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    1. Samhälle och politik
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    Serge Gainsbourg

    An International Perspective

    AvOlivier Julien,Olivier Bourderionnet

    Inbunden, Engelska, 2024

    1 365 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Serge Gainsbourg is arguably the Francophone songwriter whose contribution to the international appeal of French popular music has been the most significant in the post-war era. Sampled by Beck, De La Soul, Massive Attack and Fatboy Slim, remixed by Howie B. and David Holmes, translated by Mick Harvey, and covered by Iggy Pop, Donna Summer, Portishead, Madeleine Peyroux, the Pet Shop Boys and Franz Ferdinand, his music has crossed borders in a way no other modern French-language singer-songwriter’s has.The interdisciplinary approach of Serge Gainsbourg: An International Perspective engages in a dialogue between musicology, film and media studies, literature, cultural studies, gender studies, and more, revealing the broad scope of Gainsbourg’s impact in and outside of France, from the late 1950s through today. Bringing together a large selection of scholars from across the world, this collection of 26 chapters emphasizes his unique position in French culture, covering issues such as his musical influences and collaborations, esthetics and form, his experimentations with disciplines other than music (mainly film and literature), not to mention the conversation at play between high art and mass culture in this artist’s multifaceted body of work.

    Produktinformation

    • Utgivningsdatum:2024-02-08
    • Mått:162 x 240 x 20 mm
    • Vikt:600 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:280
    • Förlag:Bloomsbury Publishing Plc
    • ISBN:9781501365669

    Utforska kategorier

    • Kulturvetenskap inom Samhälle och politik
    • Populärmusik inom Kultur
    • Musiker, sångare och grupper inom Kultur

    Mer om författaren

    Olivier Julien is Associate Professor at Sorbonne Université, France, where he teaches the history and musicology of popular music. A permanent member of the IReMus research group (Sorbonne Université/CNRS) and a member of the editorial board of Volume! La revue des musiques populaires, he is the editor of Sgt. Pepper and the Beatles: It Was Forty Years Ago Today (2009 ARSC Award for Best Research in Recorded Rock and Popular Music) and Over and Over: Exploring Repetition in Popular Music (with Christophe Levaux, Bloomsbury, 2018).Olivier Bourderionnet is Professor of French at the University of New Orleans, USA. He teaches courses on contemporary French literature and culture, on pop culture and the cultural industries. His book Swing Troubadour. Vian, Brassens, Gainsbourg: les Trente Glorieuses en 33 tours (2012) examines the transformation of post-WWII France through the prism of popular music and the impact of jazz on French chanson. Bourderionnet has also published numerous articles touching on a broad variety of topics such as music in the interwar period, music and film and French Hip-hop culture.

    Recensioner i media

    A provocative and pungent artist like Gainsbourg hobbled with academic footnotes and impersonal hedging? This book could have been a curate’s egg. But solid research and fresh insight make it more like an egg by Fabergé.

    Innehållsförteckning

    • List of figuresNotes on contributorsAcknowledgementsIntroduction: From Saint-Germain-des-Prés to the Sorbonne: The Emergence of Gainsbourg StudiesOlivier Julien, Sorbonne Université, France, and Olivier Bourderionnet, University of New Orleans, USAPart I Deconstructing the Gainsbourg Persona“Docteur Jekyll et Monsieur Hyde”: Gainsbourg in the Mirror1. The Hidden Beauty of the UglyJeremy Allen, Journalist, UK2. Gainsbourg over Piaf: The Gendered Pantheon of Chanson Artists in French Music BiopicsIsabelle Marc, Complutense University of Madrid, Spain“Yellow Star”: Gainsbourg & Jewishness3. “Dieu Est Juif”: Disappearing and Reappearing Jewishness in Serge Gainsbourg’s CareerJonathyne Briggs, Indiana University Northwest, USA, and Nick Underwood, The College of Idaho, USA4. “Le Sable et le Soldat”: Serge Gainsbourg, Jewishness, Masculinity, and the Quest for LegitimacyFrance Grenaudier-Klijn, Massey University, New Zealand“Vu de l’Extérieur”: Gainsbourg’s International Reputation5. Contention and Consensus: Posthumous Press Coverage of Serge Gainsbourg in the UKChris Tinker, Heriot-Watt University, UK6. The Critical Song of Serge GainsbourgCaroline Kennedy, Goldsmiths University London, UKPart II Words and Music“Du Jazz dans le Ravin”: The Beginnings7. Boris Vian’s Visionary Criticism of the Early Work of Serge GainsbourgMarianne Di Benedetto, Independent Scholar, France8. Fallen on Deaf Ears: Confidentiel’s Visionary Blend of Jazz and ChansonOlivier Bourderionnet, University of New Orleans, USA“Là-Bas C’Est Naturel”: Gainsbourg & World Music9. “Latin” Gainsbourg and the Parisian Nightclub Scene Sue Miller, Leeds Beckett University, UK 10. Gainsbourg and Musical Crossover: Issues in Sound Categorization and Stylistic Appropriation in the Study of Gainsbourg PercussionsDanick Trottier, Université du Québec à Montréal, Canada 11. Gainsbourg in a Reggae Style: The Esthetics, Economics, and Politics of Aux Armes et Cætera Marc Kaiser, Paris 8 University, France12. Gainsbourg and the Other: A Postcolonial Reading of Gainsbourg PercussionsAurélien Djebbari, DJ, France, and Elina Djebbari, Paris Nanterre University, France“L’Impression du Déjà-Vu”: Local Inspiration & Francophone Legacy13. Charles Trenet’s Influence on Serge Gainsbourg: Swing, Irony, and PoetryClaire Fraysse, Sorbonne Université, France14. Singing Gainsbourg at the Time of the Yé-Yé (1962–6): The Perpetual Provocateur and His MusesAndreas Bonnermeier, University of Bayreuth, Germany“Qui Est ‘In’ Qui Est ‘Out’”: Gainsbourg & The British Invasion15. “Extrêmement Pop”: Gainsbourg and Swinging LondonKirk Anderson, Wheaton College, Massachusetts, USA16. “Je T’Aime… Moi Non Plus.” Jane Birkin and the English Preference of Serge GainsbourgPeter Hawkins, University of Bristol, UKPart III Beyond Songwriting“Arts Majeurs”/“Arts Mineurs”: Intertextual Perspectives17. Cargo Cultist: How Serge Gainsbourg Pioneered SamplingDarran Anderson, Independent Scholar, UK18. “Un Amour Peut en Cacher un Autre”: Serge Gainsbourg through the Prism of TranstextualityOlivier Julien, Sorbonne Université, France19. Serge Gainsbourg and the Romantic PianoNathalie Hérold, Sorbonne Université, France“Les Dessous Chics”: Gainsbourg & Musical Analysis20. Evil twin? The Poetics of Duality in Serge GainsbourgCatherine Rudent, Université Sorbonne Nouvelle, France21. “Je T’Aime… Moi Non Plus”: A Songscape AnalysisThomas MacFarlane, Independent Scholar and Musician, USA“En Relisant Ta Lettre”: Gainsbourg & Literature22. Evguénie Sokolov: Fake Genius, Genial FakerChristophe Levaux, University of Liège, Belgium23. Gainsbourg as a Dandy: Image and Literary InfluencesMickaël Savchenko, Independent Scholar, France“Des Flashes et des Eclairs”: Gainsbourg & The Moving Image24. L’Eau à la Bouche: Gainsbourg at the Forefront of the “Nouvelle Vague”Jérôme Rossi, Université Lumière Lyon II, France25. “Cargo Culte”: How Gainsbourg’s Melody Film Invented a New Long-Form Audiovisual LanguageAlex Jeffery, Independent Scholar, UK26. Gainsbourg for Sale! Serge Gainsbourg and AdvertisingPhilippe Cathé, Sorbonne Université, FranceReferencesIndex