Gina Arnold is Visiting Professor at the Evergreen State College in Washington, USA.Daniel Cookney is Lecturer in Graphic Design at the University of Salford, UK.Kirsty Fairclough is Associate Dean: Research and Innovation, School of Arts and Media, University of Salford, UK.Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK.

The strange beast we call “music video” has long since overflowed the contexts and aesthetics first set for it in the era of 1980s MTV. This superbly edited collection expands our understandings of both music and video, and brings to our attention the multiplicity and complexity of their combinations in 20th and 21st century audiovisual cultures.

• Table of ContentsAcknowledgementsList of IllustrationsNotes on ContributorsIntroduction: The Persistence of the Music VideoHistories and Pre HistoriesIntroduction: Gina Arnold1. Visual Pleasure and Music Video - Sunil Manghani, University of Southampton, UK2. From Broadway to Phineas and Ferb: The Rise of Music(al Comedy) Videos - Michael Saffle, Virginia Tech, USA3. ‘The Message’ is the Medium: Aesthetics, Ideology, and the Hip Hop Music Video- Greg de Cuir Jr., Independent Scholar4. The Boy Keeps Swinging: David Bowie, Music Video, and the Star Image - Julie Lobalzo Wright, University of Warwick, UK5. Substance and Technique: New Order, the Music Video, and the 1980s - Andrew Burke, University of Winnipeg, CanadaGender and Sexual RepresentationIntroduction: Kirsty Fairclough 6. Liquidities for the Essex Man: The Monetarist Eroticism of British Yacht Pop- Benjamin Halligan, University of Wolverhampton, UK7. Completing the Mystery of her Flesh: Love, Eroticism and Identity in Bjork’s Videos – Vera Brozzoni, Independent Scholar8. Soundtrack Self: FKA Twigs, Self Documentation and Feminist Authenticity in the Music Video – Kirsty Fairclough, University of Salford, UK9. Anal Terrorism: Nicki Minaj’s ‘Anaconda’ video - Fabricio Silveira, Universidade do Vale do Rio dos Sinos, BrazilThe Art of the Music Video Introduction: Michael Goddard10. Moving the Music: Dance, Action and Embodied Identities in Music Video - Sarie Mairs Slee, University of Salford, UK11. Total State Machine and Gesamtkunstwerk: The Audiovisual Poetics of First and Second Generation Industrial Music Video - Michael Goddard, University of Westminster, UK12. One. World: Self-Effacement of H.P. Baxxter in the Video Work of Scooter - Paul Hegarty, University College Cork, Ireland13. Blackened puppets: Chris Cunningham’s weird anatomies - Dean Lockwood, University of Lincoln, UKDigital Mediations and Mutations Introduction: Daniel Cookney14. Timeline Philosophy: Technological Hedonism and Formal Aspects of Films and Music Videos - José Cláudio Siqueira Castanheira, Universidade Federal de Santa Catarina, Brazil15. Play All / Random Play / Track Selection: Analyzing Music Videos on Greatest Hits DVD Collections - Jaap Kooijman, University of Amsterdam, the Netherlands16. Why Psy? Music videos and the global market - Gina Arnold, Evergreen State College, USA17. Vimeo Killed the Video Star - Daniel Cookney, University of Salford, UKNotes to ChaptersVideographyWorks Cited

Gina Arnold is Visiting Professor at the Evergreen State College in Washington, USA.Daniel Cookney is Lecturer in Graphic Design at the University of Salford, UK.Kirsty Fairclough is Associate Dean: Research and Innovation, School of Arts and Media, University of Salford, UK.Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK.

The strange beast we call “music video” has long since overflowed the contexts and aesthetics first set for it in the era of 1980s MTV. This superbly edited collection expands our understandings of both music and video, and brings to our attention the multiplicity and complexity of their combinations in 20th and 21st century audiovisual cultures.

• Table of ContentsAcknowledgementsList of IllustrationsNotes on ContributorsIntroduction: The Persistence of the Music VideoHistories and Pre HistoriesIntroduction: Gina Arnold1. Visual Pleasure and Music Video - Sunil Manghani, University of Southampton, UK2. From Broadway to Phineas and Ferb: The Rise of Music(al Comedy) Videos - Michael Saffle, Virginia Tech, USA3. ‘The Message’ is the Medium: Aesthetics, Ideology, and the Hip Hop Music Video- Greg de Cuir Jr., Independent Scholar4. The Boy Keeps Swinging: David Bowie, Music Video, and the Star Image - Julie Lobalzo Wright, University of Warwick, UK5. Substance and Technique: New Order, the Music Video, and the 1980s - Andrew Burke, University of Winnipeg, CanadaGender and Sexual RepresentationIntroduction: Kirsty Fairclough 6. Liquidities for the Essex Man: The Monetarist Eroticism of British Yacht Pop- Benjamin Halligan, University of Wolverhampton, UK7. Completing the Mystery of her Flesh: Love, Eroticism and Identity in Bjork’s Videos – Vera Brozzoni, Independent Scholar8. Soundtrack Self: FKA Twigs, Self Documentation and Feminist Authenticity in the Music Video – Kirsty Fairclough, University of Salford, UK9. Anal Terrorism: Nicki Minaj’s ‘Anaconda’ video - Fabricio Silveira, Universidade do Vale do Rio dos Sinos, BrazilThe Art of the Music Video Introduction: Michael Goddard10. Moving the Music: Dance, Action and Embodied Identities in Music Video - Sarie Mairs Slee, University of Salford, UK11. Total State Machine and Gesamtkunstwerk: The Audiovisual Poetics of First and Second Generation Industrial Music Video - Michael Goddard, University of Westminster, UK12. One. World: Self-Effacement of H.P. Baxxter in the Video Work of Scooter - Paul Hegarty, University College Cork, Ireland13. Blackened puppets: Chris Cunningham’s weird anatomies - Dean Lockwood, University of Lincoln, UKDigital Mediations and Mutations Introduction: Daniel Cookney14. Timeline Philosophy: Technological Hedonism and Formal Aspects of Films and Music Videos - José Cláudio Siqueira Castanheira, Universidade Federal de Santa Catarina, Brazil15. Play All / Random Play / Track Selection: Analyzing Music Videos on Greatest Hits DVD Collections - Jaap Kooijman, University of Amsterdam, the Netherlands16. Why Psy? Music videos and the global market - Gina Arnold, Evergreen State College, USA17. Vimeo Killed the Video Star - Daniel Cookney, University of Salford, UKNotes to ChaptersVideographyWorks Cited

Gina Arnold is Visiting Professor at the Evergreen State College in Washington, USA.Daniel Cookney is Lecturer in Graphic Design at the University of Salford, UK.Kirsty Fairclough is Associate Dean: Research and Innovation, School of Arts and Media, University of Salford, UK.Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK.

The strange beast we call “music video” has long since overflowed the contexts and aesthetics first set for it in the era of 1980s MTV. This superbly edited collection expands our understandings of both music and video, and brings to our attention the multiplicity and complexity of their combinations in 20th and 21st century audiovisual cultures.

• Table of ContentsAcknowledgementsList of IllustrationsNotes on ContributorsIntroduction: The Persistence of the Music VideoHistories and Pre HistoriesIntroduction: Gina Arnold1. Visual Pleasure and Music Video - Sunil Manghani, University of Southampton, UK2. From Broadway to Phineas and Ferb: The Rise of Music(al Comedy) Videos - Michael Saffle, Virginia Tech, USA3. ‘The Message’ is the Medium: Aesthetics, Ideology, and the Hip Hop Music Video- Greg de Cuir Jr., Independent Scholar4. The Boy Keeps Swinging: David Bowie, Music Video, and the Star Image - Julie Lobalzo Wright, University of Warwick, UK5. Substance and Technique: New Order, the Music Video, and the 1980s - Andrew Burke, University of Winnipeg, CanadaGender and Sexual RepresentationIntroduction: Kirsty Fairclough 6. Liquidities for the Essex Man: The Monetarist Eroticism of British Yacht Pop- Benjamin Halligan, University of Wolverhampton, UK7. Completing the Mystery of her Flesh: Love, Eroticism and Identity in Bjork’s Videos – Vera Brozzoni, Independent Scholar8. Soundtrack Self: FKA Twigs, Self Documentation and Feminist Authenticity in the Music Video – Kirsty Fairclough, University of Salford, UK9. Anal Terrorism: Nicki Minaj’s ‘Anaconda’ video - Fabricio Silveira, Universidade do Vale do Rio dos Sinos, BrazilThe Art of the Music Video Introduction: Michael Goddard10. Moving the Music: Dance, Action and Embodied Identities in Music Video - Sarie Mairs Slee, University of Salford, UK11. Total State Machine and Gesamtkunstwerk: The Audiovisual Poetics of First and Second Generation Industrial Music Video - Michael Goddard, University of Westminster, UK12. One. World: Self-Effacement of H.P. Baxxter in the Video Work of Scooter - Paul Hegarty, University College Cork, Ireland13. Blackened puppets: Chris Cunningham’s weird anatomies - Dean Lockwood, University of Lincoln, UKDigital Mediations and Mutations Introduction: Daniel Cookney14. Timeline Philosophy: Technological Hedonism and Formal Aspects of Films and Music Videos - José Cláudio Siqueira Castanheira, Universidade Federal de Santa Catarina, Brazil15. Play All / Random Play / Track Selection: Analyzing Music Videos on Greatest Hits DVD Collections - Jaap Kooijman, University of Amsterdam, the Netherlands16. Why Psy? Music videos and the global market - Gina Arnold, Evergreen State College, USA17. Vimeo Killed the Video Star - Daniel Cookney, University of Salford, UKNotes to ChaptersVideographyWorks Cited