and History in Cervantes’ Don Quixote is a deep consideration of the intellectual environment that gave rise to Cervantes’ seminal work. Susan Byrne demonstrates how Cervantes synthesized the debates surrounding the two most authoritative discourses of his era – those of law and history – into a new aesthetic product, the modern novel.Byrne uncovers the empirical underpinnings of Don Quixote through a close philological study of Cervantes’ sly questioning of and commentary on these fields. As she skilfully demonstrates, while sixteenth-century historiographers and jurists across southern Europe sought the philosophical nexus of their fields, Cervantes created one through the adventures of a protagonist whose history is all about justice. As such, Law and History in Cervantes’ Don Quixote illustrates how Cervantes’ art highlighted the inconsistencies of juridical-historical texts and practice, as well as anticipated the ultimate resolution of their paradoxes.
Inbunden, Engelska, 2023
701 kr
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A Planetary Avant-Garde explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world. The book examines avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa, and Southeast Asia between 1909 and 1929.Ignacio Infante critically traces the hegemony and resistance to the colonial regimes of Spain and Portugal across particular avant-garde networks, expanding our understanding of Western colonial and imperial ideologies of the early twentieth century. The book extends geopolitical dimensions of the historical avant-garde into a wider transnational and planetary framework, including divergent experiences of modernity, forms of experimental poetics, and understandings of history. It sheds light on topics, such as the relation between Portuguese futurism and European colonialism in West Africa, the Latin American avant-garde’s critique of European historicism, the development of Brazilian modernism in relation to the European avant-garde, the comparative poetics of modernism in the Philippines, and the 1929 Barcelona World’s Fair. Grounded in extensive archival research, A Planetary Avant-Garde provides a new understanding of the historical avant-garde from a global and multilingual perspective.
E-bok
PDF, Engelska, 2023853 kr
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A Planetary Avant-Garde explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world. The book examines avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa, and Southeast Asia between 1909 and 1929.Ignacio Infante critically traces the hegemony and resistance to the colonial regimes of Spain and Portugal across particular avant-garde networks, expanding our understanding of Western colonial and imperial ideologies of the early twentieth century. The book extends geopolitical dimensions of the historical avant-garde into a wider transnational and planetary framework, including divergent experiences of modernity, forms of experimental poetics, and understandings of history. It sheds light on topics, such as the relation between Portuguese futurism and European colonialism in West Africa, the Latin American avant-garde’s critique of European historicism, the development of Brazilian modernism in relation to the European avant-garde, the comparative poetics of modernism in the Philippines, and the 1929 Barcelona World’s Fair. Grounded in extensive archival research, A Planetary Avant-Garde provides a new understanding of the historical avant-garde from a global and multilingual perspective.
E-bok
Engelska, 2023853 kr
Läs direkt efter köp
A Planetary Avant-Garde explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world. The book examines avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa, and Southeast Asia between 1909 and 1929.Ignacio Infante critically traces the hegemony and resistance to the colonial regimes of Spain and Portugal across particular avant-garde networks, expanding our understanding of Western colonial and imperial ideologies of the early twentieth century. The book extends geopolitical dimensions of the historical avant-garde into a wider transnational and planetary framework, including divergent experiences of modernity, forms of experimental poetics, and understandings of history. It sheds light on topics, such as the relation between Portuguese futurism and European colonialism in West Africa, the Latin American avant-garde’s critique of European historicism, the development of Brazilian modernism in relation to the European avant-garde, the comparative poetics of modernism in the Philippines, and the 1929 Barcelona World’s Fair. Grounded in extensive archival research, A Planetary Avant-Garde provides a new understanding of the historical avant-garde from a global and multilingual perspective.
Inbunden, Engelska, 2016
698 kr
Skickas inom 5-8 vardagar
In the second sentence of Don Quixote, Cervantes describes the diet of the protagonist, Alonso Quijano: “A stew made of more beef than mutton, cold salad on most nights, abstinence eggs on Saturdays, lentils on Fridays, and an additional squab on Sundays.”Through an inventive and original engagement with this text, Carolyn A. Nadeau explores the shifts in Spain’s cultural and gastronomic history. Using cooking manuals, novels, poems, dietary treatises, and other texts, she brings to light the figurative significance of foodstuffs and culinary practices in early modern Spain. Drawing on the work of Pierre Bourdieu and Stephen Mennell, Food Matters reveals patterns of interdependence as observed, for example, in how Muslim and Jewish aversion to pork fired Spain’s passion for ham, what happened when New World foodstuffs entered into Old World kitchens, and how food and sexual urges that so often came together, regardless of class, ethnicity, or gender, construct moments of communal celebration.This mouth-watering tour of the discourses of food in early modern Spain is complemented by an appendix that features forty-seven recipes drawn from contemporary sources.
Inbunden, Engelska, 2016
779 kr
Skickas inom 5-8 vardagar
In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe’s first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria).Piecing together the surviving evidence, Wright traces Latino’s life in Granada, Iberia’s last Muslim metropolis, from his early clandestine education as a slave in a noble household to his distinguished career as a schoolmaster at the University of Granada. When intensifying racial discrimination and the chaos of the Morisco Revolt threatened Latino’s hard-won status, he set out to secure his position by publishing an epic poem in Latin verse, the Austrias Carmen, that would demonstrate his mastery of Europe’s international literary language and celebrate his own African heritage.Through Latino’s remarkable, hitherto untold story, Wright illuminates the racial and religious tensions of sixteenth-century Spain and the position of black Africans within Spain’s nascent empire and within the emerging African diaspora.