Information Fantasies

Precarious Mediation in Postsocialist China

AvXiao Liu

Häftad, Engelska, 2019

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Beskrivning

Winner of the Science Fiction Research Association Book AwardA groundbreaking, alternate history of information technology and information discoursesAlthough the scale of the information economy and the impact of digital media on social life in China today could pale that of any other country, the story of their emergence in the post-Mao sociopolitical environment remains untold. Information Fantasies offers a revisionist account of the emergence of the “information society,” arguing that it was not determined by the technology of digitization alone but developed out of a set of techno-cultural imaginations and practices that arrived alongside postsocialism.Anticipating discussions on information surveillance, data collection, and precarious labor conditions today, Xiao Liu goes far beyond the current scholarship on internet and digital culture in China, questioning the limits of current new-media theory and history, while also salvaging postsocialism from the persistent Cold War structure of knowledge production.Ranging over forgotten science fiction, unjustly neglected films, corporeal practices such as qigong, scientific journals, advertising, and cybernetic theories, Information Fantasies constructs an alternate genealogy of digital and information imaginaries-one that will change how we look at the development of the postsocialist world and the emergence of digital technologies.

Produktinformation

Utgivningsdatum:2019-02-19
Mått:140 x 216 x 51 mm
Format:Häftad
Språk:Engelska
Antal sidor:376
Förlag:University of Minnesota Press
ISBN:9781517902742
Utmärkelser:Winner of Information Fantasies 2020

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Mer om författaren

Xiao Liu is assistant professor of East Asian studies at McGill University.

Recensioner i media

"Xiao Liu’s creative, erudite, and richly researched book entirely reconfigures our understanding of the media landscape in 1980s China. Her dense explorations of how new media emerged, coalesced, and interacted in this crucial period range over multiple formats-forgotten science fiction stories, neglected films, photographs, videotapes, computers, television and teletext, qigong, scientific journals, advertising, and cybernetic theories-to draw science and aesthetics into a charged and illuminating encounter. The result is unquestionably one of the most original works to appear in Chinese cultural studies since the millennium."-Margaret Hillenbrand, University of Oxford "Liu solidly connects a very unique system with the IT perceptual revolution, essential for understanding the present futuristic scenario."-Neural"Information Fantasies strives to maintain a balance between the liberatory excitement around digital media and the constant crises of postsocialist precariousness (p. 10) and will surely prove a fundamental resource for an audience of readers as interdisciplinary as this volume’s author."-Asiascape"Information Fantasies shows that the close reading of signs, symptoms and systems need not be at odds with descriptions of materiality and technicity."-Critical Inquiry"An ambitious academic dream turned into reality. The book shows the author’s diligence in research and skills in organizing extensive and dispersive materials with a clear focus. . . . A valuable work in the study of communication and humanity."-China Review International"The site-specific and historically situated cases, along with brilliant interpretations, will interest researchers in media, literature, and modern China studies as well as historians of technology."-Technology and Culture

Innehållsförteckning

ContentsIntroduction: “Information Pot” and Postsocialist Politics of Mediation1. Extrasensory Powers, Magic Waves, and Information Explosion: Imagining the Digital2. The Curious Case of a Robot Doctor: Rethinking Labor, Expert Systems, and the Interface3. The “Ultrastable System” and the New Cinema4. Affective Form: Advertising, Information Aesthetics, and Experimental Writing in the Market Economy5. Liminal Mediation and the Cinema RedefinedEpilogue: The Virtual Past(s) of the Future(s)AcknowledgmentsNotesIndex