Mary E. Barnard is a professor of Spanish and comparative literature at the Pennsylvania State University.Frederick A. de Armas is Robert O. Anderson Distinguished Service Professor at the University of Chicago..

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• List of Illustrations Acknowledgments Introduction: The Spatial ScenePart 1: Spaces of Voicing, Intellectual Inquiry, and the Sublime1. Acoustic Spaces: Vocal Performance and Trauma in SonnetsFernando de Herrera and Mary E. Barnard2. “Ward Off This Gloomy Darkness”: Spaces of Conflict and Sublimity in Calderón’s La vida es sueñoFrederick A. de Armas3. The Space of Memory: Three Sixteenth-Century Iberian Examples Marina S. Brownlee4. Geographic Games: Cosmic Mapping and Make-Believe in Jewish Thought, Medieval Alexander Romances, and Cervantes’s Modern FictionKeith BudnerPart 2: Spaces for the Performance of Alternate Realities5. Early Modern Geotagging in Cervantes’s El coloquio de los perrosCarolyn A. Nadeau6. Eluding Surveillance and Repression in Early Modern Madrid: Manufacturing Safety through Street Performances in Cervantes’s La gitanillaMatías A. Spector7. Performance Space in Cervantes’s Pedro de UrdemalasEdward H. Friedman8. The Person of a King: Sovereignty, Performance, and Court Spaces in Three Royal Imposter PlaysChristopher B. WeimerPart 3: Sacred Spaces9. Poeticizing Spaces in Seventeen-Century Religious Poetry María Cristina Quintero10. Mirrors, Self Portraits, and Visionary Exemplarity: An Analysis of the Guadalupe Chapel, Royal Discalced Convent, Madrid.Rosilie Hernández11. The Spatial Display of Poetry in Recibimiento al obispo Pimentel (1629) Victor Sierra Matute12. Spaces of Death: The Virgin of the Arch and the Cult of the Dead in María de Zayas’s La fuerza del AmorRyan D. Giles Contributors

Mary E. Barnard is a professor of Spanish and comparative literature at the Pennsylvania State University.Frederick A. de Armas is Robert O. Anderson Distinguished Service Professor at the University of Chicago..

Select Guide Rating

• List of Illustrations Acknowledgments Introduction: The Spatial ScenePart 1: Spaces of Voicing, Intellectual Inquiry, and the Sublime1. Acoustic Spaces: Vocal Performance and Trauma in SonnetsFernando de Herrera and Mary E. Barnard2. “Ward Off This Gloomy Darkness”: Spaces of Conflict and Sublimity in Calderón’s La vida es sueñoFrederick A. de Armas3. The Space of Memory: Three Sixteenth-Century Iberian Examples Marina S. Brownlee4. Geographic Games: Cosmic Mapping and Make-Believe in Jewish Thought, Medieval Alexander Romances, and Cervantes’s Modern FictionKeith BudnerPart 2: Spaces for the Performance of Alternate Realities5. Early Modern Geotagging in Cervantes’s El coloquio de los perrosCarolyn A. Nadeau6. Eluding Surveillance and Repression in Early Modern Madrid: Manufacturing Safety through Street Performances in Cervantes’s La gitanillaMatías A. Spector7. Performance Space in Cervantes’s Pedro de UrdemalasEdward H. Friedman8. The Person of a King: Sovereignty, Performance, and Court Spaces in Three Royal Imposter PlaysChristopher B. WeimerPart 3: Sacred Spaces9. Poeticizing Spaces in Seventeen-Century Religious Poetry María Cristina Quintero10. Mirrors, Self Portraits, and Visionary Exemplarity: An Analysis of the Guadalupe Chapel, Royal Discalced Convent, Madrid.Rosilie Hernández11. The Spatial Display of Poetry in Recibimiento al obispo Pimentel (1629) Victor Sierra Matute12. Spaces of Death: The Virgin of the Arch and the Cult of the Dead in María de Zayas’s La fuerza del AmorRyan D. Giles Contributors