Häftad, Engelska, 2020
Deleuze and Lola Montès
Av Richard Rushton, Ryan Engley
Del i serien Film Theory in Practice
276 kr
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Beskrivning
Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
Produktinformation
- Utgivningsdatum: 2020-12-10
- Mått: 126 x 196 x 14 mm
- Vikt: 220 g
- Format: Häftad
- Språk: Engelska
- Serie: Film Theory in Practice
- Antal sidor: 200
- Förlag: Bloomsbury Publishing Plc
- ISBN: 9781501345753
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Mer om författaren
Richard Rushton is Senior Lecturer in Film at Lancaster University, UK. He is author of Cinema After Deleuze (2012), The Reality of Film (2011), The Politics of Hollywood Cinema (2012), and What is Film Theory? (co-written with Gary Bettinson, 2010).
Recensioner i media
Deleuze and Lola Montes offers an articulate and accessible introduction to Deleuze’s theories as well as an instructive case study of how to use Deleuze’s writings on cinema to illuminate particular films.
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