Nick Rees-Roberts is a Professor of Media and Cultural Studies at the Université Sorbonne Nouvelle-Paris III, France. His research spans fashion, film and media-culture and he is the author of French Queer Cinema (first ed. 2008, second ed. 2014), and Fashion Film: Art and Advertising in the Digital Age (2018), co-author of Homo exoticus: race, classe et critique queer (2010), and co-editor of Alain Delon: Style, Stardom and Masculinity (2015).Darren Waldron is Senior Lecturer in French and European Cinema at the University of Manchester, UK. He is the author of Jacques Demy (2014), Queering Contemporary French Popular Cinema (2009), co-author of French and Spanish Queer Cinema: Audiences, Communities and Cultural Exchange (2016) and co-editor of Alain Delon: Style, Stardom and Masculinity (2015) and France at the Flicks: Trends in Contemporary French Popular Cinema (2007).

A useful addition to an understanding of the role [Isabelle Huppert] has played in French cinema and the way it continues to develop.

• Introduction - Against Type: Isabelle Huppert's Unorthodox Stardom Nick Rees-Roberts (Sorbonne Nouvelle University Paris, France) and Darren Waldron (University of Manchester, UK)1. Intimate Distance: The Face of Isabelle Huppert Darren Waldron (University of Manchester, UK)2. The Calculated Maladresse: Isabelle Huppert's Dual Performance Style Pedro Guimarães (University of Campinas, Brazil)3. Women in Extremis: Isabelle Huppert in the Director's Theatre George Sampatakakis (University of Patras, Greece)4. Enduring Extremity: on Isabelle Huppert's Intertextual BodyJules O'Dwyer (University of Cambridge, UK)5. Maternal Eroticism: Queering Isabelle HuppertEmma Wilson (University of Cambridge, UK)6. Huppert's Public: Audience Reception and the Cinema of Michael HanekeJoseph McGonagle (University of Manchester, UK)7. Huppert and Chabrol: Opacity, Dissonance and the Crystal-CharacterCatherine Dousteyssier-Khoze (University of Durham, UK)8. Embodying the White (Colonial) Woman: Isabelle Huppert's Roles in Postcolonial FilmKaya Davies Hayon (University of Lincoln, UK)9. Acting Funny: A Counter-Reading of Huppert's Star PersonaRaphaëlle Moine (Sorbonne Nouvelle University Paris, France)10. “Who the Hell is Isabelle Huppert?”: A French Star in AmericaAlison Taylor (Bond University, Australia)11. After Elle: Isabelle Huppert's Performance of Fame, Fashion, and FeminismNick Rees-Roberts (Sorbonne Nouvelle University Paris, France)Index

Nick Rees-Roberts is a Professor of Media and Cultural Studies at the Université Sorbonne Nouvelle-Paris III, France. His research spans fashion, film and media-culture and he is the author of French Queer Cinema (first ed. 2008, second ed. 2014), and Fashion Film: Art and Advertising in the Digital Age (2018), co-author of Homo exoticus: race, classe et critique queer (2010), and co-editor of Alain Delon: Style, Stardom and Masculinity (2015).Darren Waldron is Senior Lecturer in French and European Cinema at the University of Manchester, UK. He is the author of Jacques Demy (2014), Queering Contemporary French Popular Cinema (2009), co-author of French and Spanish Queer Cinema: Audiences, Communities and Cultural Exchange (2016) and co-editor of Alain Delon: Style, Stardom and Masculinity (2015) and France at the Flicks: Trends in Contemporary French Popular Cinema (2007).

A useful addition to an understanding of the role [Isabelle Huppert] has played in French cinema and the way it continues to develop.

• Introduction - Against Type: Isabelle Huppert's Unorthodox Stardom Nick Rees-Roberts (Sorbonne Nouvelle University Paris, France) and Darren Waldron (University of Manchester, UK)1. Intimate Distance: The Face of Isabelle Huppert Darren Waldron (University of Manchester, UK)2. The Calculated Maladresse: Isabelle Huppert's Dual Performance Style Pedro Guimarães (University of Campinas, Brazil)3. Women in Extremis: Isabelle Huppert in the Director's Theatre George Sampatakakis (University of Patras, Greece)4. Enduring Extremity: on Isabelle Huppert's Intertextual BodyJules O'Dwyer (University of Cambridge, UK)5. Maternal Eroticism: Queering Isabelle HuppertEmma Wilson (University of Cambridge, UK)6. Huppert's Public: Audience Reception and the Cinema of Michael HanekeJoseph McGonagle (University of Manchester, UK)7. Huppert and Chabrol: Opacity, Dissonance and the Crystal-CharacterCatherine Dousteyssier-Khoze (University of Durham, UK)8. Embodying the White (Colonial) Woman: Isabelle Huppert's Roles in Postcolonial FilmKaya Davies Hayon (University of Lincoln, UK)9. Acting Funny: A Counter-Reading of Huppert's Star PersonaRaphaëlle Moine (Sorbonne Nouvelle University Paris, France)10. “Who the Hell is Isabelle Huppert?”: A French Star in AmericaAlison Taylor (Bond University, Australia)11. After Elle: Isabelle Huppert's Performance of Fame, Fashion, and FeminismNick Rees-Roberts (Sorbonne Nouvelle University Paris, France)Index