Ellis Jones is a researcher at the University of Oslo, Norway, whose work investigates the impact of digitization on popular music cultures. A long-time devotee of "DIY" music, his work as a songwriter has been acclaimed by Pitchfork, Rolling Stone, and NPR.

In DIY Music and the Politics of Social Media, Jones presents a rich account of how social media is used in DIY music scenes and how scene participants committed to a genuine DIY ethos connected with political and cultural resistance negotiate the tensions and contradictions this produces. Going beyond presentation and analysis of the situation that exists, Jones presents ideas for new and innovative ways for music cultures to exist online that do not involve simply accepting the way of doing things presented to us by the major platforms.

• 1. The problem2. The past: a history of DIY music in three case studies 3. The personal: intimacy and identity work on social media 4. The players: gatekeeping, authority, and ownership within the scene 5. The public: elucidating difference and performing politics 6. The popular: metrics, measurements, and the DIY imagination 7. The platform: self-sufficiency and the political economy of social media8. The plan: envisioning alternative platforms

Ellis Jones is a researcher at the University of Oslo, Norway, whose work investigates the impact of digitization on popular music cultures. A long-time devotee of "DIY" music, his work as a songwriter has been acclaimed by Pitchfork, Rolling Stone, and NPR.

In DIY Music and the Politics of Social Media, Jones presents a rich account of how social media is used in DIY music scenes and how scene participants committed to a genuine DIY ethos connected with political and cultural resistance negotiate the tensions and contradictions this produces. Going beyond presentation and analysis of the situation that exists, Jones presents ideas for new and innovative ways for music cultures to exist online that do not involve simply accepting the way of doing things presented to us by the major platforms.

• 1. The problem2. The past: a history of DIY music in three case studies 3. The personal: intimacy and identity work on social media 4. The players: gatekeeping, authority, and ownership within the scene 5. The public: elucidating difference and performing politics 6. The popular: metrics, measurements, and the DIY imagination 7. The platform: self-sufficiency and the political economy of social media8. The plan: envisioning alternative platforms

Ellis Jones is a researcher at the University of Oslo, Norway, whose work investigates the impact of digitization on popular music cultures. A long-time devotee of "DIY" music, his work as a songwriter has been acclaimed by Pitchfork, Rolling Stone, and NPR.

In DIY Music and the Politics of Social Media, Jones presents a rich account of how social media is used in DIY music scenes and how scene participants committed to a genuine DIY ethos connected with political and cultural resistance negotiate the tensions and contradictions this produces. Going beyond presentation and analysis of the situation that exists, Jones presents ideas for new and innovative ways for music cultures to exist online that do not involve simply accepting the way of doing things presented to us by the major platforms.

• 1. The problem2. The past: a history of DIY music in three case studies 3. The personal: intimacy and identity work on social media 4. The players: gatekeeping, authority, and ownership within the scene 5. The public: elucidating difference and performing politics 6. The popular: metrics, measurements, and the DIY imagination 7. The platform: self-sufficiency and the political economy of social media8. The plan: envisioning alternative platforms