Bryan J. McCann is professor of rhetoric and cultural studies at Louisiana State University. He is author of The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, and his work has appeared in such publications as Communication and Critical/Cultural Studies, Rhetoric & Public Affairs, and Women’s Studies in Communication.

"Erudite, provocative, and disturbing. McCann renarrates the conventional understandings of Bundy as a kind of perverse aberration, choosing instead to illustrate the ways Bundy is more like us than we are comfortable to admit. McCann shows how Bundy not only hid in plain sight as he committed his murders, he still hides in plain sight in cultural narratives and performances of white masculinity." - Casey Ryan Kelly, author of Caught on Tape: White Masculinity and Obscene Enjoyment

• AcknowledgmentsIntroduction: We Are Ted BundyChapter 1: Serial Killers as Modern Monsters Chapter 2: Two Teds, One MonsterChapter 3: Ted Bundy, PornographerChapter 4: Student Bodies, Campus RitualsChapter 5: My Art Shall Be My RevengeConclusionNotesBibliographyIndex

Bryan J. McCann is professor of rhetoric and cultural studies at Louisiana State University. He is author of The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, and his work has appeared in such publications as Communication and Critical/Cultural Studies, Rhetoric & Public Affairs, and Women’s Studies in Communication.

"Erudite, provocative, and disturbing. McCann renarrates the conventional understandings of Bundy as a kind of perverse aberration, choosing instead to illustrate the ways Bundy is more like us than we are comfortable to admit. McCann shows how Bundy not only hid in plain sight as he committed his murders, he still hides in plain sight in cultural narratives and performances of white masculinity." - Casey Ryan Kelly, author of Caught on Tape: White Masculinity and Obscene Enjoyment

• AcknowledgmentsIntroduction: We Are Ted BundyChapter 1: Serial Killers as Modern Monsters Chapter 2: Two Teds, One MonsterChapter 3: Ted Bundy, PornographerChapter 4: Student Bodies, Campus RitualsChapter 5: My Art Shall Be My RevengeConclusionNotesBibliographyIndex

Bryan J. McCann is professor of rhetoric and cultural studies at Louisiana State University. He is author of The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, and his work has appeared in such publications as Communication and Critical/Cultural Studies, Rhetoric & Public Affairs, and Women’s Studies in Communication.

"Erudite, provocative, and disturbing. McCann renarrates the conventional understandings of Bundy as a kind of perverse aberration, choosing instead to illustrate the ways Bundy is more like us than we are comfortable to admit. McCann shows how Bundy not only hid in plain sight as he committed his murders, he still hides in plain sight in cultural narratives and performances of white masculinity." - Casey Ryan Kelly, author of Caught on Tape: White Masculinity and Obscene Enjoyment

• AcknowledgmentsIntroduction: We Are Ted BundyChapter 1: Serial Killers as Modern Monsters Chapter 2: Two Teds, One MonsterChapter 3: Ted Bundy, PornographerChapter 4: Student Bodies, Campus RitualsChapter 5: My Art Shall Be My RevengeConclusionNotesBibliographyIndex