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    1. Historia och arkeologi
    2. Historia
    3. Militärhistoria
    4. Inbördeskrig

    American Civil War on Film and TV

    Blue and Gray in Black and White and Color

    AvDouglas Brode,Shea T. Brode

    Häftad, Engelska, 2019

    579 kr

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    Beskrivning

    Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith’s Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans.In The American Civil War on Film and TV: Blue and Gray in Black and White and Color, Douglas Brode, Shea T. Brode, and Cynthia J. Miller bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton’s The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes’ acclaimed North and South trilogy (1985-86).As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well.

    Produktinformation

    • Utgivningsdatum:2019-05-31
    • Mått:151 x 221 x 21 mm
    • Vikt:426 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:294
    • Förlag:Bloomsbury Publishing Plc
    • ISBN:9781498566902

    Utforska kategorier

    • Inbördeskrig inom Historia och arkeologi
    • Film inom Kultur

    Mer om författaren

    Douglas Brode developed and taught courses for several decades at Syracuse University's Newhouse School of Public Communications until his recent retirement. Shea T. Brode is an independent scholar who has collaborated with his father as editor on several previous collections. Cynthia J. Miller is senior faculty at Emerson College's Institute for the Liberal Arts and Interdisciplinary Studies.

    Recensioner i media

    A collection's merit hangs on the skill of its editors, whose task it is to commission essays on meaningful topics and then edit those essays to meet the overall needs of the collection. Douglas Brode, Shea Brode, and Cynthia Miller succeed beautifully in this excellent volume. The timeliness of the book is noteworthy: recent events such as Charlottesville and the controversy over Confederate memorials are very much in the public consciousness. Most of the essays are well written and creatively engage media portrayals of the Civil War and its aftermath. Particular standouts are Guerric DeBona's history of John Huston’s adaptation of The Red Badge of Courage (1951), Susan Aronstein and Jeanne Holland’s overview of Disney Civil War–themed productions of the 1950s and 1960s, and Miller and A. Bowdoin Van Riper’s take on alternate history and the othering of the Civil War (Kevin Wilmot’s C.S.A would have worked nicely here). Arranged in rough chronological order of the release dates of the films discussed, the essays take readers through US popular culture of the past 120 years as they look at the breadth and impact of the American Civil War. Summing Up: Recommended. Lower-division undergraduates through faculty.

    Innehållsförteckning

    • Introduction: “Mine Eyes Have Seen the Glory . . . ”: The Civil War in the American Popular ImaginationDouglas Brode, Shea T. Brode, and Cynthia J. Miller1. America’s Civil War: Hollywood vs. HistoryEarl E. Mulderink III2. When Silence Was Golden: Civil War Films Before The Birth of a NationKayla McKinney Wiggins & Michael Wiggins3. Not a Lost Cause: the Civil War, Reconstruction, and Race Relations in The Birth of A Nation (1915) and Free State of Jones (2016)Sue Matheson4. Cornering the Last Rebel: The Confederate Soldier in American FilmPaul Haspel5. Silent Comedy as Social Criticism: A Textual Analysis of The General (1926)Douglas Brode6. Screen Historian and American Myth Maker?: The Civil War According to John FordScott Allen Nollen, with Douglas Brode7. The North, the South; Black Folks, White Folks: Shirley Temple and Bill “Bojangles” RobinsonKathy Merlock Jackson and Ray Merlock8. Hidden Behind Hoopskirts: The Many Women of Hollywood’s Civil War Rosanne Welch9. The Golden Age of Hollywood’s Belles: Is Tomorrow, After All, Another Day?Biljana Oklopcic10. Gender, War and Sisterhood in the Novel and Film Versions of Louisa May Alcott’s Little WomenFran Pheasant-Kelly11. Literary and Cinematic Canon Fire: John Huston's The Red Badge of Courage (1951)Guerric DeBona, OSB12. Adapting The Killer Angels: Historical Accuracy versus Poetic Vision in GettysburgPeggy A. Russo 13. Whiteness, Whiteness Everywhere: Walt Disney’s Civil War ProductionsSusan Aronstein and Jeanne Holland14. (Re-)Visionist History in Sergio Leone’s (De-)Mythologized Old West: The Civil War, Vietnam, and The Good, The Bad, and the UglyDavid S. Silverman15. The Civil War as TV Miniseries: The Good, the Bad, and the BeautifulJudith Sobré16. Documentary as an Art Form: Ken Burns’ “Creative” Dramatization of the Civil WarMartin J. Manning, with Douglas Brode17. Strange Homecomings: Hollywood and the Narrative of the Warrior’s Return Gregory Perrault18. Featuring Atrocity & H8ful Heritage: Tarantino’s Revision of Civil War MythologyBeth Jane Toren19. Brother Against . . . Monster: Hidden Stories of the Civil WarCynthia J. Miller and A. Bowdoin Van Riper